reviews

Disturbed

Concert Reviews

April 2nd, 2025 – Wells Fargo Center, Philadelphia PA

Review & Photography by Estelle Massry

On April 2nd, 2025, Disturbed electrified the Wells Fargo Center in Philadelphia with a performance that was as much a celebration of their legacy as it was a testament to their enduring mastery in the heavy metal arena. The concert, part of their “The Sickness 25th Anniversary Tour,” featured a two-set format: a full rendition of their seminal debut album, The Sickness, with a 20 minute brief intermission followed by a selection of 8 of their greatest hits.​

To start the night was San Antonio based band Nothing More, fronted by Jonny Hawkins who transitioned from drummer to lead vocalist in 2008. Jonny performing shirtless and barefoot has becoming a hallmark of Nothing More’s live shows and they are renowned for their emotionally charged performances and innovative stagecraft. The band’s set featured tracks from their latest album, Carnal, including the emotionally resonant “Angel Song,” a collaboration with Disturbed’s David Draiman. This song, which has soared into the Top 10 on Active Rock radio charts, exemplifies Nothing More’s ability to blend heavy rock elements with profound lyrical themes.

Daughtry delivered a powerful opening set, delivering a performance that showcased frontman Chris Daughtry’s evolution from American Idol finalist to a commanding rock presence. His set was a compelling blend of vulnerability and intensity, reflecting the personal growth evident in the band’s recent EP, Shock to the System (Part One).​ The band’s sound has matured as well as Chris’s physical transformation, embracing a heavier, more introspective tone that resonated deeply with the audience. This “renewal” is a testament to Daughtry’s willingness to confront personal hardships and channel them into their music, creating a raw and authentic experience for fans.

Now it was time for Disturbed and it was only fitting to commence with a dramatic entrance: frontman David Draiman was wheeled onto the stage Hannibal Lecter-style, restrained in a straitjacket and face mask, setting a dark and intense tone for the evening. The stage was adorned with heavy metal scaffolding and dynamic lighting, creating an industrial atmosphere that complemented the band’s aggressive sound. The energy in the arena was palpable as the band delivered a powerful performance, celebrating 25 years of their groundbreaking debut album.​

Throughout the performance, pyrotechnics and special effects were employed strategically to amplify the energy of the music. During “Meaning of Life,” Draiman was theatrically strapped to an electric chair, simulating electrocution, which added a dramatic flair to the set.  The band’s mascot, “The Guy,” loomed behind the drum riser, contributing to the visual spectacle.​

The concert began with a full performance of The Sickness, transporting fans back to the early 2000s. Hearing tracks like “Stupify” and “Down With The Sickness” live reignited the raw intensity that first drew me to their music. I also loved their Tears for Fears cover of “Shout”, Draiman’s voice makes any song his own and always delivers. The second half of the show featured a selection of their greatest hits, including “Bad Man”, “Indestructible”, “Ten Thousand Fists” and “Inside the Fire.” A standout moment was their haunting rendition of “The Sound of Silence,” and when I say haunting I mean it in every sense of the word. Who else can command complete silence from their fans during a sold out show?

Frontman David Draiman’s supreme presence was evident from the outset. His vocal delivery, ranging from guttural growls to melodic passages, showcased his versatility and kept the audience engaged throughout the night. Guitarist Dan Donegan and bassist John Moyer didn’t skip a beat with their synchronized high jumps in the air with their guitars while drummer Mike Wengren’s energy never stopped and intensified as the show went on.

Disturbed’s enduring appeal and their ability to connect with fans across generations is evident at each show. I have been fortunate to photograph them for a few years and there has been no sign of slowing down and they only get better with each year, they really are unstoppable!

For more info please visit http://www.disturbed1.com http://www.daughtryofficial.com http://www.nothingmore.net

Adrian Vandenberg

Concert Reviews

March 4, 2025 – The Vogel, Red Bank NJ

Review by Chris Yates // Photography by Estelle Massry

Red Bank New Jersey’s iconic venue, The Vogel, a smaller venue nestled within the Count Basie Center for the Arts, was the perfect backdrop for Dutch guitar legend Adrian Vandenberg on his “My Whitesnake Years” tour with special guest Bad Marriage.

