James Taylor

Concert Reviews

Review & Photography by Estelle Massry

James Taylor’s concert at the PNC Bank Arts Center was nothing short of a musical masterpiece. Taylor, a legendary figure in the folk and rock genres, proved that his enduring talent continues to captivate audiences across generations.

From the moment he stepped on stage, the audience was transported to a realm of timeless melodies and heartfelt lyrics. Taylor’s signature smooth voice, combined with his exceptional guitar skills, created an intimate and magical atmosphere. It was like having a conversation with an old friend who shared stories through his songs.

The setlist was a perfect blend of his classic hits, demonstrating his artistic evolution while paying homage to his roots. “Fire and Rain,” “You’ve Got a Friend,” and “Carolina in My Mind” were met with thunderous applause, and Taylor’s emotive rendition of each song left not a dry eye in the house.

The backing band was outstanding, adding depth and richness to the performance without overshadowing Taylor’s presence. The stage design, with its warm lighting and subtle visuals, complemented the music beautifully.

James Taylor’s concert was a testament to his enduring talent and his ability to connect with his audience on a profound level. It was an unforgettable night filled with nostalgia, emotion, and the sheer joy of experiencing a living legend in action.

For more info please visit http://www.jamestaylor.com

Garbage // Noel Gallagher’s High Flying Birds

Concert Reviews

July 14, 2023 – The Mann Center, Philadelphia, PA

Review by Chris Yates // Photography by Estelle Massry


Music Den Live would like to personally thank Shirley Manson’s granny and Noel Gallagher’s granny for being sick of them enough to ship them off to America on tour together, just for our pleasure.

In an interview prior to their American tour, they were asked; How did you come to find yourselves touring together? Manson replied, “well, my granny knows Noel’s granny and everybody thought it would be a good idea if we toured America together.”  Gallagher followed by stating, “my granny said to Shirley’s granny, Look, I’ve had enough of him. And you’ve had enough of her, so let’s pack them off to America.”

And thankfully for us they love their granny’s enough to listen!

It was a hot and humid night in Philadelphia at the beautiful outdoor amphitheater, The Mann Center.  While hot, it seems the weather Gods blessed us as it rained just about everywhere on the east coast this evening except over Philadelphia.

Touted as one of the best Canadian bands of all time, Metric opened the evening for the co-headliners and put on a great show. It’s easy to see why they have such a strong following. This Toronto indie rock group, which is also appreciated in synth-pop circles, started in the late 1990s as the duo of Emily Haines and James Shaw. It has since grown into a foursome that continues to draw raves from a loyal fan base and music critics alike. Among the eight studio albums Metric has released, 2009’s Fantasies remains the gold standard. It won the Juno Award for Alternative Album of the Year, and the song Stadium Love has been incorporated into game-day experience by MLB’s Toronto Blue Jays and the NHL’s Edmonton Oilers over the years. Emily has strong stage presence and sang with a ton of energy. They were the perfect opener for Garbage who followed.

Garbage, led by Shirley Manson is one of the most influential female led rock, alternative rock and grunge bands of all time. While led by Scottish singer, Manson, Garbage is actually an American band formed in 1993 in Madison, Wisconsin. At the time, the grunge scene was dominated by male led bands like Pearl Jam, Nirvana, Soundgarden, Alice in Chains and more, Garbage and Shirley (as female lead) stood out and recognized immediate commercial success. The bands debut album holding the same name was critically acclaimed upon its release. Selling over four million copies and going double platinum in the US, UK and Australia. It was accompanied by a string of successful singles including Stupid Girl and Only Happens When it Rains. Other than Manson, the band’s line-up consists of American musicians Duke Erikson, Steve Marker, and Butch Vig and has remained unchanged since its inception. All four members are involved on the writing and production process.

