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Disturbed

Concert Reviews

April 2nd, 2025 – Wells Fargo Center, Philadelphia PA

Review & Photography by Estelle Massry

On April 2nd, 2025, Disturbed electrified the Wells Fargo Center in Philadelphia with a performance that was as much a celebration of their legacy as it was a testament to their enduring mastery in the heavy metal arena. The concert, part of their “The Sickness 25th Anniversary Tour,” featured a two-set format: a full rendition of their seminal debut album, The Sickness, with a 20 minute brief intermission followed by a selection of 8 of their greatest hits.​

To start the night was San Antonio based band Nothing More, fronted by Jonny Hawkins who transitioned from drummer to lead vocalist in 2008. Jonny performing shirtless and barefoot has becoming a hallmark of Nothing More’s live shows and they are renowned for their emotionally charged performances and innovative stagecraft. The band’s set featured tracks from their latest album, Carnal, including the emotionally resonant “Angel Song,” a collaboration with Disturbed’s David Draiman. This song, which has soared into the Top 10 on Active Rock radio charts, exemplifies Nothing More’s ability to blend heavy rock elements with profound lyrical themes.

Daughtry delivered a powerful opening set, delivering a performance that showcased frontman Chris Daughtry’s evolution from American Idol finalist to a commanding rock presence. His set was a compelling blend of vulnerability and intensity, reflecting the personal growth evident in the band’s recent EP, Shock to the System (Part One).​ The band’s sound has matured as well as Chris’s physical transformation, embracing a heavier, more introspective tone that resonated deeply with the audience. This “renewal” is a testament to Daughtry’s willingness to confront personal hardships and channel them into their music, creating a raw and authentic experience for fans.

Now it was time for Disturbed and it was only fitting to commence with a dramatic entrance: frontman David Draiman was wheeled onto the stage Hannibal Lecter-style, restrained in a straitjacket and face mask, setting a dark and intense tone for the evening. The stage was adorned with heavy metal scaffolding and dynamic lighting, creating an industrial atmosphere that complemented the band’s aggressive sound. The energy in the arena was palpable as the band delivered a powerful performance, celebrating 25 years of their groundbreaking debut album.​

Throughout the performance, pyrotechnics and special effects were employed strategically to amplify the energy of the music. During “Meaning of Life,” Draiman was theatrically strapped to an electric chair, simulating electrocution, which added a dramatic flair to the set.  The band’s mascot, “The Guy,” loomed behind the drum riser, contributing to the visual spectacle.​

The concert began with a full performance of The Sickness, transporting fans back to the early 2000s. Hearing tracks like “Stupify” and “Down With The Sickness” live reignited the raw intensity that first drew me to their music. I also loved their Tears for Fears cover of “Shout”, Draiman’s voice makes any song his own and always delivers. The second half of the show featured a selection of their greatest hits, including “Bad Man”, “Indestructible”, “Ten Thousand Fists” and “Inside the Fire.” A standout moment was their haunting rendition of “The Sound of Silence,” and when I say haunting I mean it in every sense of the word. Who else can command complete silence from their fans during a sold out show?

Frontman David Draiman’s supreme presence was evident from the outset. His vocal delivery, ranging from guttural growls to melodic passages, showcased his versatility and kept the audience engaged throughout the night. Guitarist Dan Donegan and bassist John Moyer didn’t skip a beat with their synchronized high jumps in the air with their guitars while drummer Mike Wengren’s energy never stopped and intensified as the show went on.

Disturbed’s enduring appeal and their ability to connect with fans across generations is evident at each show. I have been fortunate to photograph them for a few years and there has been no sign of slowing down and they only get better with each year, they really are unstoppable!

For more info please visit http://www.disturbed1.com http://www.daughtryofficial.com http://www.nothingmore.net

Jerry Cantrell

Concert Reviews

February 1st, 2025 – Starland Ballroom, Sayreville NJ

Review & Photography by Estelle Massry

The parking lot was already full prior to doors opening at Starland Ballroom on a very cold winter night in NJ. Guitar legend, Jerry Cantrell has embarked on his 2025 solo “I want Blood” North American tour in support of his latest album by the same name. This was his second show on the tour so fans were in high anticipation on what was to come.