Bad Marriage, not “just another band out of Boston”, opened the evening and was a great set up to Vandenberg, setting the tone for a nostalgic, throw-back to 80’s Rock & Roll! The bands perfect mix of sound and style catapulted me back to high school. They delivered an energetic live performance, mixing smooth tones with strong vocals in their own unique style. I thoroughly enjoyed it. Bad Marriage is made up of Jonny Paquin on vocals, Mike Fitz on lead guitar, Tommy Skeoch on lead/rhythm guitar, Ian Haggerty on rhythm guitar, Todd Boisvert on bass, and Michael Delaney on drums. The addition of Tommy Skeoch, formerly of Tesla, rounds out the sound to the band, gives a nod to the hair bands of yesteryear, and adds a cool feel to the triple guitar attack. 

After a brief interlude, the crowd was ready for the headliner and erupted in applause as Adrian Vandenberg took the stage. As Vandenberg, best known as the lead guitar slinger of Whitesnake, strolled to his mark on the far side of the stage his eponymous band followed, and the audience was set for a great evening of some new music mixed in with his iconic 80’s style hair band riffs and hits of Whitesnake.

Vandenberg, now in his 60s, showed no sign of slowing down. The legendary guitarist’s playing was sharp, soulful, and perfectly executed. His tone was warm and heavy, resonating throughout The Vogel’s intimate space, creating an atmosphere where every note felt personal. His rendition of “Burning Heart” had the crowd hooked, while “Here I Go Again” saw Vandenberg putting his signature spin on a Whitesnake classic, adding new layers of emotional depth to a song that’s become iconic.

The chemistry between Vandenberg and his backing band was undeniable. Bassist Sem Christoffel laid down a deep groove, as did keyboardist Len Van De Laak, while drummer Joey Marin De Boer provided the powerful backbone of the rhythm section. Frontman Mats Levén’s voice soared effortlessly through Vandenberg’s intricate compositions, giving the crowd a new appreciation for these timeless tracks.

Vandenberg’s guitar solos were the highlight of the evening, each one dripping with emotion and technical prowess. He effortlessly shifted between melodic runs and fiery shredding, displaying the breadth of his musical mastery. “Still of the Night,” with its signature haunting guitar lines, was a moment that had the entire venue fully engaged.

The acoustics were great, allowing each guitar riff, drum hit, and vocal note to shine through with clarity. The venue’s cozy and intimate yet vibrant atmosphere allowed fans to connect with the performers on a personal level, providing fans the rare opportunity to be up close making the night feel special from start to finish.

For fans who enjoy 80’s rock, this was an unforgettable evening. While Vandenberg has certainly left his mark on the genre, he also brought his A-game to The Vogel. It was a night that reminded us why we keep coming back to live music—the thrill of hearing some our favorite songs from that time, the magic of witnessing guitar greatness, and the shared connection that only live performance can bring.

For more info please visit http://www.vandenbergband.com http://www.badmarriagemusic.com

Daughtry

Concert Reviews

December 10, 2024 – Starland Ballroom, Sayreville NJ

Review & Photography by Estelle Massry

Chris Daughtry, a name synonymous with powerful vocals and heartfelt lyrics, has carved an enduring legacy in the rock music scene. Rising to fame as a finalist on the fifth season of American Idol in 2006, Daughtry’s talent and authenticity immediately set him apart.

As a longtime fan of Chris Daughtry, seeing him perform live at Starland Ballroom during his short Adrenaline Gone Ballistic Tour was nothing short of magical. From the moment the lights dimmed, and the band took the stage, you could feel the energy pulsing through the intimate venue.

Chris’s voice was absolutely phenomenal—raw, powerful, and filled with emotion. Whether he was belting out rock anthems or softening things up for the ballads, every note hit right in the heart and drew everyone in. As someone who’s followed Daughtry’s journey, hearing classics like “Home” and “Over You” was pure nostalgia. But what really stood out was how seamlessly the newer tracks, like those from his latest album Dearly Beloved, fit into the setlist. Songs like “Heavy Is the Crown” brought an edgier vibe that had everyone rocking out.

