July 31, 2026 – PNC Bank Arts Center, Holmdel NJ

Review & Photography by Estelle Massry

Rock and roll took over PNC Bank Arts Center on July 31st as Mötley Crüe celebrated their 45th anniversary in New Jersey with The Return of the Carnival of Sins Tour, proving that while time may change voices, it can’t diminish the legacy of true rock icons. Whether you grew up blasting their songs on cassette or discovered the Crüe years later, everyone was there for the same reason—to relive the soundtrack of their youth and experience one of hard rock’s most legendary live acts. PNC Bank Arts Center was transformed into a sea of leather jackets (despite the sweltering summer heat), vintage concert tees, teased hair, and bold ’80s-inspired makeup. Fans fully embraced the spirit of the era, creating an atmosphere that felt less like a concert and more like a celebration of one of rock’s most unforgettable decades.

Before the Crüe even took the stage, fans were treated to two opening sets that could have headlined many tours on their own. Kicking off the evening was Boston’s own Extreme, and if there was anyone in attendance unfamiliar with just how extraordinary guitar virtuoso Nuno Bettencourt is, they left with a completely different opinion. While his name may not always come up in mainstream conversations, among musicians he has long been regarded as one of the greatest guitarists in rock. His precision, speed, creativity, and effortless command of the instrument were on full display throughout their set.

And then there’s Gary Cherone’s stage presence. At 65, Cherone remains one of rock’s most engaging performers, commanding the stage with boundless energy, while delivering powerful vocals that haven’t lost their edge. What truly stands out is his incredible flexibility and athleticism. Whether he’s sprinting across the stage, dropping into splits, or contorting himself into poses that performers half his age would struggle to pull off, it’s nearly impossible to take your eyes off him.

The band also paused to honor the late Ozzy Osbourne with a heartfelt tribute, dedicating a moment to the Prince of Darkness that resonated deeply with the audience. It was a touching reminder of the close-knit nature of the rock community and one of the night’s most emotional moments. Extreme continues to prove they are far more than “More Than Words”, they are a world-class rock band that deserves far more recognition than they often receive.

On a personal note, I would like to mention how kind Extreme’s management team has been and how they consistently welcome me to photograph the band’s performances. That level of professionalism and appreciation for the media never goes unnoticed. During the show, I also had the pleasure of meeting Marco, Extreme’s drum technician, who happened to be seated beside me. He was incredibly friendly and generous with his time, reflecting the same warmth and professionalism that seems to extend throughout the entire camp. It’s clear that everyone involved contributes to making the experience a positive one, and I’m truly grateful for their hospitality.

While my photo credentials were limited to Extreme’s set, I chose to stay and experience the entire evening as a fan. Some nights are simply too memorable to leave early, and this was certainly one of them. Even without an actual photos pass for the entire show, I wanted to take in the full concert experience and share my perspective on a night that celebrated the enduring spirit of rock and roll.

Tesla followed with the kind of honest, blues-infused hard rock that has kept them relevant for nearly four decades. Jeff Keith’s unmistakable raspy voice has certainly evolved over the years and, like many veteran singers, has faced criticism from fans expecting the impossible. The reality is far different. After nearly four decades of touring, Keith still delivers these songs with authenticity, grit, and heart. Classics like “Modern Day Cowboy,” “Love Song,” “Hang Tough,” and the crowd-favorite cover of “Signs” had fans singing every word. Guitarists Frank Hannon and Dave Rude traded tasteful solos throughout the set, Brian Wheat’s bass anchored every song, and drummer Steve Brown (celebrating a birthday that night) brought relentless energy behind the kit. Jeff Keith has always come across as one of the most genuine and down-to-earth people, and that authenticity shines through every performance. 

Staying true to the Carnival of Sins theme, the show opened with a sense of anticipation rather than an immediate explosion of sound. The stage was concealed behind an enormous circus-style curtain as beautifully sexy costumed dancers emerged, moving across the stage and teasing the audience with glimpses of the spectacle about to unfold. Every moment built the suspense until, without warning, the arena went dark. Seconds later, the curtain opened in a burst of lights and thunderous sound as Mötley Crüe stormed the stage, igniting the night with an explosive entrance that instantly sent the crowd into a frenzy. It was a theatrical opening worthy of the band’s larger-than-life reputation and the perfect way to launch a night built around the chaos and excitement of the carnival.

