Cage The Elephant

Concert Reviews

Review & Photography by Estelle Massry

Cage The Elephant is an American rock band formed in 2006 in Bowling Green, Kentucky. Known for their energetic performances and genre-blending sound, the band has become a significant force in the alternative rock scene. Their “Neon Pill Tour” was eagerly anticipated and it lived up to the hype in every way.

I usually know all the photographers shooting the shows at PNC but tonight I felt out of place with 11 very young photographers with their point and shoot cameras. As we walked down to the front of the stage, I looked around and saw such a young crowd all eager for what the night had in store. I have to say that I went in very skeptical with an attitude that it would be a long night for me. In fact, It was the complete opposite. I didn’t want the evening to end and the night kept giving more and more with each opener.

To start the night, NJ welcomed Willow Avalon to the stage. Willow is an emerging artist known for her ethereal voice and genre-blending style. Despite being a relatively new artist, Willow Avalon has already made a significant impact in the indie music scene. She stunned with her long red hair, lipstick and boots to match and a beautiful country inspired white dress. She was sweet, gracious, amazing voice and gave off a very positive energy.

Next up was Bakar, a British singer-songwriter who has quickly become a distinctive voice in the modern music landscape. Emerging from the vibrant London music scene, Bakar blends elements of indie rock, punk, and hip-hop to create a sound that is both eclectic and uniquely his own. As a solo act, he demanded the stage and pleased his fans by performing his hits “Hell N Back” & “1st Time.”

The main opening act for Cage The Elephant was Young The Giant. They are an American rock band that formed in Irvine, California, in 2004. Their music blends elements of alternative rock, pop, and indie, creating a sound that is both accessible and deeply emotional. Lead singer Sameer Gadhia’s distinctive voice, combined with the band’s tight instrumentation, has earned them a reputation for delivering powerful live performances. The way they moved across the stage was like a dance and we were all here for it!

The band delivered a performance that could have easily been the main event. Songs like “Cough Syrup” and “My Body” were clear fan favorites, drawing cheers from the crowd and prompting massive sing-alongs. The lighting added another layer to the experience. The vibrant light show complemented the band’s music perfectly, enhancing the mood of each song without overpowering the performance. 

It was finally time for Cage The Elephant to step out. I was overhearing a lot of talk regarding the lead singer Matt Shultz having a broken foot and fans wondering how it would affect his performance. I am here to tell you that he “rolled” out ready to put on a show…and that he did. He was a force to be reckoned with even with his broken foot. His stage presence is electrifying, blending raw energy with a kind of controlled chaos that keeps the audience entranced.

The night was a rollercoaster of energy, with the band opening with the high-octane “Broken Boy,” instantly igniting the crowd. Throughout the set, Cage The Elephant seamlessly blended fan favorites like “Ain’t No Rest for the Wicked” and “Come a Little Closer”. It was high energy the entire night from Matt as well as Brad Shultz on guitar, Jared Champion on drums, Nick Bockrath on guitar and Daniel Tichenor on Bass.

As the night came to a close with the powerful “Come a Little Closer,” it was clear that Cage The Elephant had once again solidified their reputation as one of the most dynamic live bands in the world. The audience left the venue buzzing with the high that only a truly great concert can provide.

For more info please visit http://www.cagetheelephant.com

New Kids on the Block

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

On a hot and rainy summer night in NJ, New Kids on the Block still proved that they have “The Right Stuff” as they brought their Magic Summer 2024 Tour to PNC Bank Arts Center. The amphitheater was abuzz with electrifying nostalgia in anticipation of New Kids On The Block (NKOTB).

The crowd—spanning generations—was a vibrant mix of original fans and newer enthusiasts (as young as 5 years old), all eagerly awaiting the arrival of NKOTB. The stage was set with an impressive array of lights, pyrotechnics, and a massive, LED-studded backdrop that promised a night of visual and auditory spectacle.

The iconic boy band, now seasoned veterans of the music scene, delivered a performance that was both a testament to their enduring appeal and a celebration of their remarkable journey from the mid ’80s to the present. Formed in 1984 NKOTB are considered one of the first “boy bands” and paved the way for other successful boy groups with the likes of NSYNC and Backstreet Boys. The venue ebbed and flowed in a sea of fans (mostly women aka: “Blockheads”) all dressed in their 80’s inspired neon’s from pinks, yellows and greens, to “I love Donny” handmade t-shirts, florescent bandanas, and coordinated cheerleading outfits.  Adoring fans seemed to have the same excitement today as they had when NKOTB posters were hanging on their bedroom walls over 30 years ago. 