The band was tight and were full of energy that radiated throughout. This very intimate venue was honestly too small for Daughtry but the fans crammed in and took in all the love that Chris was giving out. Chris Daughtry doesn’t just perform; he connects. This show was everything I hoped for and more. The final stop of this short tour will be at the EPIC Event Center in Green Bay on December 21. Don’t miss out!

For more info please visit http://www.daughtryofficial.com

Setlist

  1. The Reckoning
  2. Changes Are Coming
  3. World on Fire
  4. Crashed / Kashmir
  5. Separate Ways
  6. Home
  7. Change
  8. Shock to the System
  9. It’s Not Over
  10. Nervous
  11. Pieces
  12. Over You
  13. The Dam (Encore)
  14. Heavy Is the Crown (Encore)
  15. Happy Birthday to you (for Marty O’Brien)
  16. Artificial (Encore)

Pink

Concert Reviews

October 3, 2024 – MetLife Stadium, East Rutherford NJ

Review & Photography by Estelle Massry

Pink brought her highly anticipated 2024 Summer Carnival tour to a sold out crowd at MetLife on a cool beautiful fall night in NJ. This was her first show at MetLife, her first show back to NJ after 6 years and her largest U.S. crowd ever as a headliner.

The first opener of the night was Irish rock band The Script, known for their heartfelt lyrics and engaging stage presence. Starting their set with “Superheroes“, they immediately struck a chord with the crowd. They moved seamlessly from upbeat anthems like “Hall of Fame” to poignant ballads such as “The Man Who Can’t Be Moved“. Lead singer Danny O’Donoghue’s dynamic energy and interaction with fans added an extra layer of warmth and intimacy to the massive stadium setting.

Sheryl Crow’s performance as the second opening act for Pink was a nostalgic and vibrant celebration of her enduring career and talent. Crow stepped on stage in her flared leather pants and black sequined sleeveless top, bringing her signature blend of rock, pop, and country influences. Her set including classics like “All I Wanna Do“, “If It Makes You Happy” and “Everyday Is a Winding Road“. Her laid-back charm and positive demeanor was a perfect way to welcome Pink.

The fans were hyped for Pink to grace the stage at 8:50 but the extra 15 minutes felt like a lifetime as an animated version of her projected on the screens welcoming her fans. The lights came on and she appeared in a giant smiling mouth with bright red lips high above the stage. As the mouth opened, Pink’s infectious smile greeted her fans as she waved and took it all in before plunging down towards the stage and performing aerial acrobatics all while singing “Get This Party Started”, showcasing both her physical strength and artistic dedication.

The stage design and visual effects added another layer of energy to the performance, with dynamic lighting and larger-than-life visuals complementing each song. The stage was full of talented dancers, giant ice creams cones, flamingos and oversized disco balls. Between songs, Pink engaged the crowd with genuine stories and reflections on her life, showing a personal and human side that often lacks once you reach this level of fame.

The show was divided into four distinct acts, each with its own unique feel and flow. From heart-pounding aerial performances to intimate acoustic moments, Pink’s ability to shift seamlessly between high-energy and heartfelt songs left fans exhilarated and deeply moved. Her setlist was packed with both classic hits like “So What“, “Just Like A Pill”, “Raise Your Glass“, “Who Knew”, and “What About Us” as well as newer anthems from her recent album. The set consisted mainly of hit songs from her catalog but also included a couple of covers such as Pat Benatar’s “Heartbreaker” and 4 Non Blondes “What’s Up.”

Pink closed out the show flying above her 60,000 fans throughout the stadium while performing “So What.”  Her gratitude was on display as she tried to wave goodbye to every single fan while she landed on several podiums in the crowd. I was told that her shows were legendary and I can now agree without a doubt. Pink has cemented her place as one of the most influential artists of her generation, inspiring fans with her powerful voice and authenticity. She has proved why she is one of the most exciting and dynamic live performers in music today. Beyond the aerial stunts and theatrical elements, Pink’s genuine warmth and authenticity were perhaps the most memorable aspects of the evening. 