Shirley and the band came on stage with tremendous confidence and comfortability which was welcomed with thunderous applause. Manson looked beautiful and very cool in what I would define as grunge chic, wearing a white long top which came below her knees, tights with a colorful pattern underneath, with patent leather boots donning red accented tips. Over her white top she wore a red tulle cover which accented the stylish outfit, accompanied by a black sash draped over her waistline. Her hair was slicked back tight and she wore cool eye makeup. It was a very stylish, almost high fashion outfit/look.  Shirley sang powerfully and moved about the stage giving on-lookers who were lucky enough to have close seats a personal experience. Her stage presence was not just powerful. The best way I can describe it is Badass! Garbage played in front of a screen that changed colors and images and the lighting was great! I loved how she struck poses of confidence and really soaked in the audiences appreciation. She played for about an hour and a half with a large set list which included many of the fans favorites. I enjoyed it very much!

Following Garbage was Noel and his High Flying Birds. I never had the chance to see and review Oasis but was a fan of their music and can remember singing many of their songs as I blasted them on my car stereo. Noel was the chief songwriter, lead guitarist and co-lead vocalist of the rock band Oasis until their split in 2009. After leaving Oasis, he formed Noel Gallagher’s High Flying Birds. He is one of the most successful songwriters in British music history, as the writer of eight UK number-one singles and co-writer of a further number one, as well as the sole or primary writer of ten UK number-one studio albums. He is widely considered to be one of the most influential songwriters in the history of British rock music, cited by numerous major subsequent artists as an influence, so I was excited to experience his music live.

Noel is from Manchester, England and if you weren’t aware, is a HUGE, I mean HUGE fan of Manchester City Football Club (soccer for those on this side of the pond). This is made overly apparent by his stage/set design complete with life size cardboard cutouts of the Man City coach and some players as well as a Man City podium. The cutouts were accompanied by a bunch of flower arrangements and bouquets spread throughout.  It was an interesting set design to say the least.  Noel was accompanied on stage with quite a few other members. Not only musicians but a line of backup singers, percussion and synthesizer or techno/electric techs. The compilation worked as he sang in beautiful melodic tones while playing his guitar and positioned center stage. He played for another hour and half and to the delight of the audience, mixed in some Oasis songs towards the end of the set. Not too much movement about stage, but when your voice carries you as his does, not much movement is needed as that speaks for itself.  I enjoyed the show, as did many of the fans who support him all wearing their Man City jerseys if droves.

They concluded their tour in Boston after finishing Philadelphia, so while you won’t get the chance to see them on this tour after reading this review, I would recommend seeing all three bands live the next time you have the chance, whether together or individually. 

Oh… and special thanks to Granny Gallagher & Granny Manson! 

Counting Crows

Concert Reviews

July 6, 2023 – PNC Bank Arts Center, Holmdel NJ

Review & Photography by Estelle Massry

The Grammy and Academy Award-nominated rock band Counting Crows have captivated us with their soulful tunes since their multi-platinum breakout album in 1993, “August and Everything After” selling more than 7 million copies in the United States.

The Counting Crows’ debut single, “Mr. Jones” was released 30 years ago. How ironic to make a song about how cool it would be to be famous only to have it come true and still valid after all this time.

Despite the blistering heat, the outdoor venue filled up quickly in anticipation of fans seeing their favorite band. Dashboard Confessional are joining Counting Crows on the “Banshee Season Tour” and what a great surprise it was to have Adam come out out to introduce them and say how happy he is to be on tour together as they are long-time friends and his favorite band.

The Counting Crows play with pure passion and stage presence. Every member of the band shows his love for their songs and for what they do. Adam Duritz’s intimate expressions as he delivers each song makes you feel connected. I feel that every one of us have our own personal stories that we go back to and reflect on as we hear these songs. The fans sure felt it and embraced it from the moment they stepped on stage until the very last note.

Formed in 1991, the band consists of Adam Duritz (vocalist), Charlie Gillingham (keyboards), David Immergluck (multi-instrumental), Dan Vickrey (guitar), David Bryson (guitar), Millard Powers (bass) and Jim Bogios (drums). The “Banshee Season Tour”kicked off on June 13th in Omaha, NE and will finish off at Red Rocks Amphitheater in Morrison, CO on September 25th.