Long time friend of NKOTB and Philadelphia born, DJ Jazzy Jeff (DJJJ) kicked off the evening and riled up the crowd spinning his cool mixes including popular tracks “Uptown Funk” and “Don’t Stop Believin'”. He is best known for his collaboration with Will Smith on 80’s hits such as “Parents Just Don’t Understand” and “Nightmare on My Street.” 

Following DJJJ was former Laker Girl, American Idol judge, choreographer and Grammy winning pop singer, Paula Abdul. Abdul opened with her biggest hit “Straight Up” gliding across the stage on tables and chairs, and accompanied by a full set of talented dancers. Her set design was grand, colorful and constantly changing. At one point, after a big dance scene, one of her dancers brought out an oxygen tank, Paula put the mask on, inhaled a couple of times and said, “You think I’m kidding? This is 62!”. Putting everything she has into her performances; Paula Abdul is truly a showstopper. She looked amazing, delivering all the hits we love so much including “Cold Hearted” “Forever Your Girl” and “Hush Hush”.

When Paula concluded, the countdown to the moment these fans have been waiting for was upon them. As Jordan Knight, Donnie Wahlberg, Joey McIntyre, Jonathan Knight, and Danny Wood hit the stage, the fans went absolutely wild. I usually wear earplugs to help with the bass being so close but this time I needed them the entire concert due to the pane glass cracking screams from adoring fans. I’ve never heard screams so loud – literally screaming at the top of their lungs! It was nuts!! NKOTB opened up with “Magic”, their first track off their recent album.

The visual elements of the concert were impressive. The stage design was dynamic, incorporating a series of elevated platforms, vibrant light shows, and impressive video projections. The choreography was tight and well-coordinated, with each dance routine perfectly timed to complement the high-energy beats of their songs. Neons, bright lights, streamers, confetti cannons and fog machines filled the venue. The high energy choreographies were fun! They incorporated all their signature moves effortlessly and you could tell they were having fun and didn’t take themselves too seriously. They were a bit more suggestive than their younger years, Donnie couldn’t help but to show off his abs several times and the “hip thrusts” thrown by each band member throughout the show made us all giggle. Each band member has such different personalities and it showed through as the night went on. The engagement they all have with their fans is like none other, bringing fans onstage to dance with them, having them singalong and even having group of fans stand on each side of the stage throughout the show for a lucky up close experience. 

One of the stand out moments was when the fans all got a lot closer to the action as each band member ran throughout the venue, hugging and kissing fans and taking selfies, eventually landing on elevated platforms providing fans with a closer experience than they expected.   They performed multiple songs perched from the platforms as fans screamed to “Block Party” and “Tonight“.  Once they made their way back on stage NKOTB showcased a few solos from select members including Joey’s piano take on “Where Do I Go From Here?”“Treat Me Right”, Donnie’s  “Stay With Me Baby”, Jordan’s “Baby, I Believe In You” and Jonathan’s serenade of “Happy Birthday” to one lucky fan.

The latter part of the show featured hits such as “Please Don’t Go Girl” and “Step By Step.”  They had multiple wardrobe changes with one in particular donning their blinged out and bedazzled Boston Celtics jerseys before performing “Hangin’ Tough” as an ode to their hometown of Boston’s basketball team.  They finished the thunderous evening with the live debut of “Better Days” where decibel levels were so high I felt the pillars of the venue would collapse. 

For fans of NKOTB and lovers of pop music nostalgia, the night at the PNC Bank Arts Center was a memorable celebration that reaffirmed why these boys from Boston remain beloved icons in the world of music.

Creed // 3 Doors Down

Concert Reviews

Just another night for us at PNC Bank Arts Center?  I think not!  The time has finally come.

I was very excited and have been waiting for years in anticipation to finally see Creed.  I’ve been a fan since they burst onto the post grunge scene in the late 90’s to early 2000’s. Their songs have a place on many of my personal playlists and the time has finally arrived to see them live! Joined by 3 Doors Down I knew the evening was going to be filled with powerful rock, great guitars and strong vocals. I was fired up!

Mirroring my own excitement, the packed house from row A to Back Lawn was buzzing with anticipation as fans eagerly awaited the dynamic rock duo of 3 Doors Down and Creed. While inclement weather worried many, it didn’t stop anyone from coming out to fill their souls with an energetic and nostalgic evening of music.

Canadian rock band, Finger Eleven kicked it off. Their setlist was a dynamic mix of fan favorites including “One Thing”, “Paralyzer” and new material, creating an engaging and immersive atmosphere setting expectations for all in attendance. The synergy between the band members and their ability to connect with the crowd provided a prelude to what was going to be a memorable event.