Opening with the explosive one-two punch of “Red Hot” and “Louder Than Hell,” the band wasted no time turning PNC into one massive singalong. Vince Neil sounded more confident than many expected. Much has been said online about Vince Neil’s vocals throughout this tour, and while no singer sounds exactly as they did 40 years ago, some of the criticism has been unfair. Neil isn’t trying to be the 24-year-old frontman, he’s a 65-year-old rock legend performing songs that demand incredible stamina night after night. There were moments where the crowd enthusiastically filled in lyrics, but that’s become part of the shared concert experience rather than a distraction.

Nikki Sixx remains the driving force behind the band, constantly engaging the crowd while delivering his signature swagger from the first note to the last. Tommy Lee once again proved why he’s one of rock’s greatest entertainers, mixing humor with thunderous drumming that continues to power the Crüe’s unmistakable sound. John 5 has now firmly established himself as more than just Mick Mars’ replacement. His technical brilliance and respect for the original material were evident throughout the night, seamlessly blending his own incredible style with the riffs that helped define an entire generation of rock music. The chemistry between all four members was evident, reminding everyone that Mötley Crüe remains, above all else, an entertainment powerhouse.

From the emotional ballad “Home Sweet Home” to crowd favorites “Girls, Girls, Girls,” “Dr. Feelgood,” and the inevitable adrenaline rush of “Kickstart My Heart,” the amphitheater became one massive singalong that stretched across generations of fans. Parents introduced these songs to their children, lifelong fans relived memories spanning four decades, and younger concertgoers experienced firsthand why these bands became arena legends in the first place.

At a time when social media often focuses more on imperfections than performances, Friday night’s show served as a reminder to appreciate what these musicians continue to give after decades on the road. Extreme showcased elite musicianship, Tesla delivered timeless hard rock with honesty and class, and Mötley Crüe brought the spectacle, nostalgia, and larger-than-life energy fans have come to expect. No one walked into PNC expecting perfection—they came to celebrate the music that shaped their lives. Judging by the smiles, raised fists, and deafening singalongs that lasted until the final notes, that’s exactly what they got.

For more info please visit: http://www.motley.com http://www.extreme-band.com http://www.teslatheband.com

July 24, 2026 – PNC Bank Arts Center, Holmdel NJ

Review by Chris Yates // Photography by Estelle Massry

Train Celebrates 25 Years of Drops of Jupiter at PNC Bank Arts Center

On Friday, July 24, Train transformed the PNC Bank Arts Center in Holmdel NJ into a giant summer singalong as the band’s “Drops of Jupiter: 25 Years in the Atmosphere” tour rolled into town. Joined by special guests Barenaked Ladies and Matt Nathanson, the evening celebrated one of the defining pop-rock albums of the early 2000s while reminding fans why Train remains one of the most reliable live acts on the road.

Matt Nathanson kicked things off with an engaging, heartfelt performance that combined witty storytelling with catchy, acoustic-driven pop-rock. His warm vocals and easygoing stage presence quickly won over the crowd. Nathanson’s charm and authenticity made him the perfect choice to kick off an evening centered on great songwriting and feel-good performances.

Barenaked Ladies then delivered an energetic and entertaining opening set that perfectly set the tone for Train. Blending sharp musicianship with their trademark humor, the Canadian rock veterans had the crowd singing along to favorites like “One Week,” “If I Had $1,000,000,” and “Pinch Me.” Their easygoing stage chemistry, witty banter, and infectious enthusiasm made it clear why they remain one of live music’s most beloved acts. More than just an opening band, Barenaked Ladies provided a fun, nostalgic performance that had the audience on its feet long before the headliner took the stage.

From the moment Pat Monahan bounded onto the stage, the energy was infectious. Equal parts charismatic frontman, storyteller, and comedian, Monahan effortlessly connected with the packed amphitheater, making the large venue feel surprisingly intimate. His vocals remain remarkably strong, delivering both the soaring power and emotional nuance that have become Train’s signature over more than three decades.

The setlist struck an ideal balance between fan favorites while introducing some fresh material. Crowd favorites including “She’s on Fire,” “50 Ways to Say Goodbye,” “Calling All Angels,” “Meet Virginia,” “Hey, Soul Sister,” and the Grammy-winning title track “Drops of Jupiter” had fans singing nearly every lyric from beginning to end. Train also sprinkled in newer songs and creative cover moments, keeping longtime followers engaged while introducing newer audiences to the band’s evolving catalog.

Visually, the production perfectly complemented the celebratory theme of the tour. Large LED video screens displayed cosmic imagery, vibrant animations, and career-spanning visuals that reinforced the “Atmosphere” concept without overshadowing the music. Warm lighting washes transitioned seamlessly into brilliant moving beams, bathing the audience in color while creating dramatic moments during the evening’s biggest anthems.