For more info please visit http://www.countingcrows.com

Setlist

  1. Round Here
  2. Come Around
  3. Mr. Jones
  4. Colorblind
  5. Butterly In Reverse
  6. Omaha
  7. Good Time
  8. Catapult
  9. God of Ocean Tides
  10. Friend of The Devil
  11. Big Yellow Taxi
  12. Miami
  13. Palisades Park
  14. Rain King
  15. A Long December
  16. Time & Time Again (Encore)
  17. So Long, So Long (Encore)
  18. Hanginaround (Encore)
  19. Holiday In Spain (Encore)

Jerry Cantrell

Concert Reviews

March 12, 2023 – The Wellmont Theatre, Montclair NJ

Review by Chris Yates // Photography by Estelle Massry

Nine time Grammy Award nominated Jerry Cantrell stopped by the Wellmont Theater in Montclair NJ to greet his adoring fans in support of his latest solo release, “Brighten”. 

Cantrell was accompanied by Seattle-based Thunderpussy as his opening act. The all female band boasts a unique rock sound which delivers the powerful all-female presence of Molly Sides (vocals), Whitney Petty* (guitar), Leah Julius (bass), and Lindsey Elias (drums).

Although I have been an Alice In Chains (AIC) fan for some time, this was only my second time seeing Jerry Cantrell perform. While “in tune” and musically well present in the 90’s, I wasn’t in this profession until now, so didn’t previously have the opportunity to see Layne Staley (late front man of AIC). I only experienced Jerry live with new AIC vocalist William Duvall which to me (if I close my eyes and absorb phonically) was the next best thing.

Released in 2021, and having kept fans in anticipation for nineteen years, Cantrell’s Brighten is the third solo album by the acclaimed Alice In Chains founder, guitarist and vocalist. Cantrell and his band boarded the smokey and dimly lit stage to a roaring crowd itching to catch a more close up, intimate experience of Cantrell at the moderately sized, yet iconic, and to some (like myself)… somewhat nostalgic venue.

Jerry opened with “Atone” which is the first single released from Brighten and in a recent interview with SiriusXM, Cantrell spoke of how many of his songs were born from long periods of crafting. “The riff to Atone; I mean I literally had it for years –  couldn’t finish it. It comes when it comes, I’ve learned to not discard things.” This potentially explains the nineteen years of anticipation!

While the stage and lighting was more dimly lit than preferred for the photographers, it set the cool vibe for the evening which was well- welcomed by the crowded house. I was a little concerned that people may be there just to hear AIC songs but was pleased to witness the audience enjoying what Jerry brought to the stage and what he effectively delivered in his performance.  

Jerry sounded great and his supporting cast were exceptionally talented and delivered a strong night of excellent Rock & Roll!

Jerry Cantrell (vocals/guitar), Tyler Bates (guitar), Greg Puciato (vocals), Gil Sharone (drums), George Adrian (bass), Michael Rozon (pedal steel) & Jason Achilles (keys).

For more info please visit: http://www.jerrycantrell.com

Setlist

  1. Atone
  2. Psychotic Break
  3. Them Bones
  4. Siren Song
  5. Cut You In
  6. My Song
  7. Check My Brain
  8. Black Hearts and Evil Done
  9. Between
  10. Angel Eyes
  11. Had to Know
  12. No Excuses
  13. Lesson Learned
  14. Man in the Box
  15. Would?
  16. Whale & Wasp (Encore)
  17. Brighten (Encore)
  18. Down in a Hole (Encore)
  19. Rooster (Encore)
  20. Goodbye (Encore)

Steve Vai

Concert Reviews

October 29, 2022 – Count Basie Center for the Arts Theater, Red Bank, NJ

Review by Chris Yates // Photography by Estelle Massry

Guitar God Steve Vai descended upon Red Bank NJ this past weekend in support of his new studio album and LP, “Inviolate” which was released earlier this year through: Favored Nations / Mascot Label Group.

Notably one of the best guitarists of all time, the virtuoso is also an accomplished and highly acclaimed musical composer and producer, fluent in the composition and arranging of orchestral music. Throughout his 40 years in the industry, Vai has sold over 15 million records, received three Grammy Awards, and recorded with music legends like Frank Zappa, David Lee Roth, Whitesnake and many more.  