3 Doors Down

Sandwiched in the lineup was 3 Doors Down who took the stage with a confident swagger and an impressive array of hits spread throughout their 13-song set list. Opening with “Train,” followed by “It’s not My Time”, the crowd erupted into a sing-along that would set the tone for the rest of their set. The band’s performance was tight and polished, with lead singer Brad Arnold showcasing his powerful vocals on tracks like “Here Without You” and “Duck and Run”. The band’s chemistry was palpable, and their ability to connect with the audience was evident throughout their performance, with Arnold expressing his gratitude for the thunderous applause as each song concluded.

Guitarists Chris Henderson and Chet Roberts delivered intricate solos with ease, while drummer Greg Upchurch and bassist Justin Biltonen provided a steady, driving rhythm that kept the energy high. Their setlist was a carefully curated mix of fan favorites and deeper cuts and closing with two chart toppers “Kryptonite” & “When I’m Gone”, ensuring that both long-time supporters and casual listeners were not only satisfied but primed for Creed.

Creed

As the lights dimmed, Creed hit the stage and the first chords of “Bullets” rang out and crowd’s anticipation reached a fever pitch. Scott Stapp’s distinctive voice and the bands thundering guitar riffs filled the arena, proving that despite years away from the spotlight, the band still possesses the same musical talent and vocal prowess that made Creed a household name.

Their set was a celebration of the early 2000s rock era, with powerful renditions of “What If” and “What’s This Life For” bringing the audience to their feet. The band’s dynamic performance was highlighted by Mark Tremonti’s impressive guitar work, which added a layer of depth to the already anthemic sound. The rhythm section, consisting of Scott Phillips on drums and Brian Marshall on bass, was solid and reliable, anchoring the band’s sound with precision.

The lighting was a masterful blend of intensity and nuance, perfectly complementing the band’s powerful sound. The stage was bathed in a dynamic array of colors, shifting seamlessly between deep blues, fiery reds and bright whites to mirror the emotional highs and lows of the performance. Spotlights punctuated the set, casting dramatic beams that follow the band’s movements, while strobes and LED arrays added a modern, electrifying edge. The lighting transitions were timed impeccably with the rhythm of the music, creating an immersive atmosphere that heightened the concert’s impact and drew the audience deeper into the experience.

I must note, however (and I’m only critiquing this because I’m such a big fan), knowing of Stapps powerful vocals, I felt he was drowned out a bit.  I wanted to hear him more clearly and I wasn’t sure if it was my location (I was low and front left), or a technical glitch from soundboard. The music seemed to overpower the clarity of the microphone. Regardless, with myself and everyone else singing along to every word it was an imperfection I easily ignored.

The highlight of Creed’s set came with a stirring performance of “With Arms Wide Open” where the audience sang along with fervor, creating a shared moment of nostalgia and connection. And just as I was about to relax my voice from singing along all night the opening notes of “Higher” filled the venue as they finished their performance.  As the band exited and the stage went dark, fans knew a couple of songs were left unsung and cheered for an encore. Moments later Creed accepted the curtain call and they performed “One Last Breath” and “My Sacrifice”, leaving the audience full and satisfied and appreciative that they were able to experience all of Creed’s essentials! Their stage presence was commanding, and their ability to evoke strong emotions through their music was evident.

The combination of 3 Doors Down and Creed delivered an extremely memorable rock experience for me and everyone in attendance. Both bands demonstrated their enduring appeal and ability to captivate an audience, each in their own distinct way. Fans left with smiles on their faces and a sense of having relived some of the best moments from their musical past.

If the night was any indication, post grunge rock music’s legacy is alive and well, thanks to the continued passion and talent of bands like 3 Doors Down and Creed. It was an evening of high-energy, representing a nostalgia-fueled celebration of one of rock’s golden eras.

Editorial note: As I write this, I realize today is Scott’s birthday (8/9)! Happy Bday brother!  Keep rockin’!

For more info please visit http://www.creed.com http://www.3doorsdown.com http://www.fingereleven.com

Five Finger Death Punch

Concert Reviews

Five Finger Death Punch brought their 2024 tour to a sold out crowd at PNC Bank Arts Center on a hot and humid Monday night in NJ. The audience, a diverse mix of long-time fans and new listeners, was buzzing with enthusiasm. The crowd was a mix of goths, metalheads, and curious newcomers, all eagerly anticipating the main event.