The musicianship throughout the evening was equally impressive. The band sounded polished yet relaxed, with crisp harmonies, tasteful guitar work, and dynamic arrangements that gave familiar hits renewed life. Monahan’s interactions with fans, humorous stories, and spontaneous moments kept the performance feeling genuine rather than rehearsed.

One of the night’s most memorable elements came when David Bryan joined Pat Monahan on stage. The Bon Jovi keyboardist made a surprise appearance during Train’s set to perform an energetic rendition of “Livin’ on a Prayer”.  You may have heard or read the news that Monahan had stepped in to help Jon Bon Jovi finish singing “Livin’ on a Prayer” the night before at Madison Square Garden after Jon abruptly halted the eighth show of their residency due to a severe sinus infection and vocal strain. About an hour and a half into the concert, Jon told the crowd, “We might have to cool it because I’m f—ing hurting.” Noticing the vocal struggle, Monahan emerged from backstage to take over the main vocals for their signature anthem.

Pat said he wasn’t prepared to sing for Bon Jovi when gestured in to the rescue so he wanted to give the song and the New Jersey native band the respect they deserve by “giving it another go”, which he did flawlessly to the NJ home-town crowd.  The place was absolutely moving and shaking as the crowd belted out every word from the top of their lungs as if it was New Jersey’s State anthem. I bet you could hear the singing from Holmdel to Sayreville at that moment.

Pat’s 14-year-old son, Rock Monahan, has been turning heads by joining his father on stage to showcase his impressive guitar playing and lead vocals.  It was heartwarming to see them together doing what they love. Rock wowed the audience by performing a stellar live cover of Journey’s classic hit “Stone in Love”, sharing vocal and guitar duties alongside the band.

Another highlight was during Train’s closing “Drops of Jupiter,” when shimmering confetti and band supplied oversized beach balls floated over the crowd, creating a magical scene as thousands of voices joined Monahan for the chorus. The moment felt less like a concert finale and more like a shared celebration between the band and fans who have carried these songs with them for the past 25 years.

More than simply revisiting a landmark album, Train delivered a concert that celebrated connection, optimism, and timeless songwriting. In an era where elaborate productions can sometimes overshadow performance, Train proved that great songs, authentic stage presence, and a joyful atmosphere remain the foundation of an unforgettable live show.

Train’s stop at the PNC Bank Arts Center was everything a summer concert should be—uplifting, nostalgic, visually engaging, and filled with songs that continue to resonate a quarter-century after Drops of Jupiter first launched the band into the stratosphere.

For more info please visit http://www.savemesanfrancisco.com

July 23, 2026 – PNC Bank Arts Center, Holdmel NJ

Review & Photography by Estelle Massry

Not every concert is about pyrotechnics and larger-than-life theatrics. Sometimes, it’s simply about good music, good vibes, and thousands of people coming together to escape reality for a few hours. That was exactly the atmosphere tonight at PNC, bringing one of the most feel-good tours of the summer, Dirty Heads and 311 co-headlining “So Glad You Could Make It” tour. From the moment fans began filling the venue, there was an unmistakable sense of relaxation in the air. Lawn chairs, beach-inspired outfits, colorful tie-dye shirts, and plenty of smiling faces transformed PNC into what felt like the ultimate backyard summer party. It was the kind of show where strangers became friends, everyone danced without a care, and the only agenda for the night was to enjoy the music.

When 311 took the stage, the laid-back atmosphere instantly shifted into a wave of high energy without ever losing the night’s carefree summer vibe. For more than three decades, 311 has built one of the most loyal fan bases, and that devotion was on full display from the first note. Vocalists Nick Hexum and Doug “SA” Martinez sounded as tight as ever, seamlessly trading vocals while guitarist Tim Mahoney, bassist Aaron “P-Nut” Wills, and drummer Chad Sexton delivered the unmistakable groove that has defined the band’s sound since the early ’90s.

Hexum, in particular, looked like he hasn’t aged a day. In incredible physical shape, Hexum drew a deafening roar from the crowd when he shed his shirt towards the end of the set. His cool, easygoing vibe perfectly complements 311’s reggae-rock sound, and his smooth, melodic vocals never miss a beat. But don’t let that relaxed demeanor fool you, when it’s time to turn up the intensity, Hexum effortlessly flips the switch. Guitar in hand, he attacks each riff with precision and energy, bringing a powerful rock edge that ignites the crowd. 

As the sun began to set, Dirty Heads closed out the evening with the perfect soundtrack for a warm summer night. Blending reggae, rock, hip-hop, and alternative influences, the Southern California band has mastered the art of creating songs that instantly put audiences at ease. Vocalists Jared Watson and Dustin Bushnell shared lead vocal duties effortlessly, feeding off each other’s energy. Hits including “Vacation,” “Lay Me Down,” “Rescue Me,” and “Dance All Night” had the crowd swaying from start to finish.

