Rob Thomas + A Great Big World

Concert Reviews

Review & Photography by Estelle Massry

Grammy-winning singer, songwriter, and Matchbox Twenty frontman Rob Thomas is currently out on his The All Night Days Tour, building anticipation for his upcoming album set to drop on September 5, 2025. Rob has had a very successful solo career, with five albums over the last 20 years and really shows no signs of slowing down. He never misses a stop at PNC on his tours, and this year I finally had the chance to see him live. Pulling into the lot under a relentless thunderstorm had me on edge, wondering if the show might be canceled. Luckily, the venue pushed forward, though the opening was delayed. Seeing the empty lawn and soaking fans as I entered, the atmosphere felt low at first, and I couldn’t help but wonder how the crowd would respond.

A Great Big World, best known for their Grammy-winning hit “Say Something” with Christina Aguilera, walked out on stage at 8:15 to a thinly packed venue but delivered a performance that was like stepping into a storybook. With only a piano and a guitar on stage, the duo kept things minimal, allowing Ian Axel’s mesmerizing vocals to take center stage. Ian mentioned how surreal it was to be on stage as he has fond memories of coming to see his favorite artists at PNC when he was younger – a full circle moment indeed.

Rob Thomas made a dramatic entrance, silhouetted against the stage lights as if teasing the audience. Descending the stairs, he was revealed in black jeans and a black T-shirt with a white lightning bolt—a look that felt just right for the evening’s atmosphere. Rob opened the show with “I Believe It” from his soon-to-drop All Night Days album. The setlist was a well-crafted blend of solo hits like “Lonely No More,” “Her Diamonds,” “Little Wonders,” “Streetcorner Symphony,” and the newly released “Hard to Be Happy”. It also included iconic Matchbox Twenty favorites, such as “3 AM,” “If You’re Gone,” as well as the always electrifying “Smooth”, his collaboration with Santana as well as “New Sensation”, a cover by INXS.

Rob Thomas treated the audience to a two-hour set brimming with magic. His rich, soulful vocals filled the open-air amphitheater, accompanied by a tight, skilled band. Between songs, he captivated the crowd with personal stories about the inspiration behind his music. He also paid tribute to his lead guitarist and son, Maison, with whom he was obviously beyond excited to be sharing the stage. Seeing the two of them interact with each other was quite special. Rob commanded the stage with undeniable charisma, engaging the audience throughout. With no backing tracks, it was a raw, authentic performance from a truly soulful storyteller.

While the weather threatened to put a damper on the night, it ended up drawing everyone closer to the stage, creating a surprisingly intimate atmosphere. If you love Rob’s solo work, Matchbox Twenty’s hits, or just memorable live music—this show had it all.

For more info please visit http://www.robthomasmusic.com

Volbeat + Halestorm + The Ghost Inside

Concert Reviews

Review & Photography by Estelle Massry

Danish rock band Volbeat just kicked off their Greatest of All Tours in support of their ninth album, God Of Angels Trust. Volbeat has scored 10 number 1 songs on the billboard mainstream rock airplay chart, which is the most ever for a band based outside of North America. Their presence in the US was apparent tonight in New Jersey, fans were eager to hear them play as they showed up clad in band merch showing their love and devotion to their favorite band.

The first special guest on this tour into the WRATFEST lineup was The Ghost Inside, a metalcore band from El Segundo, California. The band consists of Jonathan Vigil (vocals), Zach Johnson (lead guitar), Chris Davis (rhythm guitar), Jim Riley (bass), and Andrew Tkaczyk (drums). The band has faced many hardships including being involved in a serious bus crash in Texas in 2015 that left several members with life changing injuries. Drummer Andrew Tkaczyk lost one of his legs and many thought the band would never play again. They shocked their fans and returned to the stage in 2019 with a sold out comeback show in LA. They are respected not only for their music but their resilience, it was clear to see the love that their fans have for them tonight at this show.

The Grammy-winning rockers Halestorm kept the energy going. Lzzy Hale walked out on stage holding her badass guitar in her skin tight black bodysuit and burgundy velvet top, her long legs exposed with knee high back patent leather boots, matching her black cape with gold and silver snake patterns with red lining. Her vocals are always strong and she delivered every song with her powerful and commanding vocal range. She wasted no time jumping into the set with “Fallen Star”, “I Miss The Misery,” and “Love Bites (So Do I).” Band members Joe Hottinger (guitar), Arejay Hale (drummer and Laze’s brother) & Josh Smith (bass) are on point and really know how to draw energy from each other. I have seen Halestorm many times and am always impressed by their delivery and love how good they are to their fans.