The evening kicked off with Emo rock group The Funeral Project. They put on a fun theatrical live show. Lead singer Lee Jennings was full of energy and has a huge stage presence. Acclaimed as one of Alternative Press’ 100 Bands You Need to Know,” and you clearly understood why the minute they hit the stage.

Next up was Slaughter to Prevail, a Russian deathcore band from Yekaterinburg, Sverdlovsk Oblast. They are currently based in Orlando, Florida. The band’s overall commanding stage presence and iconic masks really pulls you in immediately. Lead singer, Alex the Terrible has the ability to morph his voice into something quite unworldly. A very intense entertaining performance.

Manson, the self-proclaimed “God of F***,” made a dramatic entrance as the curtain dropped, emerging from the shadows amidst a cloud of smoke. His presence was immediately commanding, clad in his signature dark, gothic attire, and his makeup as striking as ever.

This is Marilyn Manson’s first tour in almost five years. Manson’s career was put on pause the last few years due to a high number of legal cases involving serious allegations of sexual abuse. His band, featuring longtime drummer Gil Sharon and guitarist Tyler Bates have returned to the fold. Bassist Piggy D. (formerly of Rob Zombie) and current Code Orange guitarist/co-vocalist Reba Meyers have joined this tour. They provided a tight, explosive musical foundation that perfectly complemented Manson’s vocal delivery and stage antics.

Manson’s vocal performance was powerful and haunting, his voice resonating through the venue with an intensity that held the audience captive. He prowled the stage with a theatrical flair, often interacting with the crowd in his unique, provocative manner.

The setlist was a well-balanced mix of classic hits and newer material. Songs like “The Beautiful People,” “Sweet Dreams (Are Made of This),” and “The Dope Show” had the crowd up on their feet singing along. The night was a dark, thrilling journey through Manson’s twisted world, leaving fans both old and new eagerly anticipating his next return to the stage.

When Five Finger Death Punch finally took the stage, the atmosphere erupted with electrifying energy. Ivan Moody, the band’s charismatic lead vocalist, commanded the stage with his raw and powerful voice. His connection with the crowd was undeniable and a highlight, as he frequently engaged with fans and rallying the audience with his infectious energy. His performance was raw and intense, as he deftly switched between aggressive growls and melodic choruses. Zoltan Bathory’s guitar work and rock star charisma was nothing short of spectacular, delivering crushing riffs that left the crowd in awe. Chris Kael on bass and Charlie “The Engine” Engen on drums provided a thunderous rhythm section that kept the momentum going strong throughout the night. Andy James, the more recent addition to the band, proved his mettle with flawless execution and electrifying energy.

The setlist was a well-curated mix of their biggest hits and newer material, pleasing both longtime followers and recent fans. Songs like “Jekyll and Hyde,” “Wrong Side of Heaven,” and “Wash It All Away” were met with roaring approval. The stage production was equally impressive, featuring dynamic lighting & lasers that enhanced the overall experience. As the final notes of their encore rang out, the audience erupted in cheers, a fitting end to an electrifying night.

For more info please visit http://www.fivefingerdeathpunch.com

Setlist

  1. Welcome to the Circus
  2. Lift Me Up
  3. Trouble
  4. Wash It All Away
  5. Jekyll and Hyde
  6. Sham Pain
  7. Bad Company
  8. Salvation
  9. Burn MF
  10. Far From Home
  11. Wrong Side of Heaven
  12. Got Your Six
  13. No One Gets Left Behind
  14. IOU
  15. Under and Over it (Encore)
  16. Never Enough (Encore)
  17. The Bleeding (Encore)

Limp Bizkit

Concert Reviews

Nu-metal rock band Limp Bizkit brought his Loserville Tour to Holmdel NJ Tuesday evening. PNC was filled with red caps and fans of all ages. The lineup seemed questionable, having many fans wondering who they were and still looked puzzled as they came on. Corey Feldman started the show with very sparkly outfits and at one point dressing up as the “King of Pop”, Michael Jackson, replicating his every move. I was a huge fan of Corey Feldman in the 80’s, he was a box office draw in my favorite movies including “The Goonies,“Stand By Me,” “Gremlins” and “The Lost Boys.” Some would say that it was awkward to see him on stage but I found him to be very entertaining. He is “The Comback King” after all!

N8NOFACE was a very unique set and lost the attention of most of the audience. Mostly hitting himself in the head and screaming as he walked back and forth, there wasn’t much more to see. Next up was Bones who are best known for their emo rap featuring Xavier Wulf and Eddy Baker. They sounded great and played a full set but left Limp Bizkit fans feeling as if they were at the wrong show although I believe that was the whole point of having so many different music styles for openers.