As someone experiencing both 311 and Dirty Heads live for the very first time, I walked into PNC Bank Arts Center not knowing exactly what to expect. What I left with was a genuine appreciation for two bands that have built incredibly loyal fan bases through authentic performances, infectious positivity, and music that simply makes you feel good. From the laid-back atmosphere to the nonstop singalongs and feel-good energy that filled the venue, I left feeling completely content, relaxed, and reminded that sometimes the best live shows are the ones that let you forget about everything else for a couple of hours. That’s exactly what these two bands delivered.

For more info please visit: http://www.311.com http://www.dirtyheads.com

July 22, 2026 – PNC Bank Arts Center, Holmdel NJ

Review by Chris Yates // Photography by Estelle Massry

There are arena rock bands, and then there is Muse—a trio that has spent more than two decades redefining what a live rock performance can be. On Wednesday night at the PNC Bank Arts Center in Holmdel, New Jersey, the British rock giants transformed the outdoor amphitheater into a futuristic audiovisual playground, delivering a breathtaking performance that combined flawless musicianship, cinematic production, and enough sonic power to shake the Garden State.

Before Muse took the stage, the evening was set up perfectly by two outstanding opening acts. The Temper Trap delivered a soaring, emotionally charged set anchored by Dougy Mandagi’s unmistakable falsetto. Their atmospheric sound and uplifting melodies, particularly during “Sweet Disposition,” created a memorable singalong that filled the venue with anticipation.

Bloc Party followed and delivered a sharp, energetic performance that reminded fans why they’ve remained one of indie rock’s most influential bands. Their tight musicianship and driving rhythms, highlighted by favorites like “Banquet” and “Helicopter,” immediately energized the crowd. Together, both bands provided the perfect build-up for Muse, making the night feel like a true celebration of modern alternative rock from the very first note.

From the moment the lights dimmed, and the opening notes echoed across the venue, it was clear this would be far more than a concert. Muse doesn’t simply perform songs, they create an immersive experience where music, technology, and theatrical storytelling become one. Frontman Matt Bellamy once again proved why he remains one of rock’s most dynamic performers. His soaring falsetto effortlessly climbed above walls of distortion before dropping into thunderous riffs that showcased his remarkable versatility as both vocalist and guitarist. Whether unleashing blistering solos or sitting behind the piano for more atmospheric moments, Bellamy commanded every inch of the stage with confidence and charisma.

Bassist Chris Wolstenholme provided the band’s signature earth-shaking low end while contributing harmonies that added depth throughout the evening. Behind them, drummer Dominic Howard delivered a powerhouse performance, navigating Muse’s complex rhythms with precision while driving each song with relentless energy.

The band’s setlist balanced fan favorites with deeper cuts. Anthemic performances of “Hysteria,” “Time Is Running Out,” “Psycho,” “Supermassive Black Hole,” and “Plug In Baby” ignited deafening singalongs from the sold-out crowd. Every guitar riff was met with thunderous applause as thousands of fans sang every lyric back to the stage.

One of the evening’s most captivating moments came during “Madness,” when Bellamy stripped away much of the sonic intensity in favor of emotional vulnerability. The crowd responded by illuminating the venue with thousands of cellphone lights, creating a breathtaking sea of stars beneath the summer sky. As the night progressed, Muse continued to raise the stakes. “Knights of Cydonia” provided the perfect finale, beginning with its unmistakable spaghetti-western introduction before erupting into one of modern rock’s greatest closing anthems. By the song’s climactic ending, nearly every person inside PNC Bank Arts Center was jumping, singing, and celebrating together.

What separates Muse from many of their contemporaries is their ability to make extraordinarily complex music feel effortlessly accessible. Every transition, visual cue, and musical flourish felt meticulously crafted while never sacrificing spontaneity or emotion.

Visually, the production was entertaining. Massive LED screens displayed futuristic imagery while synchronized lasers and perfectly timed lighting transformed the amphitheater into a science-fiction landscape. Every visual element complemented the music without overwhelming it, creating an atmosphere that felt simultaneously intimate and colossal. Some of the night’s biggest visual highlights came during the show’s midpoint and climactic finale when massive bursts of confetti erupted over the crowd, filling the amphitheater with thousands of shimmering pieces that drifted through the air as fans sang every word to the songs. During the finale, rather than feeling like a gimmick, the confetti served as the perfect payoff to nearly two hours of mounting visual intensity. Combined with brilliant white spotlights sweeping across the audience and synchronized flashes from the stage, the effect created a breathtaking scene that transformed the entire venue into one giant celebration.