For more info please visit http://www.pinkspage.com

Jane’s Addiction

Concert Reviews

September 7, 2024 – Hard Rock Casino & Hotel // Etess Arena, Atlantic City NJ

Review by Chris Yates // Photography by Estelle Massry

I’ve been a long-time fan of Jane’s Addiction so was very excited to be able to attend and review this show.  Especially at The Hard Rock which is a very well-fitting venue for a night of raw energy and classic alt-rock anthems. The iconic band, known for their genre-defying sound and theatrical performances, was about to take the stage with a presence that had me pulsating with anticipation of what was to come.

Opening the evening was the all-female band, Crawlers.  Known for their infectious energy and raw intensity, they delivered a performance that left the audience buzzing. Their blend of alt-rock and indie pop was both vibrant and emotionally charged, with standout tracks like “Come Over (Again)” and “I Don’t Want to Be Your Friend” resonating deeply. The band’s chemistry was palpable, with frontwoman Holly Minto’s powerful vocals and dynamic stage presence leading the charge. The crowd was fully engaged, making it clear that Crawlers are a rising force in the live music scene.

Following Crawlers came Love and Rockets who captivated the crowd with a mesmerizing performance, blending their signature goth and alternative rock sound with an effortlessly cool stage presence. The setlist was a mix of their well-known hits, including an electrifying version of “So Alive” that had the audience singing along in unison. Daniel Ash’s guitar work was as sharp and evocative as ever, while David J’s bass lines provided a hauntingly solid foundation. The band’s undeniable charisma created a very cool atmosphere setting the tone for Jane’s Addiction and proving that the band has the power to enchant and exhilarate.

The venue began to fill in quickly with seats filled and with fans on the general admission floor standing shoulder to shoulder.  As the lights dimmed Jane’s Addiction took the stage. From the moment Perry Farrell’s distinctive voice cut through the air with the opening notes of “Kettle Whistle,” it was clear that this was not going to be just another concert.

The setlist was a journey through Jane’s Addiction’s storied career. Highlights included blistering renditions of “Been Caught Stealing” and “Jane Says,” each one drawing roars from the packed crowd. The energy in the room was palpable, with fans singing along and dancing as if the years had melted away.

It was great to see the entire band of original members together again. Dave Navarro, ever the guitar virtuoso, delivered a masterclass in rock guitar. His solos were both technically impressive and emotionally charged, demonstrating why he remains one of the genre’s most respected guitarists. His interplay with bassist Chris Chaney was particularly noteworthy, as the two musicians locked into an intricate groove that drove the performance forward with relentless momentum.

Drummer Stephen Perkins, a cornerstone of the band’s rhythm section, was as dynamic as ever. His percussive prowess added a layer of complexity to the music, accentuating the fusion of punk, funk, and metal that Jane’s Addiction is renowned for. The drum solo during “Three Days” was a standout moment, showcasing Perkins’ ability to fuse precision with an almost primal intensity.

The stage was only adorned with a large banner displaying the bands name, in a way that seemed to communicate “enough said” as the music and musicians were all you needed to focus on. The lighting complemented the band’s theatrical flair. The visual elements were carefully designed to enhance the music without overshadowing it, creating an immersive experience for those in attendance.

The crowd, seeming mostly made up of long-time fans, was clearly enthralled. Farrell’s interactions with the audience were unapologetic and humorous but a highlight. There was a genuine connection between the band and the crowd, a reminder of why Jane’s Addiction has remained a beloved act for over three decades.