As night fell, the stage erupted in dynamic lighting and a towering “VOLBEAT” backdrop that anchored the show’s powerful visual identity. Smoky haze, strobes, and color washes heightened the drama—casting the band in stark silhouettes one moment, then spotlighting them in vivid detail the next.

Opening with “The Devil’s Bleeding Crown” and “Lola Montez,” Volbeat immediately sent energy rippling through the crowd. Frontman Michael Poulsen’s charismatic command of the stage was immediately evident. His vocals were raw, expressive, and carried effortlessly across the lawn. The setlist, a deft balance of fan favorites and newer material, included “Sad Man’s Tongue” (complete with a dramatic “Ring of Fire” intro), the thunderous “Demonic Depression,” and the ominous triple-barreled “In the Barn of the Goat Giving Birth to Satan’s Spawn in a Dying World of Doom.”

Fans were in full participation, singing along, fists pumping, and erupting into applause between songs. Despite being outdoors, the venue felt intimate thanks to the collective energy of those there. I have to be honest that I didn’t know much about Volbeat, maybe only heard a song or 2 prior to the show and didn’t know what to expect. Their sound is not easy to define and hard to put into a category. I was pleasantly surprised and found myself really enjoying the “undefined”. I left wanting to hear more and dig more into their music. Make sure to check them out on this tour!

For more info please visit http://www.volbeat.dk

Falling In Reverse

Concert Reviews

Review & Photography by Estelle Massry

Falling In Reverse delivered an electrifying performance at the PNC Bank Arts Center in Holmdel, NJ on September 13, 2024. Their Popular Monstour II: World Domination tour has solidified the band’s reputation as a powerhouse in alternative rock.

The band was supported by an impressive lineup, including Black Veil Brides, Dance Gavin Dance, Tech N9ne, each delivering their own unique style, adding to the night’s overall dynamism. The entire experience was a sonic rollercoaster, with powerful visuals and synchronized lights amplifying the intensity of the performance.

First on was Jeris Johnson who appeared with his sword and shield ready to take control of the stage. Johnson is an innovative rock artist blending elements of alternative rock, metal, and electronic music. Known for his viral TikTok covers and collaborations, he brings a fresh, rebellious energy to the rock scene.

Tech N9ne came on stage with a whole other level of energy. He is a legendary rapper known for his rapid-fire flows, complex lyricism, and genre-blending style, mixing hip-hop with elements of rock, metal, and even opera. As co-founder of Strange Music, he’s become a major independent artist, gaining a loyal fanbase through relentless touring and innovative releases.

As the sun set, it was a perfect time to bring out Black Veil Brides. They delivered an electrifying performance captivating the crowd with their signature blend of heavy rock and gothic theatrics. As part of their co-headlining tour with Falling in Reverse, their set featured fan favorites like “In the End” and a powerful cover of Billy Idol’s “Rebel Yell,” which had the audience singing along in full force.

The band’s energy was contagious, with frontman Andy Biersack commanding the stage, engaging fans both new and old. The band also consists of Lonny Eagleton on bass, Jake Pitts on guitar and Christian Coma on drums. The production value, complete with dramatic lighting and sharp sound quality, made the evening feel larger-than-life. Fans left the venue with adrenaline still pumping, proving once again why Black Veil Brides are a standout in modern rock​

Dance Gavin Dance followed and the stage went a lot brighter for their set. They are a post-hardcore band known for their eclectic mix of progressive rock, screamo, and experimental sounds. Their unique combination of clean and unclean vocals, alongside intricate guitar work, has earned them a passionate fanbase and a distinct place in the alternative music scene.

Now it was time for what the fans came here for, they have been waiting over 3 1/2 hours for Falling In Reverse. From the moment they opened with “Watch the World Burn,” the crowd was hooked. Radke’s vocal range—shifting between rap, clean vocals, and screams—kept everyone on their toes, proving his versatility as a frontman. Radke commanded the stage with his signature blend of swagger, emotion, and pure intensity, making it clear why he’s become such a magnetic figure in rock. The band also includes Christian Thompson on guitar, Tyler Burgess on bass and Luke Holland on drums.