After waiting patiently for almost 3 hours, Limp Bizkit finally hit the stage. Guitarist Wes Borland came out in his metallic mask and had us all mesmerized. The man (Limp Bizkit) who was filled with male rage and had quite a fallout from the disastrous Woodstock 1999 seemed to have turned the page. This was evident throughout the show as Limp Bizkit seemed to be enjoying the more “fun” side of life. He seemed more at peace and even brought kids up onstage during “Livin’ It Up” so they could watch the show from the center of the stage. He was full of energy and delivered hits such as “My Way”, “Nookie”, “Break Stuff” and a bonus cover of “Killing in the Name” by Rage Against the Machine”. All and all, a very memorable show!

For more info please visit http://www.limpbizkit.com

Sammy Hagar

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

The PNC Bank Arts Center in Holmdel, NJ buzzed with excitement on a warm July evening as rock legend Sammy Hagar came to town on his, “The Best of All Worlds Tour”. Known for his high-octane performances and unrelenting energy, Hagar delivered a show that lived up to his reputation and then some!

Before Hagar took the stage, Loverboy set the PNC ablaze with their signature brand of 80s rock flair, delivering a high-energy performance that perfectly primed the crowd for Sammy and his All-Star lineup. Known for their infectious hooks and iconic hits, the Canadian rockers brought a burst of nostalgia with tracks like “Working for the Weekend” and “Turn Me Loose,” showcasing their enduring appeal. Frontman Mike Reno’s charismatic presence and the band’s tight, polished sound had the audience on their feet, proving that Loverboy’s classic rock credentials still shine brightly.

When Sammy Hagar hit the stage it was like a high-octane rock ‘n’ roll time machine with an absolutely stellar lineup that defied the limits of genre and era. Featuring Hagar himself, legendary bassist Michael Anthony, powerhouse drummer Jason Bonham, and guitar virtuoso Joe Satriani, the concert was a thrilling showcase of rock prowess and camaraderie loaded with all the Van Halen favorites.

The crowd, a mix of long-time fans and new converts, erupted as the lights dimmed and the opening riff of Van Halen’s “Good Enough” ripped through the venue. Hagar, ever the showman at 76, was in top form. His voice, still robust and energetic, commanded the stage with the charisma that has defined his career.

Michael Anthony, with his signature bass lines and harmonies, provided a solid foundation, effortlessly blending with Hagar’s dynamic presence. His backing vocals on tracks like “Why Can’t This Be Love” and his lead vocals on “Aint Talkin’ bout Love” were spot-on, reminding the audience of his integral role in Van Halen’s heyday.

Jason Bonham, behind the drums, was a thunderous force. His father, John Bonham, is a legendary figure in rock history, and Jason’s performance was a testament to his own formidable talent. His drumming on “When It’s Love” and vocals on “Best of Both Worlds” was both powerful and precise, delivering a rhythmic punch that drove the band’s high-energy performance.

Eddie Van Halen’s shoes are not easy ones to fill.  In fact, virtually impossible! It takes a special guitarist to be able to replicate the difficult guitar riffs and runs of Eddies mastery but Joe Satriani delivered the goods in spades! His guitar solos were nothing short of mesmerizing. Satriani’s virtuosic playing on the loaded Van Halen set list and covering classics like “Satch Boogie” showcased why he’s revered as one of the greatest guitarists of our time. The interplay between Satriani’s intricate solos and Hagar’s raw, dynamic vocals created a thrilling contrast, highlighting the versatility and depth of the bands sound.

As a Van Halen lover, the massive 23 song setlist was a rock fan’s dream, blending classic hits with deep cuts. The crowd was treated to a nostalgic journey through Hagar’s career, including Van Halen favorites, a Montrose song, and some of his solo work. Highlights included a rousing rendition of “I Can’t Drive 55,” where the audience sang along with gusto, and included many poignant tributes to Eddie Van Halen where Satriani’s guitar work shone in a heartfelt homage.

The energy in the PNC Arts Center was electric. The band’s camaraderie and mutual respect were evident in every interaction, both on and off the stage. Hagar’s anecdotes of personal touches and humor made the night feel like an intimate gathering among old friends.  His engagement with the crowd was one like I’ve never seen. He was slapping hands, signing autographs on any item thrown on stage and retuning them to their rightful owner, and even opening a bottle of tequila and pouring shots for thirsty fans looking for that up close and personal experience. Sammy was extremely engaging and generous and one can see the pride he has for who he is, what he does and the impact he has on Van Halen fans Worldwide.  He said it best and lived up to his words when he mentioned at the top of the show that, “this is not a concert, it’s a celebration!” 