One thing that unfortunately took away from the experience was the number of camera operators positioned in front of the stage throughout the show. While I completely understand the need to capture footage for the band, they often blocked the audience’s view for extended periods, making it difficult to fully immerse ourselves in the performance. As a concert photographer, I also found it nearly impossible to capture clean shots without a cameraman dominating the frame. Instead of being completely captivated by MUSE’s incredible stage production, our attention was repeatedly drawn to the constant movement of the camera crew, which became an unexpected distraction.

More than twenty-five years into their career, Muse continues to evolve without losing the ambition that first made them one of the world’s premier live acts. Their July 22 performance in Holmdel served as another reminder that few bands can match their combination of musicianship, innovation, and pure spectacle.

For fans of modern rock, progressive music, or simply unforgettable live entertainment, Muse delivered exactly what audiences have come to expect: a concert that felt less like a show and more like witnessing the future of arena rock unfold in real time.

For more info please visit http://www.muse.mu

July 21, 2026 – Prudential Center, Newark NJ

Review by Chris Yates // Photography by Estelle Massry

Few modern rock bands command an arena quite like Shinedown, and on Tuesday night at the Prudential Center, the Jacksonville quartet once again proved why they remain one of rock’s most dependable live acts. Touring in support of their Dance, Kid, Dance Act II tour, Shinedown delivered more than two hours of explosive energy, emotional connection, and arena-sized anthems that had nearly every fan singing from the opening moments until the house lights came on.

I’m ashamed to say this was my first Shinedown concert.  I’ve been a fan since the early 2000’s and many of their songs populate my gym playlist. One of the things that stood out to me the most was Brent Smith’s ability to connect with the audience in such a large venue. As I learned straight away, a tradition they have is ensuring those in attendance meet and greet the ones next to you.  I found this to instill a sense of community and provide a wave peacefulness which is a great way to set the tone for the evening. His ability to make a full arena feel like a neighborhood gathering remains one of his greatest strengths.

Once we all got to know each other : )… the band opened with the thunderous new track “Safe and Sound,“ which immediately established the night’s intensity before seamlessly weaving newer material from EI8HT alongside the songs that have become staples of modern rock radio. Brent was in commanding form, effortlessly shifting between powerful vocal crescendos and intimate conversations with the audience.

Few bands in modern rock understand the power of visual storytelling quite like Shinedown. Their live production is more than a collection of bright lights and fire—it is a carefully choreographed extension of the music itself, transforming every song into a cinematic experience. From the moment the house lights fade, the audience is immersed in an explosive spectacle. Towering columns of flame erupt in perfect synchronization with crushing guitar riffs, while precisely timed pyrotechnics accentuate the emotional peaks of the band’s biggest anthems. Rather than relying on fire for shock value alone, Shinedown uses every burst as a dramatic punctuation mark, amplifying the intensity of songs.

The lighting design is equally impressive. Massive moving light rigs sweep across the arena with precision, shifting effortlessly between aggressive reds and whites during the band’s heavier moments before transitioning to deep blues, purples, and warm amber tones during emotional ballads. Every cue feels intentional, matching the mood of the music rather than overwhelming it. High-powered strobes inject adrenaline into the biggest choruses, while carefully focused spotlights create intimate moments that allow Brent Smith’s powerful vocals or Zach’s guitar playing to take center stage. What truly separates Shinedown from many arena rock acts is their ability to balance spectacle with substance.

Guitarist Zach Myers balanced blistering riffs with moments of humor and warmth, and I enjoyed experiencing his stage presence and personality. Bassist Josh Sturm filled in for Eric Bass who is taking a personal leave from the band to work on his mental health and wellness. Josh fit in perfectly without the band skipping a beat. (We wish you well Eric and look forward to your speedy and healthy return!) Drummer Barry Kerch anchored the performance with precision and relentless power. The chemistry between the four musicians has never looked stronger, making every song feel both polished and spontaneous. I enjoyed watching them playfully work together.

Highlights came early with “Diamond Eyes (Boom-Lay Boom-Lay Boom),” “Three Six Five,” “Devil,” and “Enemies,” each igniting waves of fists in the air throughout the Prudential Center. A move to the intimate B-stage slowed the evening’s pace just enough, allowing heartfelt performances of “Call Me,” “Through the Ghost,” “Burning Bright,” and “Save Me” to showcase the band’s emotional depth and remind fans that Shinedown’s greatest strength has always been balancing heavy rock with genuine vulnerability.