Songs like “Zombified” and “The Drug In Me Is You” were not just highlights but communal experiences, with fans passionately belting out every word alongside Radke. His stage presence was larger-than-life, blending charisma with an undeniable sense of vulnerability, especially when performing introspective tracks like “I’m Not a Vampire.” The tour features a visually stunning production with intense light shows and epic pyrotechnics which added to the entire experience.

For fans of post-hardcore, metalcore, and electronic rock, this show was a visceral display of genre fusion done right. For anyone who’s followed his tumultuous journey, this show was a celebration of resilience and evolution​. Wether you came for Radke’s raw vocal delivery or the band’s breakdown-heavy instrumentation, it was clear that Falling In Reverse remains at the forefront of alternative rock, constantly pushing the envelope with both sound and stagecraft​.

For more info please visit http://www.fallinginreverse.com

Live // Stone Temple Pilots

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

The PNC Bank Arts Center provided the perfect backdrop on this cool, late summer evening as Holmdel NJ hosted a ’90s rock trifecta as three iconic bands—Soul Asylum, Stone Temple Pilots, and LIVE were about to take the stage for a night to remember on The Jubilee Tour celebrating the 30th Anniversary of “Throwing Copper” and “Purple.”

I’ve been a fan of these three since my 20’s.  They populate many of my playlists to this day so I was excited to not only experience these bands live but also be in the fortunate position to review them. Each band brought their unique flair, making it a whirlwind through some of the most influential music of their era.

Soul Asylum had the shortest set list of the night but that certainly didn’t stop them from delivering a high energy performance to remember, kicking off the evening with their signature blend of grunge and alternative rock. Opening with “Somebody to Shove” they immediately tapped into the crowd’s collective memory, eliciting a wave of cheers and sing-alongs. The band’s energy was palpable, led by Dave Pirner’s distinctive voice and engaging stage presence. Hits like “Black Gold” and “Runaway Train” followed, each delivered with a mix of nostalgia and fresh intensity. Pirner, ever the charismatic frontman, shared anecdotes and interacted with the audience, making it clear that despite the years, Soul Asylum remains a formidable live act.

Stone Temple Pilots took the stage next, and the atmosphere shifted to an even higher gear. The band’s set was a masterclass in ’90s rock, opening with “Meatplow” followed immediately by the high-octane hit “Vaseline”.  Admittedly not the same without Scott Weiland, Jeff Gutt led the charge on vocals with confidence and charisma as the band delivered an impressive performance that balanced reverence for their past hits with a fresh, dynamic energy. Gutt’s voice, while distinctly different from Weiland’s, brought its own compelling intensity to classics like “Plush” and “Interstate Love Song.” The crowd was on their feet, lost in the raucous joy of familiar tunes, and the band’s tight musicianship and vibrant performance were a testament to their enduring appeal.

LIVE took the stage next to complete the circle with their powerful and emotive rock sound. They opened with “Top” followed by “All Over You” and it was clear from the first notes that the crowd was deeply engaged. Ed Kowalczyk’s commanding voice and the band’s richly layered sound made for a captivating experience. The setlist was a journey through their greatest hits, including “I Alone” and “The Dolphin’s Cry”, and closing with “Lightning Crashes.” Kowalczyk’s heartfelt delivery and the band’s impeccable musicianship resonated deeply with fans, and their performance felt both nostalgic and invigorating as we all sang along.

For each band, the visual and sonic elements of the show complemented the performance perfectly. The lighting design enhanced the mood of each song, shifting from the intense, pulsating lights, to some more subdued, atmospheric hues. The backdrops also complemented the lighting well as trippy, outer space type scenes shifted in and out with each note.

Overall, the evening was a throwback to my earlier days and made for a wonderful celebration of ’90s rock, with each band delivering performances that were both true to their classic sound and infused with a renewed energy. It was a night of three titans, each showcasing powerful vocals, and a shared appreciation for the music that defined a generation.

For more info please visit http://www.livetheband.com http://www.stonetemplepilots.com http://www.soulasylum.com

Avril Lavigne

Concert Reviews

Canadian singer-songwriter Avril Lavigne performed at PNC Bank Arts Center on August 23rd, 2024 as part of “The Greatest Hits” Tour. Lavigne achieved great success as a teenager and paved the way for female-driven, punk-influenced pop music in the early 2000s. The “Pop Punk Queen” has been nominated for 8 grammy awards.