Jane’s Addiction’s performance at the Hard Rock Hotel & Casino was a testament to their enduring appeal and musical prowess.  However, I must say, I did expect a bit more energy to some of the songs and something seemed a little off all night amongst the members. As a fan I tried to block it out and allow my ears to absorb what I know these musicians have done and can do. These guys were cooler than cool back in the day but at this stage in their life all the rebel persona and drug references just aren’t as cool as they once were.  None the less, I was not disappointed, as they proved once again that they are not just survivors of the alt-rock explosion of the late ’80s and early ’90s but vital, evolving artists capable of delivering an unforgettable live experience. For anyone who has ever been a fan of Jane’s Addiction, or for those who simply appreciate a top-notch rock show, this was a night to remember.

For more info please visit http://www.janesaddiction.com

Live // Stone Temple Pilots

Concert Reviews

September 6, 2024 – PNC Bank Arts Center, Holmdel NJ

Review by Chris Yates // Photography by Estelle Massry

The PNC Bank Arts Center provided the perfect backdrop on this cool, late summer evening as Holmdel NJ hosted a ’90s rock trifecta as three iconic bands—Soul Asylum, Stone Temple Pilots, and LIVE were about to take the stage for a night to remember on The Jubilee Tour celebrating the 30th Anniversary of “Throwing Copper” and “Purple.”

I’ve been a fan of these three since my 20’s.  They populate many of my playlists to this day so I was excited to not only experience these bands live but also be in the fortunate position to review them. Each band brought their unique flair, making it a whirlwind through some of the most influential music of their era.

Soul Asylum had the shortest set list of the night but that certainly didn’t stop them from delivering a high energy performance to remember, kicking off the evening with their signature blend of grunge and alternative rock. Opening with “Somebody to Shove” they immediately tapped into the crowd’s collective memory, eliciting a wave of cheers and sing-alongs. The band’s energy was palpable, led by Dave Pirner’s distinctive voice and engaging stage presence. Hits like “Black Gold” and “Runaway Train” followed, each delivered with a mix of nostalgia and fresh intensity. Pirner, ever the charismatic frontman, shared anecdotes and interacted with the audience, making it clear that despite the years, Soul Asylum remains a formidable live act.

Stone Temple Pilots took the stage next, and the atmosphere shifted to an even higher gear. The band’s set was a masterclass in ’90s rock, opening with “Meatplow” followed immediately by the high-octane hit “Vaseline”.  Admittedly not the same without Scott Weiland, Jeff Gutt led the charge on vocals with confidence and charisma as the band delivered an impressive performance that balanced reverence for their past hits with a fresh, dynamic energy. Gutt’s voice, while distinctly different from Weiland’s, brought its own compelling intensity to classics like “Plush” and “Interstate Love Song.” The crowd was on their feet, lost in the raucous joy of familiar tunes, and the band’s tight musicianship and vibrant performance were a testament to their enduring appeal.

LIVE took the stage next to complete the circle with their powerful and emotive rock sound. They opened with “Top” followed by “All Over You” and it was clear from the first notes that the crowd was deeply engaged. Ed Kowalczyk’s commanding voice and the band’s richly layered sound made for a captivating experience. The setlist was a journey through their greatest hits, including “I Alone” and “The Dolphin’s Cry”, and closing with “Lightning Crashes.” Kowalczyk’s heartfelt delivery and the band’s impeccable musicianship resonated deeply with fans, and their performance felt both nostalgic and invigorating as we all sang along.

For each band, the visual and sonic elements of the show complemented the performance perfectly. The lighting design enhanced the mood of each song, shifting from the intense, pulsating lights, to some more subdued, atmospheric hues. The backdrops also complemented the lighting well as trippy, outer space type scenes shifted in and out with each note.

Overall, the evening was a throwback to my earlier days and made for a wonderful celebration of ’90s rock, with each band delivering performances that were both true to their classic sound and infused with a renewed energy. It was a night of three titans, each showcasing powerful vocals, and a shared appreciation for the music that defined a generation.

For more info please visit http://www.livetheband.com http://www.stonetemplepilots.com http://www.soulasylum.com

Creed // 3 Doors Down

Concert Reviews

August 7, 2024 – PNC Bank Arts Center, Holmdel NJ

Review by Chris Yates // Photography by Estelle Massry

Just another night for us at PNC Bank Arts Center?  I think not!  The time has finally come.