I first saw Vai playing a double necked, red, heart shaped guitar with David Lee Roth at the Worcester Centrum in the late 80’s.  And while I don’t remember much of the late 80’s (for reasons I will not disclose), I do remember very well how floored I was by his technical ability and overall electrifying performance. So when time came around for me to see him again, but this time to review the show, I was ecstatic and could not wait to hear him shred.  He did not disappoint!

One can tell the influence Steve has on musicians, and any lover of guitar playing, by the people that packed in to see him. The crowded house, was filled with musicians and fans young and old. I saw a good handful of parents with their musically inclined kids lined up at the merch table, where Vai’s team should have also been handing out “Parent of the Year” awards for providing their kids the opportunity to see the guitar legend live.  

Steve came out to a blacked out stage with just the blue glow of his guitar frets visible as he approach center stage.  It was a cool scene as he ripped away at his instrument (which seemed a natural extension to his body), appropriately hooking every applauding fan in for the evening.  From that moment on I was glued to the performance. Every style for which Vai is known for was showcased to perfection. I found it hard to look anywhere else but at the fingers on his guitar as he demonstrated two-handed tapping, alternate picking, legato, hybrid picking, sweep picking, whammy bar acrobatics, and circular vibrato. It was amazing.  When I did glace away from his guitar it was to his facial expressions which illustrated how the music he creates flows through his body.

We were launched into an amazing evening of guitar rock!  Vai wore a fluorescent green shirt (his favorite color) and had multiple guitar swaps (as you would imagine), which he played to perfection including: “Avalancha”, “Little Pretty”, “Greenish Blues”, “Teeth Of The Hydra”& “Taurus Bulba”.

Vai’s performance was complimented by a talented group of musicians. Dave Weiner on guitar, Philip Bynoe on bass and drummer Jeremy Colson on drums. Colson was just as electrifying as he was when I saw him here in NJ at the Stone Pony while he was touring with Sebastian Bach.

There are about 25 shows remaining on his tour, concluding in LA on December 3rd.  Make sure to check his schedule and if he’s playing near you (or even if you have to travel to get there) don’t miss it!  

For more info please visit http://www.vai.com

Ministry

Concert Reviews

March 12, 2022 – The Wellmont, Montclair NJ

Review by Chris Yates // Photography by Estelle Massry

Ministry / Industrial Strength Tour

Not many bands have the presence, or know how to make a statement quite like Ministry and Saturday night was no exception.  Joined by Corrosion of Conformity, a heavy metal band from Raleigh, NC (also known as C.O.C.) and Melvins, a Washington State tenant of sludge-metal, the night was a powerhouse, recking ball of industrial strength & metal rock.

Church was in session with Ministry, lead by the constant intensity and powerful strong vocals of Al Jourgensen. The pioneering, high octane filled band spread their Gospel, fueled by powerful lyrics representing anti-fascism, equal rights, and distaste of political corruption.

As the stage techs finished constructing Ministry’s iconic fence, prior to the band walking out, the lights dimmed and the large screen in back center stage illuminated with the Ukrainian Flag which read, “Ministry Stands with Ukraine”, as the Ukrainian National Anthem played. It was a unique, one of a kind experience as timing for this show combined with the lyrics the band preaches is impeccable, as Russian forces continue to bombard and invade the Ukraine for the third week in a row leaving death and destruction in their wake. 

The strong, powerful vocals, mixed with electrifying, aggressive “riffage” from Ministry spread through the Wellmont Theatre all night to a packed, head banging crowd.

“Uncle Al” complemented his tattooed and pierced face with a black vest, arm sleeves, and accent neck pieces of a cross, skull, dog-tag, and bullet resembling the vigor he brings to each performance. He shook the cage as he sang, as if he and his band mates were caged animals, threatening to escape and infiltrate the sea of fans taking it all in.

Lead guitarist, Monte Pittman’s high energy and skillful guitar playing captivated admirers and provided an extra jolt to an already electrified performance. Cesar Soto (guitar), Paul D’Amour (bass), Roy Mayorga (drums) & John Bechdel (keys) were no disappointments either – that’s one hell of a band!

My ears were buzzing the entire day after, and I’d do it again within a blink of an eye.