Starting off the night was pop-punk duo girlfriends, consisting of Travis Mills on vocals/guitar and Nick Gross on drums. They had a great look and even without knowing their songs, you still caught yourself wanting to sing along. A great way to start the night!

The crowd was ready to go as fellow Canadian pop-punk band Simple Plan opened with 50 minutes of pure fun. Formed in 1999, the band’s current lineup consists of Pierre Bouvier, Chuck Comeau, Jeff Stinco, and Sébastien Lefebvre. They jumped right into ‘I’d Do Anything“, the song that started it all. They performed with absolute joy and looked like teenagers performing with so much energy and liveliness. Beach balls filled the venue halfway through the set and had the fans a bit distracted but it didn’t stop them from singing to every word of their catchy hits including “Shut Up!”, “Welcome to My Life” and “Perfect”.

As I looked around anticipating Lavigne’s entrance, the venue was filled with fans wearing her signature clothing style – hot pink, skulls, plaid skirts, chunky black boots and white tank tops with neckties. Lavigne emerged on stage on a high platform with a pink skull flashing in the background, kicking off with her high-energy anthem “Girlfriend”. Her style has remained the same, fishnet stockings with high black boots with a short pleaded skirt and black hooded jacket covered with white and silver skulls.

Songs like “Complicated” and “Sk8er Boi” transported the audience back to the early 2000s. Prior to the show I read some reviews that stated that she lacked energy. Did she jump around with the energy that she had when she was 17 years old? She certainly did not. Maybe the fast paced Lavigne that we used to know wasn’t displayed but It was evident that her vocals were still very strong and she was very engaging with the audience.

Returning for her encore in a flowing white robe complete with zippers, studs and chunky white lace-up boots, she stood on a platform at the back of the stage as she sang “Head Above Water” and making her way down to the front of the stage ending with “I’m With You”. To have 17,000 fans on their feet singing along to your “Greatest Hits” is a testament to Lavigne’s long lasting career.

For more info, please visit http://www.avrillavigne.com

Bush

Concert Reviews

Review & Photography by Estelle Massry

PNC Bank Arts Center welcomed British rock band Bush back for their “Loaded: The Greatest Hits” Tour, celebrating their 30th anniversary. It was a cool summer night but it didn’t take long for the night to heat up.

The night kicked off with Bones UK, the Grammy nominated rock band form Camden Town, London. The band consists of lead vocalist/guitarist Rosie Bones, Carmen Vandenberg on guitars, and drummer Heavy. Their set was filled with heavy rock riffs and rough-edged electronics. You could feel their edgy confidence throughout the venue and you immediately got hooked.

Seattle based rock band Candlebox soared onto the stage and the fans went wild. Kevin Martin, the band’s lead vocalist and the only original member still with the group, was pumped with energy from the moment he stepped on stage. His voice, a unique blend of power and vulnerability, was as compelling as ever, capturing the raw emotion that has always been at the core of Candlebox’s music. His stage presence was high energy and he engaged with the fans nonstop throughout the entire show, throwing guitar pics, shaking hands and signing drum sticks. Being a long-time fan of the band, this concert was particularly special, a poignant reminder of why Candlebox has held a cherished place in the hearts of so many over the past three decades.

Throughout the set, the band delivered a well-curated mix of their greatest hits and fan favorites. Songs like “Far Behind” and “You” brought the crowd to life, with many singing along to every word. These tracks, which were massive hits in the early ’90s, still resonate deeply with fans, and hearing them live was a powerful experience and filled the venue with a mix of melancholy and nostalgia.

Next up was Jerry Cantrell. An unforgettable experience for fans of the legendary guitarist and Alice in Chains co-founder. As someone who has followed Cantrell’s career for years, this concert was a dream come true. It was a night filled with raw emotion, masterful guitar work, and a setlist that perfectly encapsulated his incredible career.

From the moment Cantrell took the stage, the atmosphere was electric. The crowd erupted as he launched into the first notes of “Psychotic Break”. The Setlist was a well- balanced mix of his solo work and classic Alice In Chains staples like “Them Bones,”, “Got Me Wrong”, “Would?” and the iconic “Rooster”. His guitar work was as precise and emotive as ever, with every note resonating through the venue. The tone of his guitar, paired with his hauntingly melodic voice, created an ambiance that was both intense and deeply moving.