Returning to the main stage, the momentum accelerated with “Dead Don’t Die,” “Young Again,” “A Symptom of Being Human,” and the crushing “Cut the Cord.” Brent Smith’s heartfelt introduction to “A Symptom of Being Human” resonated throughout the arena, reinforcing the band’s longstanding message of hope, resilience, and acceptance. The crowd responded with thousands of illuminated phone lights, creating one of the evening’s most memorable visuals.

The final stretch was nothing short of spectacular. “Monsters” shook the arena followed by a moving version of Lynyrd Skynyrd’s “Simple Man” which demonstrated the band’s reverence for classic rock while providing another singalong moment. Closing with the one-two punch of “Sound of Madness” and “Second Chance,” Shinedown left the Newark crowd emotionally fulfilled and thoroughly exhausted in the best possible way. Every lyric was echoed back by thousands of voices, transforming the Prudential Center into one massive choir celebrating nearly two decades of rock anthems.

Shinedown has reached the point in their career where they no longer have to prove anything, yet they continue performing with the hunger of a band still chasing its first arena headline. Their July 21 performance in Newark wasn’t simply another stop on a summer tour, Zach connected with the fans in a way that made everyone feel special, appreciated and welcomed, reminding everyone in attendance why Shinedown continues to stand among the genre’s elite live performers.

I thought the show was awesome and I will definitely look to catch them again!

For more info, please visit http://www.shinedown.com

June 28, 2026 – PNC Bank Arts Center, Holmdel NJ

Review & Photography by Bill Raymond

Three Generations Of Loud: Godsmack, Stone Temple Pilots & Dorothy Fire Up PNC Bank Arts Center

The summer heat was out in full force at the PNC Bank Arts Center in Holmdel, New Jersey, on June 28, 2026. Bringing their highly publicized Rise Of Rock tour to a packed pavilion and a packed hill of lawn seats, Godsmack engineered a massive lineup featuring Stone Temple Pilots and Dorothy for a night that felt like a complete timeline of rock radio dominance.

Kicking things off as the sun began to dip was Dorothy, led by the powerhouse presence of Dorothy Martin. She and her exceptionally tight backing band, featuring New Jersey’s own Nick Perri, delivered a gritty, blues-infused set that woke up the early-arriving crowd immediately. Her vocals were flawless, cutting cleanly through the outdoor air on staples like “Raise Hell” and newer material like “Elevate.” It was a high-octane performance that set an incredibly high bar for the rest of the evening.

Following a brief intermission, grunge royalty Stone Temple Pilots took the stage to an absolute roar from the crowd. The DeLeo brothers, Dean on guitar and Robert on bass, alongside drummer Eric Kretz, remain a perfectly oiled machine, locking into those classic 90s grooves with ease. Frontman Jeff Gutt has truly made the role his own over the last several years, honoring the late Scott Weiland’s legacy while injecting his own fierce energy into the performance. The crowd was a unified choir for “Vasoline” and “Interstate Love Song,” and by the time they closed with a bruising version of “Sex Type Thing,” the venue floor was officially bouncing.

When the massive banner dropped for Godsmack, the energy inside PNC Bank Arts Center shifted into pure, unadulterated arena-rock spectacle. Opening their set with “When Legends Rise,” frontman Sully Erna made it clear that the band was not holding anything back. Backed by bassist Robbie Merrill, guitarist Sam Koltun, and Dream Theater drummer Mike Mangini, the band’s down-tuned, driving rhythms filled the open-air pavilion with a crushing wall of sound.

Sully remains one of the best crowd directors in the business, easily orchestrating massive mosh pits in the general admission section and demanding maximum volume from the lawn. The setlist was an absolute clinic in hard rock hits, moving seamlessly from early-career staples like “Awake” to the soaring, melodic rock of their more recent material.

A definitive highlight of the night arrived late in the set with the return of “Batalla de los Tambores,” the legendary dual-drum solo duel between Erna and Mangini that left the audience breathless. They closed the evening by cranking the intensity to ten for a blistering, pyro-fueled performance of “I Stand Alone.” It was a loud, triumphant, and visually spectacular reminder that even if their studio days are behind them, Godsmack 2.0 remains a dominant force on the live stage.

For more info please visit http://www.godsmack.com

June 26, 2026 – PNC Bank Arts Center, Holmdel NJ

Review & Photography by Bill Raymond

Powerhouse Voices Unite As Evanescence And Spiritbox Storm New Jersey

The summer air at the PNC Bank Arts Center in Holmdel, New Jersey, is usually home to lighter rock radio bands, but on June 26, 2026, the open-air amphitheater became a showcase for some of the heaviest and most dynamic voices in modern music. On this stop of their highly anticipated tour, Evanescence brought along an incredible supporting lineup of Spiritbox and Nova Twins, resulting in a bill that felt less like a nostalgia trip and more like a celebration of where heavy rock is heading.