The Industrial Strength tour celebrates 30 years of Ministry’s landmark album, “The Mind Is A Terrible Thing to Taste”.  The night included songs from that album as well as debut songs from the bands brand new 15th studio album, “Moral Hygiene”.

For more info please visit http://www.ministryband.com

Setlist

  1. Breathe
  2. The Missing
  3. Deity
  4. Stigmata
  5. Supernaut
  6. Don’t Stand in Line
  7. Man Should Surrender
  8. Burning Inside
  9. N.W.O.
  10. Just One Fix
  11. Thieves
  12. So What
  13. Art Level (Encore)
  14. Good Trouble (Encore)
  15. Search and Destroy (Encore)

Psychedelic Furs

Concert Reviews

March 11, 2022 – The Wellmont , Montclair NJ

Review by Chris Yates // Photography by Estelle Massry

Being a high school product of the mid 80’s, and a fan of 80’s punk & rock music, (as well as John Hughes films), I didn’t know what to expect as I was driving up the Garden State Parkway, about to review the Psychedelic Furs.  Would they be stuck in the 80’s? What would they wear? Would they have 80’s hair?  Would they even have hair? How old do they really look (and sound)?  I mean, it’s been over 30 years since they’ve released an album. I thought to myself, I don’t think it will be a packed house… I mean, I danced to their songs at my high school prom for shit’s sake…

I arrived early and caught the opening act, Royston Langdon.  He seemed to have a following, as some of the young members of the audience who crowded the lower level of the theatre to experience him left after his performance. This, in turn, left me with a worried feeling, fearing a lack of attendance for the Psychedelic Furs.  

I found Royston to be an awkward mix of Johnny Cash & Justin Bieber (as if you can try to picture that) but as he played, I warmed up to him and can see why he has a cultish following. He played a hard-strumming guitar with a strong range of vocals, from a deep bass and upper baritone to a high treble. I enjoyed his performance.

Thankfully and a bit to my pleasure, the theatre filled quickly as the techs prepped the stage for the Furs. I found myself frequently looking back to the audience from up close near the pit, and each time I turned, the crowd filled in more and more.  Ultimately, it was truly a packed house of Psychedelic Fur fans and fans of 80’s music. I was pleasantly surprised.

The Butler brothers, Richard (lead vocal) and Tim (bass), and the rest of the band members, Rich Good (lead guitar), Mars Williams (sax) and Zack Alford (drums), walked on stage as the lights dimmed, greeting the applauding crowd with a wave as they took to their positions. Before even hearing a note or tune, I was immediately launched back to my high school days when I noticed their hair and Richard’s baggy pants accompanied by an English tuxedo jacket with tails.  Brother Tim on bass dressed more modern Rock & Roll, with side snap jeans and a skull embroidered blazer, as did Rich and Mars, with form fitting jeans, cool tee’s, and stylish button downs. A very cool political (more humanitarian) statement of peace was made by Rich Good, as his guitar adorned the Ukrainian flags colors of blue and gold, acknowledging his support as the country has been continually under siege by Russian forces these past 3 weeks.

As if the the visual of the band didn’t throw me back enough, the moment they started playing, the lead vocals of Richard Butler catapulted me, pleasantly back in time with his smooth melancholy tones.  The Furs didn’t act their age either, and what I mean by that is, they are great performers!  Theatrical, with plenty of movement as they seemed to connect intimately with the crowd, as if knowing the impact they had on their generation.  Tim interacted closely, leaning into the crowd with his bass and Mars used every inch of the stage as he played his iconic sax sounds for which the band is so well known.

The British Punk Rock band opened with “Highwire Days” followed by many more favorites, incorporating a good mix of new songs and old, including their famed “Pretty in Pink” – finishing off with “Heartbreak Beat” before the encore “Sister Europe” & “India”.

It was a great, nostalgic evening.  I found myself wanting to hear and see more, and I’d do it again in a “Heartbreak Beat”!

For more info please visit http://www.thepsychedelicfurs.com

Don Felder

Concert Reviews

February 28, 2022 – Count Basie, Red Bank NJ

Review by Chris Yates // Photography by Estelle Massry

Legendary, American Rock & Roll Guitar Hero, Multi-Platinum, Hall of Fame Inductee and a New York Times Best Selling Author are just a few of the phrases that describe the amazingly talented Don Felder of Eagles fame.