I was very excited and have been waiting for years in anticipation to finally see Creed.  I’ve been a fan since they burst onto the post grunge scene in the late 90’s to early 2000’s. Their songs have a place on many of my personal playlists and the time has finally arrived to see them live! Joined by 3 Doors Down I knew the evening was going to be filled with powerful rock, great guitars and strong vocals. I was fired up!

Mirroring my own excitement, the packed house from row A to Back Lawn was buzzing with anticipation as fans eagerly awaited the dynamic rock duo of 3 Doors Down and Creed. While inclement weather worried many, it didn’t stop anyone from coming out to fill their souls with an energetic and nostalgic evening of music.

Canadian rock band, Finger Eleven kicked it off. Their setlist was a dynamic mix of fan favorites including “One Thing”, “Paralyzer” and new material, creating an engaging and immersive atmosphere setting expectations for all in attendance. The synergy between the band members and their ability to connect with the crowd provided a prelude to what was going to be a memorable event.

3 Doors Down

Sandwiched in the lineup was 3 Doors Down who took the stage with a confident swagger and an impressive array of hits spread throughout their 13-song set list. Opening with “Train,” followed by “It’s not My Time”, the crowd erupted into a sing-along that would set the tone for the rest of their set. The band’s performance was tight and polished, with lead singer Brad Arnold showcasing his powerful vocals on tracks like “Here Without You” and “Duck and Run”. The band’s chemistry was palpable, and their ability to connect with the audience was evident throughout their performance, with Arnold expressing his gratitude for the thunderous applause as each song concluded.

Guitarists Chris Henderson and Chet Roberts delivered intricate solos with ease, while drummer Greg Upchurch and bassist Justin Biltonen provided a steady, driving rhythm that kept the energy high. Their setlist was a carefully curated mix of fan favorites and deeper cuts and closing with two chart toppers “Kryptonite” & “When I’m Gone”, ensuring that both long-time supporters and casual listeners were not only satisfied but primed for Creed.

Creed

As the lights dimmed, Creed hit the stage and the first chords of “Bullets” rang out and crowd’s anticipation reached a fever pitch. Scott Stapp’s distinctive voice and the bands thundering guitar riffs filled the arena, proving that despite years away from the spotlight, the band still possesses the same musical talent and vocal prowess that made Creed a household name.

Their set was a celebration of the early 2000s rock era, with powerful renditions of “What If” and “What’s This Life For” bringing the audience to their feet. The band’s dynamic performance was highlighted by Mark Tremonti’s impressive guitar work, which added a layer of depth to the already anthemic sound. The rhythm section, consisting of Scott Phillips on drums and Brian Marshall on bass, was solid and reliable, anchoring the band’s sound with precision.

The lighting was a masterful blend of intensity and nuance, perfectly complementing the band’s powerful sound. The stage was bathed in a dynamic array of colors, shifting seamlessly between deep blues, fiery reds and bright whites to mirror the emotional highs and lows of the performance. Spotlights punctuated the set, casting dramatic beams that follow the band’s movements, while strobes and LED arrays added a modern, electrifying edge. The lighting transitions were timed impeccably with the rhythm of the music, creating an immersive atmosphere that heightened the concert’s impact and drew the audience deeper into the experience.

I must note, however (and I’m only critiquing this because I’m such a big fan), knowing of Stapps powerful vocals, I felt he was drowned out a bit.  I wanted to hear him more clearly and I wasn’t sure if it was my location (I was low and front left), or a technical glitch from soundboard. The music seemed to overpower the clarity of the microphone. Regardless, with myself and everyone else singing along to every word it was an imperfection I easily ignored.

The highlight of Creed’s set came with a stirring performance of “With Arms Wide Open” where the audience sang along with fervor, creating a shared moment of nostalgia and connection. And just as I was about to relax my voice from singing along all night the opening notes of “Higher” filled the venue as they finished their performance.  As the band exited and the stage went dark, fans knew a couple of songs were left unsung and cheered for an encore. Moments later Creed accepted the curtain call and they performed “One Last Breath” and “My Sacrifice”, leaving the audience full and satisfied and appreciative that they were able to experience all of Creed’s essentials! Their stage presence was commanding, and their ability to evoke strong emotions through their music was evident.