The night began with an energy that only built as the show progressed. Gavin Rossdale, the band’s charismatic frontman, was in top form, commanding the stage with his raw vocal power and dynamic presence. Rossdale’s energy was contagious, and it was clear that both he and the band were genuinely enjoying themselves, which only added to the concert’s vibrant atmosphere.

One of the most memorable moments of the night was when Rossdale ventured into the crowd during “Little Things,” a move that sent the audience into a frenzy. His willingness to engage directly with fans highlighted the band’s commitment to making each concert a unique experience. One thing you can say for certain is that Rossdale does not stop moving and gives his all at every show.

Chris Traynor on guitar, Corey Britz on bass, and Nik Hughes on drums provided a solid backbone, driving the performance forward with a tight, cohesive sound. The lighting and stage production were also top-notch, enhancing the mood of each song and adding a visual punch to the performance. A the start of “Swallowed” the lighting significantly changed, showcasing only Gavin as he stood alone in the center of the stage giving us all a very raw solo performance of this beautiful song.

The band has managed to stay relevant by continuously producing music that resonates with both old and new fans alike. Bush still has the motivation to put out music with the same power and integrity that they did in 1994. those who have followed Bush since the ’90s, the concert was a thrilling trip down memory lane. For newer fans, it was a chance to experience the raw energy and passion that has kept Bush at the forefront of rock music for so many years.

For more info please visit http://www.bushofficial.com

Setlist

  1. Everything Zen
  2. Machinehead
  3. Bullet Holes
  4. The Chemicals Between Us
  5. Greedy Fly
  6. Quicksand
  7. All Things Must Change
  8. The Sound of Winter
  9. Swallowed
  10. Heavy Is the Ocean
  11. Flowers on a Grave
  12. Little Things
  13. More Than Machines (Encore)
  14. Come Together (Encore)
  15. Glycerine (Encore)

New Kids on the Block

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

On a hot and rainy summer night in NJ, New Kids on the Block still proved that they have “The Right Stuff” as they brought their Magic Summer 2024 Tour to PNC Bank Arts Center. The amphitheater was abuzz with electrifying nostalgia in anticipation of New Kids On The Block (NKOTB).

The crowd—spanning generations—was a vibrant mix of original fans and newer enthusiasts (as young as 5 years old), all eagerly awaiting the arrival of NKOTB. The stage was set with an impressive array of lights, pyrotechnics, and a massive, LED-studded backdrop that promised a night of visual and auditory spectacle.

The iconic boy band, now seasoned veterans of the music scene, delivered a performance that was both a testament to their enduring appeal and a celebration of their remarkable journey from the mid ’80s to the present. Formed in 1984 NKOTB are considered one of the first “boy bands” and paved the way for other successful boy groups with the likes of NSYNC and Backstreet Boys. The venue ebbed and flowed in a sea of fans (mostly women aka: “Blockheads”) all dressed in their 80’s inspired neon’s from pinks, yellows and greens, to “I love Donny” handmade t-shirts, florescent bandanas, and coordinated cheerleading outfits.  Adoring fans seemed to have the same excitement today as they had when NKOTB posters were hanging on their bedroom walls over 30 years ago. 

Long time friend of NKOTB and Philadelphia born, DJ Jazzy Jeff (DJJJ) kicked off the evening and riled up the crowd spinning his cool mixes including popular tracks “Uptown Funk” and “Don’t Stop Believin'”. He is best known for his collaboration with Will Smith on 80’s hits such as “Parents Just Don’t Understand” and “Nightmare on My Street.” 

Following DJJJ was former Laker Girl, American Idol judge, choreographer and Grammy winning pop singer, Paula Abdul. Abdul opened with her biggest hit “Straight Up” gliding across the stage on tables and chairs, and accompanied by a full set of talented dancers. Her set design was grand, colorful and constantly changing. At one point, after a big dance scene, one of her dancers brought out an oxygen tank, Paula put the mask on, inhaled a couple of times and said, “You think I’m kidding? This is 62!”. Putting everything she has into her performances; Paula Abdul is truly a showstopper. She looked amazing, delivering all the hits we love so much including “Cold Hearted” “Forever Your Girl” and “Hush Hush”.

When Paula concluded, the countdown to the moment these fans have been waiting for was upon them. As Jordan Knight, Donnie Wahlberg, Joey McIntyre, Jonathan Knight, and Danny Wood hit the stage, the fans went absolutely wild. I usually wear earplugs to help with the bass being so close but this time I needed them the entire concert due to the pane glass cracking screams from adoring fans. I’ve never heard screams so loud – literally screaming at the top of their lungs! It was nuts!! NKOTB opened up with “Magic”, their first track off their recent album.