Having co-written many of the Eagles hits such as the Grammy studded “Hotel California”, (one of the most played songs on the radio in Rock & Roll history), “Victim of Love” and “Those Shoes”; Don Felder played many Eagles hits throughout the evening.

Don Felder dressed in black jeans, a black tee and a cool black leather jacket, walked on the stage quietly and slowly, and after a welcoming wave gesture to the audience, opened with “Already Gone”, followed by “One of These Nights”, and then gave a nod to long time friend Stevie Ray Vaughan with “Pride and Joy”. From the opening song to the closing song, I found myself knowing every word and singing along with everyone else in the Count Basie Theatre.

The stage was set with a giant screen which played music videos corresponding to each song and in some cases literally matched the vocals of the past performances showcasing a younger but equally as skilled Don Felder. I found it particularly cool to see this technology displayed when he was singing Stevie Ray Vaughan’s “Pride and Joy” making it seem as if they were sharing the stage and in sync with one another. Equally entertaining as the music was, I also enjoyed listening to the stories Don Felder would tell between each song regarding their origin, and the experiences and people (other famed artists) he met along the way. As successful as Don Felder has been, he made it quite apparent that he continues to perform for the fans and for his love of music.

The evening went on with many sing along Eagles hits including “Peaceful Easy Feeling”, “Those Shoes”, “Witchy Women”, “Heartache Tonight”, “Life in the Fast Lane” & “Take It Easy” (to name a few), combined with some of his solo work. For the finale, the moment his iconic double neck guitar was handed to him, people left their seats and crowded to the front. We all knew what was about to come, which for some, would be a once in a lifetime music experience as he played the famed intro of ” Hotel California” and rocked the guitar solo.

After the band took their bow and left the stage, Don Felder was gracious and stuck around to engage with his fans, signing autographs and handing guitar picks to many. A class act indeed!

Don Felder’s Band consists of David Myhre (guitar), Paul Sidoti (bass), Seth Rausch (drums) & Rob Arthur (keys).

For more info please visit http://www.donfelder.com

Gin Blossoms

Concert Reviews

November 19, 2021 – Wellmont Theatre, Montclair NJ

Gin Blossoms dominated radio and MTV playlists for most of the 90’s. Their breakout album “New Miserable Experience” was their rise to fame, with hit singles such as: “Hey Jealousy”, “Allison Road, “Until I Fall Away”, “Mrs. Rita” and “Found Out About You”.

Gin Blossoms hit the scene in the early 90’s with their edgy pop music, which at the time was markedly different from the bulk of the 1990’s modern rock albums. They were the darlings of national radio stations as the band saw early success. Fast forward 30 years later and the Gin Blossoms still have a cultish following made up of those who seemed to be…not quite the early jumpers to the grunge scene of the 90’s.

Asa the lights dimmed on the anticipatory crowd within the Wellmont, the Gin Blossoms took their positions on stage, raising an occasion arm welcoming the audience. Then band opened with “Follow You Down”, a less traditional, “hold on to you ever so tightly” love song that the audience san along with start to finish. They played to not quite a sold out show, but the Wellmont was still packed with adoring fans.

The one set-back of this event, and pretty much any event at the Wellmont that doesn’t hold the viewers attention start to finish, is the venue acoustics. Towards the back of the venue, within closed doors of the event (not behind closed doors), are three bars serving drinks to attendees. While I enjoy the occasional cocktail (not while shooting of course), the noise from the ar scene was overwhelmingly distracting to the point where on-goers were actually “shhh’ing” the beverage patrons in an effort to hear the music. It was a loud bar scene and is a definite venue issue needing to be resolved, which in my opinion, disrespectfully affects the opening bands far more than the headliners, but also effects paying ticket holders equally as important.

Gin Blossoms consists of members Robin Wilson (lead vocals, guitar), Scott Johnson (guitar), Jesse Valenzuela (guitar), Bill Leen (Bass) and Scott Hessel (Drums). They are currently touring across 2 countries and has 57 upcoming concerts, ending in Toronto, ON on July 21, 2022.