AND a celebration it was! The concert closed with an encore of “Jump” and “When It’s Love” that left fans cheering for more. As the final notes faded, the crowd didn’t have to give a standing ovation as we were on our feet the entire time, and extremely appreciative of a night that blended nostalgia with virtuosity.

In all, Sammy, Michael, Joe & Jason delivered a performance that was both a celebration of rock’s past and a reminder of its enduring power. It was a night that proved, once again, that rock ‘n’ roll isn’t just a genre—it’s a timeless, exhilarating experience and yes, a “celebration”!

For more info please visit http://www.redrocker.com

Foreigner // Styx // John Waite

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

On a balmy summer night at the PNC Bank Arts Center, three titans of classic rock brought their timeless hits and infectious energy to a crowd eager to relive the glory days of the genre. The night featured John Waite, Styx, and Foreigner, each delivering their own brand of rock ‘n’ roll magic to a rapturous audience.

John Waite kicked off the evening with a spirited set that set the tone for the night. Known for his powerful voice and emotive performances, Waite didn’t disappoint. He started with “Missing You,” a track that remains one of his most enduring hits, and the crowd immediately responded with enthusiastic applause. Waite’s charisma and vocal prowess were on full display throughout his set, with standout performances of “Change” and “Back on My Feet Again.” Despite the relatively shorter set than those that followed, Waite made every minute count, leaving the audience primed and ready for more.

As the sun began to set, the lights dimmed, and Styx took the stage. The iconic band, now led by Tommy Shaw and James Young, showcased their signature sound with a blend of rock and theatrical flair. Opening with the energetic “The Grand Illusion,” Styx immediately captured the audience’s attention. Their setlist was a nostalgic journey through their greatest hits, including “Too Much Time on My Hands,” “Lady”, “Come Sail Away,” “The Best of Times” and “Renegade.” The band’s chemistry was palpable, and their ability to blend intricate musicianship with crowd-pleasing anthems was a testament to their enduring appeal. The visuals were striking as well, with a backdrop of dynamic lighting and video projections that enhanced the theatrical experience.

The final act of the night, Foreigner, brought an electrifying close to the concert. The band was a powerhouse of classic rock greatness. They kicked off with a high-energy rendition of “Double Vision,” and the momentum never faltered. Kelly Hansen is by far one of the greatest frontman out there and the way he engages with the crowd and his bandmates is quite extraordinary. The crowd was on its feet for the entirety of Foreigner’s set, singing along to timeless hits like “Hot Blooded,” “Urgent,” and “I Want to Know What Love Is.” The band’s performance was a perfect blend of nostalgia and vitality, proving that their songs have lost none of their potency over the decades. The band’s harmonies were spot-on, making each song a memorable experience.

As the night drew to a close, the audience left with a sense of satisfaction, having witnessed a showcase of classic rock that spanned decades and genres. Whether it was Waite’s heartfelt ballads, Styx’s theatrical rock, or Foreigner’s classic anthems, the night was a celebration of rock’s golden age, delivered by artists who have mastered the craft. They delivered performances that were both nostalgic and exhilarating, reminding everyone why these bands continue to be beloved icons in the world of rock music.

Santana // Counting Crows

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

The PNC Bank Arts Center crackled with an electric energy as The Counting Crows and Santana took the stage for an unforgettable night of music that spanned genres and generations. As usual at the PNC Arts Center, the summer evening was perfect for an outdoor concert, and the atmosphere buzzed with anticipation.

The Counting Crows kicked off the evening with their signature blend of introspective lyrics and alternative rock melodies. Adam Duritz’s distinctive voice filled the amphitheater, captivating the audience from the first notes of “Round Here.” The band’s setlist was a journey through their career, mixing hits like “Mr. Jones” and “A Long December” with deeper cuts that delighted long-time fans. Their performance was tight and emotionally resonant, with Duritz’s raw, emotive delivery making each song feel personal and poignant.

As the sun set, the stage transformed for Santana’s set, and the legendary guitarist wasted no time in mesmerizing the crowd with his virtuosity. From the moment Carlos Santana launched into the iconic riff of “Black Magic Woman,” it was clear that the audience was in for a transcendent experience. Santana’s guitar solos were nothing short of breathtaking, weaving together Latin rhythms, bluesy licks, and soulful melodies that seemed to defy the limits of time and space.