The visual elements of the concert were impressive. The stage design was dynamic, incorporating a series of elevated platforms, vibrant light shows, and impressive video projections. The choreography was tight and well-coordinated, with each dance routine perfectly timed to complement the high-energy beats of their songs. Neons, bright lights, streamers, confetti cannons and fog machines filled the venue. The high energy choreographies were fun! They incorporated all their signature moves effortlessly and you could tell they were having fun and didn’t take themselves too seriously. They were a bit more suggestive than their younger years, Donnie couldn’t help but to show off his abs several times and the “hip thrusts” thrown by each band member throughout the show made us all giggle. Each band member has such different personalities and it showed through as the night went on. The engagement they all have with their fans is like none other, bringing fans onstage to dance with them, having them singalong and even having group of fans stand on each side of the stage throughout the show for a lucky up close experience. 

One of the stand out moments was when the fans all got a lot closer to the action as each band member ran throughout the venue, hugging and kissing fans and taking selfies, eventually landing on elevated platforms providing fans with a closer experience than they expected.   They performed multiple songs perched from the platforms as fans screamed to “Block Party” and “Tonight“.  Once they made their way back on stage NKOTB showcased a few solos from select members including Joey’s piano take on “Where Do I Go From Here?”“Treat Me Right”, Donnie’s  “Stay With Me Baby”, Jordan’s “Baby, I Believe In You” and Jonathan’s serenade of “Happy Birthday” to one lucky fan.

The latter part of the show featured hits such as “Please Don’t Go Girl” and “Step By Step.”  They had multiple wardrobe changes with one in particular donning their blinged out and bedazzled Boston Celtics jerseys before performing “Hangin’ Tough” as an ode to their hometown of Boston’s basketball team.  They finished the thunderous evening with the live debut of “Better Days” where decibel levels were so high I felt the pillars of the venue would collapse. 

For fans of NKOTB and lovers of pop music nostalgia, the night at the PNC Bank Arts Center was a memorable celebration that reaffirmed why these boys from Boston remain beloved icons in the world of music.

Creed // 3 Doors Down

Concert Reviews

Just another night for us at PNC Bank Arts Center?  I think not!  The time has finally come.

I was very excited and have been waiting for years in anticipation to finally see Creed.  I’ve been a fan since they burst onto the post grunge scene in the late 90’s to early 2000’s. Their songs have a place on many of my personal playlists and the time has finally arrived to see them live! Joined by 3 Doors Down I knew the evening was going to be filled with powerful rock, great guitars and strong vocals. I was fired up!

Mirroring my own excitement, the packed house from row A to Back Lawn was buzzing with anticipation as fans eagerly awaited the dynamic rock duo of 3 Doors Down and Creed. While inclement weather worried many, it didn’t stop anyone from coming out to fill their souls with an energetic and nostalgic evening of music.

Canadian rock band, Finger Eleven kicked it off. Their setlist was a dynamic mix of fan favorites including “One Thing”, “Paralyzer” and new material, creating an engaging and immersive atmosphere setting expectations for all in attendance. The synergy between the band members and their ability to connect with the crowd provided a prelude to what was going to be a memorable event.

3 Doors Down

Sandwiched in the lineup was 3 Doors Down who took the stage with a confident swagger and an impressive array of hits spread throughout their 13-song set list. Opening with “Train,” followed by “It’s not My Time”, the crowd erupted into a sing-along that would set the tone for the rest of their set. The band’s performance was tight and polished, with lead singer Brad Arnold showcasing his powerful vocals on tracks like “Here Without You” and “Duck and Run”. The band’s chemistry was palpable, and their ability to connect with the audience was evident throughout their performance, with Arnold expressing his gratitude for the thunderous applause as each song concluded.

Guitarists Chris Henderson and Chet Roberts delivered intricate solos with ease, while drummer Greg Upchurch and bassist Justin Biltonen provided a steady, driving rhythm that kept the energy high. Their setlist was a carefully curated mix of fan favorites and deeper cuts and closing with two chart toppers “Kryptonite” & “When I’m Gone”, ensuring that both long-time supporters and casual listeners were not only satisfied but primed for Creed.