The combination of 3 Doors Down and Creed delivered an extremely memorable rock experience for me and everyone in attendance. Both bands demonstrated their enduring appeal and ability to captivate an audience, each in their own distinct way. Fans left with smiles on their faces and a sense of having relived some of the best moments from their musical past.

If the night was any indication, post grunge rock music’s legacy is alive and well, thanks to the continued passion and talent of bands like 3 Doors Down and Creed. It was an evening of high-energy, representing a nostalgia-fueled celebration of one of rock’s golden eras.

Editorial note: As I write this, I realize today is Scott’s birthday (8/9)! Happy Bday brother!  Keep rockin’!

For more info please visit http://www.creed.com http://www.3doorsdown.com http://www.fingereleven.com

Third Eye Blind

Concert Reviews

July 14th, 2024 – PNC Bank Arts Center, Holmdel NJ

Review by Chris Yates // Photography by Estelle Massry

The pulsating energy of a summer night at the PNC Bank Arts Center in Holmdel, NJ was electrified even further with the arrival of Third Eye Blind, supported by the dynamic performances of Arizona and Yellowcard. As the sun dipped below the horizon, the stage came alive with a lineup that promised to deliver a memorable evening of rock and alternative music.

Opening the night, Arizona captivated the audience with their blend of dreamy pop melodies and infectious beats. The New Jersey based band set the tone with tracks like “Oceans Away” and “Electric Touch,” instantly drawing in concert-goers with their ethereal soundscapes and heartfelt lyrics. The chemistry between band members was palpable, and their performance left a lingering sense of anticipation for what was to come.

Next up, Yellowcard stormed onto the stage with their trademark energy, immediately igniting a wave of nostalgia among long-time fans. Their setlist was a journey through their discography, featuring hits like “Ocean Avenue” and “Only One,” each song greeted by roaring cheers and enthusiastic sing-alongs from the crowd. The band’s tight instrumentals and charismatic presence reaffirmed their status as pop-punk legends, leaving an indelible mark on the concert’s atmosphere.

As the anticipation reached its peak, Third Eye Blind emerged to a thunderous ovation, wasting no time in launching into a powerhouse performance. Frontman Stephan Jenkins commanded the stage with his charismatic presence, effortlessly engaging the audience from the first note. The band kicked off with “Motorcycle Drive By” setting a high-energy pace that never faltered throughout their set.

The crowd was treated to a mix of old favorites and newer tracks, with highlights including “Jumper,” “Semi-Charmed Life,” and “How’s It Going to Be,” each song resonating deeply with the audience. Jenkins’ vocals were as poignant as ever, supported by the band’s tight instrumentation and pulsating lighting that enhanced the sensory experience.

A particularly memorable moment came during their acoustic rendition of “The Background” which captivated the audience with its raw emotion and stripped-down arrangement. The band’s ability to connect on such a personal level with their fans was evident, creating an intimate atmosphere despite the grandeur of the venue.

Third Eye Blind’s performance at the PNC Bank Arts Center was a testament to their enduring appeal and musical prowess. With Arizona and Yellowcard delivering stellar opening sets, the concert was a seamless blend of nostalgia and contemporary rock energy. As the night drew to a close with an encore that left everyone craving more, it was clear that this concert would be remembered as a standout moment in the summer’s musical landscape.

The synergy between the bands, coupled with the passionate response from the audience, made for an unforgettable evening under the stars—a celebration of music that resonated long after the final chords faded into the night.