Joined by his band (and his wife the famed drum virtuoso, Cindy Blackman), Santana’s performance was a masterclass in musical fusion, seamlessly blending rock, jazz, and Latin influences into a tapestry of sound that washed over the audience. Classics like “Oye Como Va” and “Smooth” had everyone on their feet, dancing and swaying to the infectious rhythms. Santana’s passion for his craft was palpable, and his joy in sharing the stage with his bandmates and the audience was evident throughout the night.

The lighting for Santana was nothing short of mesmerizing. From the moment the first note rang out, the stage came alive with a symphony of colors and patterns that danced across the backdrop and engulfed the audience in a sensory feast. During the soulful guitar solos, the lighting intensified, bathing the stage in hues that matched the mood of each song perfectly – from deep blues and purples during melancholic melodies to fiery reds and oranges during high-energy jams. The dynamic lighting sequences not only complemented Santana’s legendary guitar prowess but also elevated the entire concert experience, adding an extra layer of emotion and spectacle to each performance.

The synergy between The Counting Crows and Santana was unexpected yet magical, showcasing the diversity of their musical styles while highlighting their shared love for storytelling through song. It was a celebration of music’s power to unite and inspire, leaving the audience with a sense of awe and gratitude for witnessing two legendary acts at the height of their powers.

JOHN 5

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

The Gramercy Theater in the heart of New York City was transformed into a haven for guitar enthusiasts as the virtuoso guitarist John 5 took the stage in a night that can only be described as electrifying. The air was thick with anticipation as fans eagerly awaited the performance of this iconic musician, known for his incredible skills and diverse musical influences. I love these venues in NYC as often major musicians will show up supporting their craft and the musicians they influenced. Some of those notable influences were present on this evening as Ace Frehley (founder and original member of KISS) and Kerry King (co-lead guitarist and songwriter of thrash metal band Slayer) sat on stools, side-stage soaking in the performance. At one point in the show John 5 offered a gesture of gratitude for Ace, having been a major influence on his career and the reason he first picked up a guitar.

From the moment John 5 stepped into the spotlight, the venue was ablaze with the fiery energy of his guitar riffs. Absent were his elaborate wardrobe and makeup as he donned black jeans and a black leather jacket with the #5 on back, but the choice seemed to fit the more intimate venue and solo appearance. The opening chords resonated through the theater, setting the tone for a night of musical mastery. While this was a solo performance from John 5 he was backed by his drummer and his guitar tech filled in on bass during the last set. It’s not a rock show or a thundering guitar performance unless a speaker blows and at the completion of John 5’s third song, that’s what happened.  John 5 announced to the crowd he blew a speaker and mentioned he wanted to give the crowd the show they paid for and the excellence they expect, so he said he would be right back once his techs fix the issue. The crowd didn’t seem to mind one bit, agreeing with pleasure to the short pause.  The issue was rectified in 5 minutes, and John 5 came back on stage shredding!

One of the most remarkable aspects of John 5’s performance was his ability to seamlessly blend various genres into a cohesive sonic experience. The setlist traversed through a kaleidoscope of styles, from metal to country, and even hints of jazz, showcasing his versatility as a guitarist. Each transition was flawless, a testament to John 5’s technical prowess and his deep understanding of different musical idioms.

The connection between John 5 and the audience was palpable. The crowd, a mix of other musicians, devoted fans and curious onlookers, responded enthusiastically to every bend of the strings and every lightning-fast solo. There were moments of collective awe as he effortlessly navigated the fretboard, leaving no doubt that he is a true maestro of the guitar.

There were visuals that complemented the auditory spectacle, with cool videos of old movie clips, horror and fight films, and more were attached to the Amps and visible to all which enhanced the overall experience. The interplay of lights and shadows created a dynamic backdrop, accentuating the intensity of the music. The atmosphere was further heightened by giant headed characters on stage as if a page out of Alice Cooper’s shows as well as fan initiated large balloons bouncing overhead which added a theatrical dimension to the performance.

Throughout the night, John 5 took the audience on a musical journey, changing guitars and styles (even a Bass) with just about every song. The sheer technicality and emotion displayed during his segments were a testament to John 5’s mastery of his instruments.

As the final notes reverberated through The Gramercy Theater, the crowd erupted in applause, demanding an encore. John 5 obliged, returning to the stage for a few final exhilarating performances, including some Motley Crew who he has now joined and will be on tour with, which left an indelible mark on everyone present.

John 5’s performance at Gramercy Theater was nothing short of extraordinary. His technical brilliance, genre-spanning repertoire, and magnetic stage presence created a musical experience that will be remembered by all fortunate enough to witness it. For fans of guitar virtuosity, this was an unforgettable night of shredding and sonic exploration.