For more info please visit http://www.ginblossoms.com

Sebastian Bach

Concert Reviews

October 17, 2021 – The Stone Pony, Asbury Park NJ

Review by Chris Yates \\ Photos by Estelle Massry

Former Skid Row front man Sebastian Bach is celebrating the 30th Anniversary of the band’s second album, “Slave To The Grind”, touring through the U.S. this fall. Each show will be the recipient of the LP in its entirety throughout the tour, which kicked off in September. Touring with Sebastian Bach and his band are Detroit based “Kaleido. Front woman Cristina Chris possesses powerful Detroit city rock vocals backed by the high energy stage presence of Drew Johnson on lead guitar, Joey Fava on drums, and Cody Morales on bass. The band set the stage for a triumphant return of Sebastian.

On Sunday, October 16th Sebastian returned to the Stone Pony throwing the music soaked Asbury Park, NJ back to the late 80’s and early 90’s, hair band, glam rock days and Sebastian didn’t disappoint. The moment Sebastian took the stage and before vocalizing a single note, he “head banged” with the crowd setting the tone for what was to be a night of great music. There was a sense of homecoming as not only had Sebastian played The Stone Pony before, but this album was a collaborative effort I 1991 between the band members where the songs were written in their basements and rehearsal rooms in New Jersey!

Sebastian was noticeably happy to be back, telling stories between songs and reminiscing about NJ and the Skid Row days engaging with the audience, tossing water bottles, giving fist bumps, and holding signs handed to him from the front row. Sebastians vocals were strong and on point with zero help from any auto tune technology (which he was proud to inform the crowd). Not only did he play Slave to The Ground in it’s entirety, but mixed in Skid Row favorites as well as a few covers. Yes…if you’re still wondering his golden locks of long hair are still flowing.

Sebastian’s band consists of Brent Woods on guitar, Rob Deluca on bass and Jeremy Colson on drums.

http://www.sebastianbach.com

FALL 2021 US TOUR DATES

09/25 – Waterloo, NY @ The Vine at Del Lago Casino
10/01 – Grapevine, TX @ Glass Cactus
10/03 – Cedar Park, TX @ Haute Spot
10/05 – Oklahoma City, OK @ Diamond Ballroom
10/07 – Houston, TX @ Warehouse Live
10/09 – San Antonio, TX @ Tierra Sagrada Rockfest
10/12 – Hopewell, VA @ Beacon
10/13 – Bristol, TN @ Paramount Center
10/15 – New York, NY @ Sony Hall
10/16 – Baltimore, MD @ Baltimore Soundstage
10/17 – Asbury Park, NJ @ Stone Pony
10/19 – New Haven, CT @ Toad’s Place
10/20 – Middletown, NY @ Orange County Fair Speedway Arena
10/22 – Boston, MA @ Big Night Live
10/23 – Philadelphia, PA @ Theatre of Living Arts
10/25 – Virginia Beach, VA @ Elevation 27
10/26 – Greensburg, PA @ Palace Theatre
10/29 – Miami, FL @ KISS KRUISE
11/06 – Ft. Lauderdale, FL @ Culture Room
11/07 – Orlando, FL @ Hard Rock Live
11/09 – Atlanta, GA @ Variety Playhouse
11/10 – Nashville, TN @ Brooklyn Bowl
11/12 – Louisville, KY @ Mercury Ballroom
11/13 – Cleveland, OH @ MGM Northfield
11/14 – Cincinnati, OH @ Bogarts
11/17 – Grand Rapids, MI @ Intersection
11/18 – Ft. Wayne, IN @ The Clyde
11/19 – Detroit, MI @ Harpos
11/21 – Minneapolis, MN @ Skyway Theatre
11/27 – Denver, CO @ Gothic
11/29 – Billings, MT @ Pub Station-Ballroom
11/30 – Great Falls, MT @ The Newberry
12/02 – Suquamish, WA @ Clearwater Casino
12/03 – Portland, OR @ Aladdin
12/06 – San Francisco, CA @ August Hall
12/11 – Blue Lake, CA @ Blue Lake Casino
12/16 – Los Angeles, CA @ Fonda
12/17 – San Diego, CA @ House of Blues