London’s Nova Twins kicked off the evening with a staggering display of genre-fluid punk energy. Guitarist Amy Love and bassist Georgia South possess a rare chemistry, utilizing a complex array of effects pedals to evoke a glitchy, urban electronic texture without sacrificing the raw punch of a live rock band. Tracks like “Antagonist” and “Choose Your Fighter” immediately shook the early arrivals out of their seats.

Following them, progressive metal juggernauts Spiritbox delivered a masterclass in modern tech-metal precision. Frontwoman Courtney LaPlante shifted seamlessly between ethereal, pristine melodies and bone-rattling guttural growls on standout tracks “Circle With Me” and “Jaded.” Backed by Mike Stringer’s meticulously down-tuned guitar, the band created a suffocatingly heavy wall of sound that felt completely tailored for an expansive amphitheater, sending a massive ripple of energy all the way back into the lawn.

When Evanescence took the stage, it was immediately clear that Amy Lee’s artistic vision remains as vital as ever. Rather than leaning strictly on the laurels of their multi-platinum history, the band heavily featured cuts from their new studio album, Sanctuary, seamlessly weaving recent tracks like “Who Will You Follow?” alongside the definitive anthems that shaped the early 2000s alternative landscape.

Lee herself is an absolute force of nature. Sitting at the grand piano for a haunting rendition of “Lithium” or commanding the lip of the stage during “Going Under,” her operatic vocal range possesses the same pristine, crystal-clear power it did decades ago. The dual-guitar framework of Troy McLawhorn and Tim McCord gave the classic arrangements a contemporary, aggressive edge that sounded incredibly vast in the open-air venue.

A spectacular collaborative highlight arrived late in the evening when Courtney LaPlante and the Nova Twins returned to the stage, joining Lee for a triumphant rendition of “Fight Like a Girl.” The sheer vocal and instrumental power of the combined forces felt like the emotional apex of the night. After a breathtaking crowd sing-along during “My Immortal,” the band closed the evening with a performance of “Wide Open Heart,” solidifying Evanescence’s legacy not just as survivors of a bygone era, but as enduring icons of symphonic rock.

For more info please visit http://www.evanescence.com

June 22, 2026 – PNC Bank Arts Center, Holmdel NJ

Review & Photography by Estelle Massry

Despite threatening skies, steady rain, and the looming possibility of severe storms, fans packed the lawn and filled the seats at PNC Bank Arts Center in Holmdel, New Jersey. The weather may have dampened the grounds, but it certainly didn’t dampen spirits. 

As the crowd waited for Sammy Hagar’s Best of All Worlds Tour, opening act Rick Springfield took the stage and immediately reminded everyone why he has remained a beloved performer for more than four decades. At 76 years old, Springfield delivered a performance that would put artists half his age to shame. From the moment he stepped on stage, he was in constant motion—running, interacting with the audience, and commanding the stage with seemingly endless energy. His vocals were strong, his smile never faded, and his genuine appreciation for the audience shined through all night. 

Springfield’s connection with his fans was on full display as he made his way through the audience, stopping for selfies, hugs, and a few heart-melting moments that left many longtime fans fantasies come true. The moment that sent the crowd into a frenzy came near the end of his set when Springfield returned to the stage shirtless to perform his signature hit, “Jessie’s Girl.” Cheers erupted, phones flew into the air, and fans sang every word at the top of their lungs. Springfield delivered hit after hit and reminded everyone why he’s remained a fan favorite for so many years.

The Red Rocker proved that at 78 years old, he still possesses the voice, charisma, and stage presence that have made him a rock icon for decades. Whether Sammy Hagar was revisiting solo hits, Montrose classics, or fan-favorite Van Halen anthems, he performed each song with the same enthusiasm as if it were the first time. Backed by an incredible band featuring Michael Anthony, Joe Satriani, Kenny Aronoff, and Nathan Mercadothe, musicianship throughout the evening was nothing short of spectacular, but it was Hagar’s connection with the audience that truly stood out. Between songs, he shared stories, laughed with the crowd, and made everyone feel like they were part of something special.

One thing that never ceases to amaze me every time I see Sammy Hagar perform is how much he genuinely appreciates his fans. Throughout the show, hats, T-shirts, jerseys, flags, just about anything fans could get to the stage, were handed or tossed his way, and somehow he managed to sign nearly every item without missing a beat. Whether he was singing, interacting with the band, or working the crowd, he always made time for the people who came to see him.