For more info please visit http://www.john-5official.com

TOOL

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

Tool Unleashes Sonic Mastery at PPL Center, Allentown PA

It was well worth the two-hour drive from Central Jersey to Allentown, PA to experience the four-time Grammy Award winning Tool.  Tool has been a band I have wanted to see and review for a long time, much due to the mystery and experience of their shows vs. just being a fan of their music, as a Tool show is never the same twice.

I use the word “experience” & “show” frequently in this review as that is exactly what it was for me and the thousands of fans present this evening. While musically different, the fans are thrown into a masterpiece similar to a Pink Floyd “show”, a Dead “show”, or any “experience” that captivates and mesmerizes you visually and auditorily.

One of the first things you notice (and if you know – you know) there are signs all over and taped to the back of seats informing fans; “NO PHOTOS, NO VIDEOS, NO AUDIO RECORDINGS”. In a world of everyone carrying their own personal video recording devices (aka: their cell phones) as well as social media, I wasn’t sure how the audience would behave to this poignant and very well and strongly enforced request. While there were some rule breakers who were immediately targeted with laser beams and flash lights from security and some even escorted out, those who did follow the rules discovered that the full attention you give to Tools music mastery and visually stimulating set allows yourself to be fully submerged into a sonic odyssey without distraction. The mesmerizing visuals, a mélange of surrealistic, alien like animations, complemented the ethereal yet powerful vocals of Maynard James Keenan as his haunting presence and hypnotic voice weaved through the venue, commanding attention and reverence.

The band’s instrumental prowess was on full display, with Adam Jones’ deft guitar work conjuring otherworldly melodies, accompanied by the rhythmic thunder of Justin Chancellor’s bass and the precise drumming of Danny Carey. Each note, each beat, resonated through the arena, and thundered through my chest, creating an immersive experience that transcended mere music.

Due to the group’s efforts to combine musical experimentation through very long and complex releases as well as through the incorporation of visual arts, the band is generally described as a style-transcending act and part of progressive rock, psychedelic rock, and art rock. The relationship between the band and today’s music industry is ambivalent, at times marked by censorship and the band’s insistence on privacy.

That desire for privacy is noticeable in their live shows as Tool incorporates an unorthodox stage setting and video display. Keenan and Carey line up in the back on elevated platforms, while Jones and Chancellor stand in the front, toward the sides of the stage. Keenan often faces the backdrop or the sides of the stage rather than the audience and I found this to not only be a strategy for him to stay in his head while he performs, but I like to also think it’s a nod to the rest of the band, to have them maintain the spotlight.  It lends to the mystery and what the band expects from their fans and how they want the fans to experience their show.

The band employs an amazing laser light experience and extensive backlighting to direct the focus away from the band members and toward other areas of the arena and to the large screens in the back. The purposeful dark spaces on stage are mostly for Maynard. A lot of the songs are a personal journey for him and I’ve learned he has a hard time with the glare of the lights when he’s trying to reproduce these emotions for the audience. He needs a bit of personal space, and he feels more comfortable in the shadows.

Described as, “the thinking person’s metal band” Tool encompases the full spectrum. Cerebral and visceral, soft and heavy, melodic and abrasive, tender and brutal, familiar and strange, western and eastern, beautiful and ugly, taut yet sprawling and epic, they are a tangle of perfect contradictions. The band puts an emphasis on the sound of their songs and attempts to reduce the effect lyrics can have on the perception of songs which is substantiated by not always releasing song lyrics with their albums.

In an October 2023 interview, bassist Justin Chancellor stated that the band has “many ideas cooking” for their new album, and mentioned tentative plans to enter the studio in 2024 and I can’t wait to see what comes next, as well as to “experience” another Tool “show”!

Tool is an American rock band from Los Angeles. Formed in 1990, the group’s line-up includes vocalist Maynard James Keenan, guitarist Adam Jones and drummer Danny Carey. Justin Chancellor has been the band’s bassist since 1995!

As the final notes echoed into the night, the crowd, awestruck and fulfilled, erupted in a thunderous ovation. Tool had not just performed; they had crafted an otherworldly journey, an experience that lingered long after the last chord had faded.

For more info please visit http://www.toolband.com

Setlist

  1. Fear Inoculum
  2. Jami
  3. The Pot
  4. Rosetta Stoned
  5. Pneuma
  6. Descending
  7. The Grudge
  8. Chocolate Chip Trip
  9. Culling Voices
  10. Invincible
  11. Forty Six & 2