The night kicked off with a dynamic performance by American rock band Filter. Richard Patrick, former Nine Inch Nails guitarist, brought intense vocals as he performed hit single “Hey Man Nice Shot”. They sounded great but the stage was very dark so it took away from fully being able to engage with the audience. They ended on a brighter side with “Take a Picture,” as fans sang along.

Jerry Cantrell and his band took the stage shortly after. The venue was completely packed, nobody was going anywhere for the next 2 hours and 15 minutes as Cantrell and his band set off to perform a 17-song set list. Throughout the set, Cantrell masterfully wove together tracks from his solo projects and Alice in Chains classics including “Them Bones”, “Down in a Hole” and “Would?”.

Fans were in for a treat when Cantrell and backing vocalist Greg Puciato performed “Hate to Feel”, a classic that has not been performed live in more than three decades. The last time Alice In Chains themselves played it to a crowd was November 4, 1993 in Sydney, Australia.

The band accompanying Cantrell played a crucial role in bringing the songs to life. Zach Throne on guitar, Eliot Lorango on Bass and Roy Mayorga on drums provided a solid foundation, allowing Cantrell’s guitar and vocals to shine. The chemistry among the musicians was evident, contributing to the show’s dynamic energy.

With any rock show, new venue or the start of a tour, there can be obstacles and “hiccups in the road”. This one in particular has fans a bit irate for the beginning part of the show as there was obvious sound issues. After each song, fans shouted “Fix the mic” in hopes to get the problem fixed. It took some time for Cantrell and his crew to realize what was going on but problem was taken care of and fans were grateful that they could enjoy Cantrell’s vocals for the rest of the show.

The evening culminated with an encore featuring “Rooster,” leaving the crowd in a state of euphoria. The energy in the room was electric, a testament to Cantrell’s enduring impact on the rock scene.

For more info, please visit: http://www.jerrycantrell.com

Daughtry

Concert Reviews

December 10, 2024 – Starland Ballroom, Sayreville NJ

Review & Photography by Estelle Massry

Chris Daughtry, a name synonymous with powerful vocals and heartfelt lyrics, has carved an enduring legacy in the rock music scene. Rising to fame as a finalist on the fifth season of American Idol in 2006, Daughtry’s talent and authenticity immediately set him apart.

As a longtime fan of Chris Daughtry, seeing him perform live at Starland Ballroom during his short Adrenaline Gone Ballistic Tour was nothing short of magical. From the moment the lights dimmed, and the band took the stage, you could feel the energy pulsing through the intimate venue.

Chris’s voice was absolutely phenomenal—raw, powerful, and filled with emotion. Whether he was belting out rock anthems or softening things up for the ballads, every note hit right in the heart and drew everyone in. As someone who’s followed Daughtry’s journey, hearing classics like “Home” and “Over You” was pure nostalgia. But what really stood out was how seamlessly the newer tracks, like those from his latest album Dearly Beloved, fit into the setlist. Songs like “Heavy Is the Crown” brought an edgier vibe that had everyone rocking out.

The band was tight and were full of energy that radiated throughout. This very intimate venue was honestly too small for Daughtry but the fans crammed in and took in all the love that Chris was giving out. Chris Daughtry doesn’t just perform; he connects. This show was everything I hoped for and more. The final stop of this short tour will be at the EPIC Event Center in Green Bay on December 21. Don’t miss out!

For more info please visit http://www.daughtryofficial.com

Setlist

  1. The Reckoning
  2. Changes Are Coming
  3. World on Fire
  4. Crashed / Kashmir
  5. Separate Ways
  6. Home
  7. Change
  8. Shock to the System
  9. It’s Not Over
  10. Nervous
  11. Pieces
  12. Over You
  13. The Dam (Encore)
  14. Heavy Is the Crown (Encore)
  15. Happy Birthday to you (for Marty O’Brien)
  16. Artificial (Encore)

Korn

Concert Reviews

September 21, 2024 – Freedom Mortgage Pavilion, Camden NJ

Review by Chris Yates // Photography by Estelle Massry

The Freedom Mortgage Pavilion was buzzing with fans eager for a night of adrenaline-fueled energy, featuring the iconic nu-metal legends Korn and the formidable French metal band Gojira along with the Canadian metalcore Spiritbox!