For more info please visit http://www.thirdeyeblind.com http://www.yellowcardband http://www.thisisarizonmusic.com

Setlist

  1. Motorcycle Drive By
  2. Dust Storm
  3. Never Let You Go
  4. Narcolepsy
  5. The Kids Are Coming (To Take You Down)
  6. Wolf Like Me / Company of Strangers
  7. Graduate
  8. Wounded
  9. Weightless / Faster / Water Landing
  10. Losing a Whole Year
  11. Shipboard Cook
  12. The Background (Acoustic)
  13. Bonfire
  14. Blinded (When I See You)
  15. Slow Motion
  16. Jumper
  17. Semi-Charmed Life
  18. How’s It Going to Be (Encore)

JOHN 5

Concert Reviews

February 15, 2024 – Gramercy Theatre, NYC

Review by Chris Yates // Photography by Estelle Massry

Electrifying Night of Shredding as John 5 Rocks Gramercy Theater

The Gramercy Theater in the heart of New York City was transformed into a haven for guitar enthusiasts as the virtuoso guitarist John 5 took the stage in a night that can only be described as electrifying. The air was thick with anticipation as fans eagerly awaited the performance of this iconic musician, known for his incredible skills and diverse musical influences. I love these venues in NYC as often major musicians will show up supporting their craft and the musicians they influenced. Some of those notable influences were present on this evening as Ace Frehley (founder and original member of KISS) and Kerry King (co-lead guitarist and songwriter of thrash metal band Slayer) sat on stools, side-stage soaking in the performance. At one point in the show John 5 offered a gesture of gratitude for Ace, having been a major influence on his career and the reason he first picked up a guitar.

From the moment John 5 stepped into the spotlight, the venue was ablaze with the fiery energy of his guitar riffs. Absent were his elaborate wardrobe and makeup as he donned black jeans and a black leather jacket with the #5 on back, but the choice seemed to fit the more intimate venue and solo appearance. The opening chords resonated through the theater, setting the tone for a night of musical mastery. While this was a solo performance from John 5 he was backed by his drummer and his guitar tech filled in on bass during the last set. It’s not a rock show or a thundering guitar performance unless a speaker blows and at the completion of John 5’s third song, that’s what happened.  John 5 announced to the crowd he blew a speaker and mentioned he wanted to give the crowd the show they paid for and the excellence they expect, so he said he would be right back once his techs fix the issue. The crowd didn’t seem to mind one bit, agreeing with pleasure to the short pause.  The issue was rectified in 5 minutes, and John 5 came back on stage shredding!

One of the most remarkable aspects of John 5’s performance was his ability to seamlessly blend various genres into a cohesive sonic experience. The setlist traversed through a kaleidoscope of styles, from metal to country, and even hints of jazz, showcasing his versatility as a guitarist. Each transition was flawless, a testament to John 5’s technical prowess and his deep understanding of different musical idioms.

The connection between John 5 and the audience was palpable. The crowd, a mix of other musicians, devoted fans and curious onlookers, responded enthusiastically to every bend of the strings and every lightning-fast solo. There were moments of collective awe as he effortlessly navigated the fretboard, leaving no doubt that he is a true maestro of the guitar.

There were visuals that complemented the auditory spectacle, with cool videos of old movie clips, horror and fight films, and more were attached to the Amps and visible to all which enhanced the overall experience. The interplay of lights and shadows created a dynamic backdrop, accentuating the intensity of the music. The atmosphere was further heightened by giant headed characters on stage as if a page out of Alice Cooper’s shows as well as fan initiated large balloons bouncing overhead which added a theatrical dimension to the performance.

Throughout the night, John 5 took the audience on a musical journey, changing guitars and styles (even a Bass) with just about every song. The sheer technicality and emotion displayed during his segments were a testament to John 5’s mastery of his instruments.

As the final notes reverberated through The Gramercy Theater, the crowd erupted in applause, demanding an encore. John 5 obliged, returning to the stage for a few final exhilarating performances, including some Motley Crew who he has now joined and will be on tour with, which left an indelible mark on everyone present.

John 5’s performance at Gramercy Theater was nothing short of extraordinary. His technical brilliance, genre-spanning repertoire, and magnetic stage presence created a musical experience that will be remembered by all fortunate enough to witness it. For fans of guitar virtuosity, this was an unforgettable night of shredding and sonic exploration.

For more info please visit http://www.john-5official.com