Another trademark of a Sammy Hagar show is that it feels more like a giant party than a concert. Known for his love of tequila, Sammy happily shares that spirit with the audience, often pouring shots for lucky fans and creating unforgettable moments throughout the night. His infectious energy and fun-loving personality make everyone feel like they’re part of the celebration, and by the end of the night, it’s clear that nobody throws a rock and roll party quite like the Red Rocker.

For more info please visit http://www.redrocker.com

June 5, 2026 – The Stone Pony, Asbury Park NJ

Review by Chris Yates // Photography by Estelle Massry

Ringmaster /ˈriNGˌmastər/: a master of ceremonies who directs performances and maintains the crowds excitement.

David Lee Roth the Ringmaster, Master of Ceremonies, and one of the most iconic frontmen of all time strutted his stuff in Asbury Park, NJ Friday night through a beautiful sunsetted evening to a large, excited and anticipatory crowd.

The Stone Pony Summer Stage has hosted countless legends over the years, but on this June night in Asbury Park, it felt like the boardwalk belonged to David. The venue’s open-air setting, with the ocean breeze drifting in from the beach, was the perfect backdrop for a performer whose entire career has been built on excess, swagger, and spectacle.

Last time I saw DLR was back in the early 90’s when he embarked on his solo career. Being that it’s been well over three decades and as a Van Halen fan, I was excited to see him and hear the songs, rapid drum beats, and guitar riffs no matter who was playing.

Roth arrived with the confidence of a man who has spent decades commanding arenas. Whatever the years have taken from his vocal range, he compensated for with sheer personality. He stalked the stage, threw karate-kick poses, mugged for the crowd, and worked the audience like a veteran showman who knows that half the battle is making every fan feel involved.

“Diamond Dave” lit up the stage (literally) in his sequins studded silver jacket, black & white barber pole tight pants and a black and red sequins vest. The lights reflected on Roth like a disco ball all evening which was appropriately symbolic to the “Diamond Dave” nickname. He delivered exactly what fans came to see: a celebration of the music, attitude, and larger-than-life personality that helped make Van Halen one of rock’s greatest live acts.

At 71, Roth may not possess the same vocal range that defined his heyday, but what remains completely intact is his charisma. From the moment he strutted onstage, flashing his trademark grin and commanding the crowd with effortless confidence, “Diamond Dave” reminded everyone why he became one of rock’s most recognizable frontmen.

Opening with the unmistakable riffs of “Panama,” Roth immediately had the packed Summer Stage crowd singing every word. The audience, spanning multiple generations of fans, responded with the same enthusiasm one might expect from a Van Halen arena show decades ago. Supported by a stellar band featuring Al Estrada on guitar, Sean McNabb on bass, Francisco Velentino on drums, and a powerful four-member vocal section, the Van Halen material was executed with precision, energy, and undeniable passion.

The set leaned heavily into the band’s classic catalog, with highlights including a thunderous “Romeo Delight,” the groove-heavy “Drop Dead Legs,” and an energetic performance of “Beautiful Girls” that perfectly matched the beach-town atmosphere. A blues jam midway through the show allowed Roth’s backing band to showcase their considerable musicianship while giving the frontman room to work the stage and engage the crowd.

This was not a nostalgia act pretending time has stood still. Roth’s voice is no longer the untamed instrument heard on the original records, and there were moments when the crowd effectively became the lead singer. Yet in a strange way, that only reinforced the communal spirit of the night: thousands of fans shouting the choruses together while “Diamond Dave” played ringmaster. Roth’s humor, storytelling, and spontaneous banter kept the performance lively and unpredictable. Whether cracking jokes between songs or leading crowd singalongs, he remained the focal point of the evening.

Perhaps the most impressive aspect of the show was Roth’s relentless energy. He covered every inch of the stage, dancing, kicking, and posing for fans as if time had barely touched him. The crowd responded in kind, turning the Summer Stage into one giant celebration of classic rock.

As a pure concert experience, the show succeeded; less because it recreated 1984 but more because it celebrated the larger-than-life character David Lee Roth has always been. The performance was loud, loose, funny, occasionally chaotic, and undeniably entertaining. For longtime fans, the Stone Pony show felt like a summer reunion with one of hard rock’s greatest frontmen. For younger concertgoers, it was a reminder that before social media influencers and viral personalities, there was “Diamond Dave”: part singer, part comedian, part carnival barker, and one of the last true rock-star originals.

For more info, please visit http://www.davidleeroth.com