As Spiritbox kicked off the evening, the crowd erupted in cheers as frontwoman Courtney LaPlante commanded attention immediately. Her stage presence was a blend of intensity and grace while dishing out a mix of haunting melodies and crushing riffs which were to set the tone for a powerful night of melodic metalcore.

LaPlante’s ethereal vocals soared alongside powerful instrumentals, showcasing the band’s signature blend of crips vocals and guttural screaming. Her emotional depth of the performance was palpable and LaPlante’s heartfelt delivery resonated with many in the audience who knew just what to expect as she turned a heavy metal show into a cathartic experience.

Setting the Stage for Korn next were the French heavy metal band, Gojira. If you watched the Olympic opening ceremonies this summer, you may recall Gojira added one of the most vivid and jarring moments in Olympic opening ceremony history when they performed from the balconies looking over the River Seine in Paris.

The moment they took the stage and kicked off with “Born for One Thing,” the crowd was electrified. Their blend of progressive metal and environmental themes resonated deeply with me, with frontman Joe Duplantier commanding the stage like a force of nature. 

The sound was immaculate; the intricate guitar work and thunderous drums were perfectly balanced, allowing each note to pierce through the air.  Mario Duplantier (Joe’s brother) stole the show on drums.  His hard-hitting style reminded me of some of the best in the world, and has been described as one of metal’s most rhythmic and technical drummers.

Highlights for me included when they performed “Flying Whales,” where the haunting melodies created an almost ethereal atmosphere, and “Stranded,” which showcased the band’s ability to weave heavy riffs with moments of melodic beauty. Gojira’s passion was palpable, and their commitment to both their craft and the planet shone through in every performance. 

The backdrop kept me fully engaged as the visuals on screen told the stories of each song and the lighting was memorizing.  A great performance and the packed house concurred with thunderous applause as they closed with “Amazonia”!

After a brief intermission and while the audience were bursting with anticipation, the black curtain finally dropped and the titans of nu-metal, Korn stormed onto the stage with the iconic intro of “Here to Stay.” The energy in the pavilion skyrocketed as fans erupted in cheers. 

Jonathan Davis’s unmistakable voice soared over the heavy, groove-laden instrumentals, delivering a wave of raw power. The band also consists of Brian Welch on guitar, Ray Luzier on drums, Ra Diaz on bass and James Shaffer (“Munky”) on guitar. They seamlessly blended classic hits like “Got the Life”, Blind” and “Shoots and Ladders” with newer tracks from their latest album, keeping both long-time fans and newcomers engaged. The addition of dramatic visuals and intense lighting elevated the experience, turning the pavilion into a pulsating spectacle.

Davis’s emotional connection with the crowd was evident, delivering moments of vulnerability amidst the chaos which illustrated the depth of Korn’s artistry. The night culminated in a relentless encore featuring “Falling Away”, “Oildale (Leave Me Alone)” and “Freak on a Leash” leaving fans shouting for more.

The pairing of Spiritbox, Gojira and Korn was a match made in metal heaven. Spiritbox’s blend of power and grace and Gojira’s technical prowess and thematic depth set a high bar, while Korn’s legendary status and high-octane performance delivered the final blow. The atmosphere was electric, with fans headbanging and singing along, creating a sense of unity that only live music can inspire.

As the night came to a close, the crowd left buzzing with adrenaline, grateful for the unforgettable experience. This concert wasn’t just a showcase of talent; it was a celebration of heavy music’s power to connect, inspire, and move. If you ever get the chance to see either of these bands live, don’t miss it!

For more info please visit http://www.kornofficial.com

Falling In Reverse

Concert Reviews

September 13, 2024 – PNC Bank Arts Center, Holmdel NJ

Review & Photography by Estelle Massry

Falling In Reverse delivered an electrifying performance at the PNC Bank Arts Center in Holmdel, NJ on September 13, 2024. Their Popular Monstour II: World Domination tour has solidified the band’s reputation as a powerhouse in alternative rock.