Creed

As the lights dimmed, Creed hit the stage and the first chords of “Bullets” rang out and crowd’s anticipation reached a fever pitch. Scott Stapp’s distinctive voice and the bands thundering guitar riffs filled the arena, proving that despite years away from the spotlight, the band still possesses the same musical talent and vocal prowess that made Creed a household name.

Their set was a celebration of the early 2000s rock era, with powerful renditions of “What If” and “What’s This Life For” bringing the audience to their feet. The band’s dynamic performance was highlighted by Mark Tremonti’s impressive guitar work, which added a layer of depth to the already anthemic sound. The rhythm section, consisting of Scott Phillips on drums and Brian Marshall on bass, was solid and reliable, anchoring the band’s sound with precision.

The lighting was a masterful blend of intensity and nuance, perfectly complementing the band’s powerful sound. The stage was bathed in a dynamic array of colors, shifting seamlessly between deep blues, fiery reds and bright whites to mirror the emotional highs and lows of the performance. Spotlights punctuated the set, casting dramatic beams that follow the band’s movements, while strobes and LED arrays added a modern, electrifying edge. The lighting transitions were timed impeccably with the rhythm of the music, creating an immersive atmosphere that heightened the concert’s impact and drew the audience deeper into the experience.

I must note, however (and I’m only critiquing this because I’m such a big fan), knowing of Stapps powerful vocals, I felt he was drowned out a bit.  I wanted to hear him more clearly and I wasn’t sure if it was my location (I was low and front left), or a technical glitch from soundboard. The music seemed to overpower the clarity of the microphone. Regardless, with myself and everyone else singing along to every word it was an imperfection I easily ignored.

The highlight of Creed’s set came with a stirring performance of “With Arms Wide Open” where the audience sang along with fervor, creating a shared moment of nostalgia and connection. And just as I was about to relax my voice from singing along all night the opening notes of “Higher” filled the venue as they finished their performance.  As the band exited and the stage went dark, fans knew a couple of songs were left unsung and cheered for an encore. Moments later Creed accepted the curtain call and they performed “One Last Breath” and “My Sacrifice”, leaving the audience full and satisfied and appreciative that they were able to experience all of Creed’s essentials! Their stage presence was commanding, and their ability to evoke strong emotions through their music was evident.

The combination of 3 Doors Down and Creed delivered an extremely memorable rock experience for me and everyone in attendance. Both bands demonstrated their enduring appeal and ability to captivate an audience, each in their own distinct way. Fans left with smiles on their faces and a sense of having relived some of the best moments from their musical past.

If the night was any indication, post grunge rock music’s legacy is alive and well, thanks to the continued passion and talent of bands like 3 Doors Down and Creed. It was an evening of high-energy, representing a nostalgia-fueled celebration of one of rock’s golden eras.

Editorial note: As I write this, I realize today is Scott’s birthday (8/9)! Happy Bday brother!  Keep rockin’!

For more info please visit http://www.creed.com http://www.3doorsdown.com http://www.fingereleven.com

Five Finger Death Punch

Concert Reviews

Five Finger Death Punch brought their 2024 tour to a sold out crowd at PNC Bank Arts Center on a hot and humid Monday night in NJ. The audience, a diverse mix of long-time fans and new listeners, was buzzing with enthusiasm. The crowd was a mix of goths, metalheads, and curious newcomers, all eagerly anticipating the main event.

The evening kicked off with Emo rock group The Funeral Project. They put on a fun theatrical live show. Lead singer Lee Jennings was full of energy and has a huge stage presence. Acclaimed as one of Alternative Press’ 100 Bands You Need to Know,” and you clearly understood why the minute they hit the stage.

Next up was Slaughter to Prevail, a Russian deathcore band from Yekaterinburg, Sverdlovsk Oblast. They are currently based in Orlando, Florida. The band’s overall commanding stage presence and iconic masks really pulls you in immediately. Lead singer, Alex the Terrible has the ability to morph his voice into something quite unworldly. A very intense entertaining performance.

Manson, the self-proclaimed “God of F***,” made a dramatic entrance as the curtain dropped, emerging from the shadows amidst a cloud of smoke. His presence was immediately commanding, clad in his signature dark, gothic attire, and his makeup as striking as ever.