The band was supported by an impressive lineup, including Black Veil Brides, Dance Gavin Dance, Tech N9ne, each delivering their own unique style, adding to the night’s overall dynamism. The entire experience was a sonic rollercoaster, with powerful visuals and synchronized lights amplifying the intensity of the performance.

First on was Jeris Johnson who appeared with his sword and shield ready to take control of the stage. Johnson is an innovative rock artist blending elements of alternative rock, metal, and electronic music. Known for his viral TikTok covers and collaborations, he brings a fresh, rebellious energy to the rock scene.

Tech N9ne came on stage with a whole other level of energy. He is a legendary rapper known for his rapid-fire flows, complex lyricism, and genre-blending style, mixing hip-hop with elements of rock, metal, and even opera. As co-founder of Strange Music, he’s become a major independent artist, gaining a loyal fanbase through relentless touring and innovative releases.

As the sun set, it was a perfect time to bring out Black Veil Brides. They delivered an electrifying performance captivating the crowd with their signature blend of heavy rock and gothic theatrics. As part of their co-headlining tour with Falling in Reverse, their set featured fan favorites like “In the End” and a powerful cover of Billy Idol’s “Rebel Yell,” which had the audience singing along in full force.

The band’s energy was contagious, with frontman Andy Biersack commanding the stage, engaging fans both new and old. The band also consists of Lonny Eagleton on bass, Jake Pitts on guitar and Christian Coma on drums. The production value, complete with dramatic lighting and sharp sound quality, made the evening feel larger-than-life. Fans left the venue with adrenaline still pumping, proving once again why Black Veil Brides are a standout in modern rock​

Dance Gavin Dance followed and the stage went a lot brighter for their set. They are a post-hardcore band known for their eclectic mix of progressive rock, screamo, and experimental sounds. Their unique combination of clean and unclean vocals, alongside intricate guitar work, has earned them a passionate fanbase and a distinct place in the alternative music scene.

Now it was time for what the fans came here for, they have been waiting over 3 1/2 hours for Falling In Reverse. From the moment they opened with “Watch the World Burn,” the crowd was hooked. Radke’s vocal range—shifting between rap, clean vocals, and screams—kept everyone on their toes, proving his versatility as a frontman. Radke commanded the stage with his signature blend of swagger, emotion, and pure intensity, making it clear why he’s become such a magnetic figure in rock. The band also includes Christian Thompson on guitar, Tyler Burgess on bass and Luke Holland on drums.

Songs like “Zombified” and “The Drug In Me Is You” were not just highlights but communal experiences, with fans passionately belting out every word alongside Radke. His stage presence was larger-than-life, blending charisma with an undeniable sense of vulnerability, especially when performing introspective tracks like “I’m Not a Vampire.” The tour features a visually stunning production with intense light shows and epic pyrotechnics which added to the entire experience.

For fans of post-hardcore, metalcore, and electronic rock, this show was a visceral display of genre fusion done right. For anyone who’s followed his tumultuous journey, this show was a celebration of resilience and evolution​. Wether you came for Radke’s raw vocal delivery or the band’s breakdown-heavy instrumentation, it was clear that Falling In Reverse remains at the forefront of alternative rock, constantly pushing the envelope with both sound and stagecraft​.

For more info please visit http://www.fallinginreverse.com

Jane’s Addiction

Concert Reviews

September 7, 2024 – Hard Rock Casino & Hotel // Etess Arena, Atlantic City NJ

Review by Chris Yates // Photography by Estelle Massry

I’ve been a long-time fan of Jane’s Addiction so was very excited to be able to attend and review this show.  Especially at The Hard Rock which is a very well-fitting venue for a night of raw energy and classic alt-rock anthems. The iconic band, known for their genre-defying sound and theatrical performances, was about to take the stage with a presence that had me pulsating with anticipation of what was to come.

Opening the evening was the all-female band, Crawlers.  Known for their infectious energy and raw intensity, they delivered a performance that left the audience buzzing. Their blend of alt-rock and indie pop was both vibrant and emotionally charged, with standout tracks like “Come Over (Again)” and “I Don’t Want to Be Your Friend” resonating deeply. The band’s chemistry was palpable, with frontwoman Holly Minto’s powerful vocals and dynamic stage presence leading the charge. The crowd was fully engaged, making it clear that Crawlers are a rising force in the live music scene.

Following Crawlers came Love and Rockets who captivated the crowd with a mesmerizing performance, blending their signature goth and alternative rock sound with an effortlessly cool stage presence. The setlist was a mix of their well-known hits, including an electrifying version of “So Alive” that had the audience singing along in unison. Daniel Ash’s guitar work was as sharp and evocative as ever, while David J’s bass lines provided a hauntingly solid foundation. The band’s undeniable charisma created a very cool atmosphere setting the tone for Jane’s Addiction and proving that the band has the power to enchant and exhilarate.

The venue began to fill in quickly with seats filled and with fans on the general admission floor standing shoulder to shoulder.  As the lights dimmed Jane’s Addiction took the stage. From the moment Perry Farrell’s distinctive voice cut through the air with the opening notes of “Kettle Whistle,” it was clear that this was not going to be just another concert.

The setlist was a journey through Jane’s Addiction’s storied career. Highlights included blistering renditions of “Been Caught Stealing” and “Jane Says,” each one drawing roars from the packed crowd. The energy in the room was palpable, with fans singing along and dancing as if the years had melted away.

It was great to see the entire band of original members together again. Dave Navarro, ever the guitar virtuoso, delivered a masterclass in rock guitar. His solos were both technically impressive and emotionally charged, demonstrating why he remains one of the genre’s most respected guitarists. His interplay with bassist Chris Chaney was particularly noteworthy, as the two musicians locked into an intricate groove that drove the performance forward with relentless momentum.

Drummer Stephen Perkins, a cornerstone of the band’s rhythm section, was as dynamic as ever. His percussive prowess added a layer of complexity to the music, accentuating the fusion of punk, funk, and metal that Jane’s Addiction is renowned for. The drum solo during “Three Days” was a standout moment, showcasing Perkins’ ability to fuse precision with an almost primal intensity.

The stage was only adorned with a large banner displaying the bands name, in a way that seemed to communicate “enough said” as the music and musicians were all you needed to focus on. The lighting complemented the band’s theatrical flair. The visual elements were carefully designed to enhance the music without overshadowing it, creating an immersive experience for those in attendance.

The crowd, seeming mostly made up of long-time fans, was clearly enthralled. Farrell’s interactions with the audience were unapologetic and humorous but a highlight. There was a genuine connection between the band and the crowd, a reminder of why Jane’s Addiction has remained a beloved act for over three decades.

Jane’s Addiction’s performance at the Hard Rock Hotel & Casino was a testament to their enduring appeal and musical prowess.  However, I must say, I did expect a bit more energy to some of the songs and something seemed a little off all night amongst the members. As a fan I tried to block it out and allow my ears to absorb what I know these musicians have done and can do. These guys were cooler than cool back in the day but at this stage in their life all the rebel persona and drug references just aren’t as cool as they once were.  None the less, I was not disappointed, as they proved once again that they are not just survivors of the alt-rock explosion of the late ’80s and early ’90s but vital, evolving artists capable of delivering an unforgettable live experience. For anyone who has ever been a fan of Jane’s Addiction, or for those who simply appreciate a top-notch rock show, this was a night to remember.

For more info please visit http://www.janesaddiction.com

Santana // Counting Crows

Concert Reviews

July 19, 2024 – PNC Bank Arts Center, Holmdel NJ

Review by Chris Yates // Photography by Estelle Massry

The PNC Bank Arts Center crackled with an electric energy as The Counting Crows and Santana took the stage for an unforgettable night of music that spanned genres and generations. As usual at the PNC Arts Center, the summer evening was perfect for an outdoor concert, and the atmosphere buzzed with anticipation.