This is Marilyn Manson’s first tour in almost five years. Manson’s career was put on pause the last few years due to a high number of legal cases involving serious allegations of sexual abuse. His band, featuring longtime drummer Gil Sharon and guitarist Tyler Bates have returned to the fold. Bassist Piggy D. (formerly of Rob Zombie) and current Code Orange guitarist/co-vocalist Reba Meyers have joined this tour. They provided a tight, explosive musical foundation that perfectly complemented Manson’s vocal delivery and stage antics.

Manson’s vocal performance was powerful and haunting, his voice resonating through the venue with an intensity that held the audience captive. He prowled the stage with a theatrical flair, often interacting with the crowd in his unique, provocative manner.

The setlist was a well-balanced mix of classic hits and newer material. Songs like “The Beautiful People,” “Sweet Dreams (Are Made of This),” and “The Dope Show” had the crowd up on their feet singing along. The night was a dark, thrilling journey through Manson’s twisted world, leaving fans both old and new eagerly anticipating his next return to the stage.

When Five Finger Death Punch finally took the stage, the atmosphere erupted with electrifying energy. Ivan Moody, the band’s charismatic lead vocalist, commanded the stage with his raw and powerful voice. His connection with the crowd was undeniable and a highlight, as he frequently engaged with fans and rallying the audience with his infectious energy. His performance was raw and intense, as he deftly switched between aggressive growls and melodic choruses. Zoltan Bathory’s guitar work and rock star charisma was nothing short of spectacular, delivering crushing riffs that left the crowd in awe. Chris Kael on bass and Charlie “The Engine” Engen on drums provided a thunderous rhythm section that kept the momentum going strong throughout the night. Andy James, the more recent addition to the band, proved his mettle with flawless execution and electrifying energy.

The setlist was a well-curated mix of their biggest hits and newer material, pleasing both longtime followers and recent fans. Songs like “Jekyll and Hyde,” “Wrong Side of Heaven,” and “Wash It All Away” were met with roaring approval. The stage production was equally impressive, featuring dynamic lighting & lasers that enhanced the overall experience. As the final notes of their encore rang out, the audience erupted in cheers, a fitting end to an electrifying night.

For more info please visit http://www.fivefingerdeathpunch.com

Setlist

  1. Welcome to the Circus
  2. Lift Me Up
  3. Trouble
  4. Wash It All Away
  5. Jekyll and Hyde
  6. Sham Pain
  7. Bad Company
  8. Salvation
  9. Burn MF
  10. Far From Home
  11. Wrong Side of Heaven
  12. Got Your Six
  13. No One Gets Left Behind
  14. IOU
  15. Under and Over it (Encore)
  16. Never Enough (Encore)
  17. The Bleeding (Encore)

Limp Bizkit

Concert Reviews

Nu-metal rock band Limp Bizkit brought his Loserville Tour to Holmdel NJ Tuesday evening. PNC was filled with red caps and fans of all ages. The lineup seemed questionable, having many fans wondering who they were and still looked puzzled as they came on. Corey Feldman started the show with very sparkly outfits and at one point dressing up as the “King of Pop”, Michael Jackson, replicating his every move. I was a huge fan of Corey Feldman in the 80’s, he was a box office draw in my favorite movies including “The Goonies,“Stand By Me,” “Gremlins” and “The Lost Boys.” Some would say that it was awkward to see him on stage but I found him to be very entertaining. He is “The Comback King” after all!

N8NOFACE was a very unique set and lost the attention of most of the audience. Mostly hitting himself in the head and screaming as he walked back and forth, there wasn’t much more to see. Next up was Bones who are best known for their emo rap featuring Xavier Wulf and Eddy Baker. They sounded great and played a full set but left Limp Bizkit fans feeling as if they were at the wrong show although I believe that was the whole point of having so many different music styles for openers.

After waiting patiently for almost 3 hours, Limp Bizkit finally hit the stage. Guitarist Wes Borland came out in his metallic mask and had us all mesmerized. The man (Limp Bizkit) who was filled with male rage and had quite a fallout from the disastrous Woodstock 1999 seemed to have turned the page. This was evident throughout the show as Limp Bizkit seemed to be enjoying the more “fun” side of life. He seemed more at peace and even brought kids up onstage during “Livin’ It Up” so they could watch the show from the center of the stage. He was full of energy and delivered hits such as “My Way”, “Nookie”, “Break Stuff” and a bonus cover of “Killing in the Name” by Rage Against the Machine”. All and all, a very memorable show!

For more info please visit http://www.limpbizkit.com