The Counting Crows kicked off the evening with their signature blend of introspective lyrics and alternative rock melodies. Adam Duritz’s distinctive voice filled the amphitheater, captivating the audience from the first notes of “Round Here.” The band’s setlist was a journey through their career, mixing hits like “Mr. Jones” and “A Long December” with deeper cuts that delighted long-time fans. Their performance was tight and emotionally resonant, with Duritz’s raw, emotive delivery making each song feel personal and poignant.

As the sun set, the stage transformed for Santana’s set, and the legendary guitarist wasted no time in mesmerizing the crowd with his virtuosity. From the moment Carlos Santana launched into the iconic riff of “Black Magic Woman,” it was clear that the audience was in for a transcendent experience. Santana’s guitar solos were nothing short of breathtaking, weaving together Latin rhythms, bluesy licks, and soulful melodies that seemed to defy the limits of time and space.

Joined by his band (and his wife the famed drum virtuoso, Cindy Blackman), Santana’s performance was a masterclass in musical fusion, seamlessly blending rock, jazz, and Latin influences into a tapestry of sound that washed over the audience. Classics like “Oye Como Va” and “Smooth” had everyone on their feet, dancing and swaying to the infectious rhythms. Santana’s passion for his craft was palpable, and his joy in sharing the stage with his bandmates and the audience was evident throughout the night.

The lighting for Santana was nothing short of mesmerizing. From the moment the first note rang out, the stage came alive with a symphony of colors and patterns that danced across the backdrop and engulfed the audience in a sensory feast. During the soulful guitar solos, the lighting intensified, bathing the stage in hues that matched the mood of each song perfectly – from deep blues and purples during melancholic melodies to fiery reds and oranges during high-energy jams. The dynamic lighting sequences not only complemented Santana’s legendary guitar prowess but also elevated the entire concert experience, adding an extra layer of emotion and spectacle to each performance.

The synergy between The Counting Crows and Santana was unexpected yet magical, showcasing the diversity of their musical styles while highlighting their shared love for storytelling through song. It was a celebration of music’s power to unite and inspire, leaving the audience with a sense of awe and gratitude for witnessing two legendary acts at the height of their powers.

Third Eye Blind

Concert Reviews

July 14th, 2024 – PNC Bank Arts Center, Holmdel NJ

Review by Chris Yates // Photography by Estelle Massry

The pulsating energy of a summer night at the PNC Bank Arts Center in Holmdel, NJ was electrified even further with the arrival of Third Eye Blind, supported by the dynamic performances of Arizona and Yellowcard. As the sun dipped below the horizon, the stage came alive with a lineup that promised to deliver a memorable evening of rock and alternative music.

Opening the night, Arizona captivated the audience with their blend of dreamy pop melodies and infectious beats. The New Jersey based band set the tone with tracks like “Oceans Away” and “Electric Touch,” instantly drawing in concert-goers with their ethereal soundscapes and heartfelt lyrics. The chemistry between band members was palpable, and their performance left a lingering sense of anticipation for what was to come.

Next up, Yellowcard stormed onto the stage with their trademark energy, immediately igniting a wave of nostalgia among long-time fans. Their setlist was a journey through their discography, featuring hits like “Ocean Avenue” and “Only One,” each song greeted by roaring cheers and enthusiastic sing-alongs from the crowd. The band’s tight instrumentals and charismatic presence reaffirmed their status as pop-punk legends, leaving an indelible mark on the concert’s atmosphere.

As the anticipation reached its peak, Third Eye Blind emerged to a thunderous ovation, wasting no time in launching into a powerhouse performance. Frontman Stephan Jenkins commanded the stage with his charismatic presence, effortlessly engaging the audience from the first note. The band kicked off with “Motorcycle Drive By” setting a high-energy pace that never faltered throughout their set.

The crowd was treated to a mix of old favorites and newer tracks, with highlights including “Jumper,” “Semi-Charmed Life,” and “How’s It Going to Be,” each song resonating deeply with the audience. Jenkins’ vocals were as poignant as ever, supported by the band’s tight instrumentation and pulsating lighting that enhanced the sensory experience.

A particularly memorable moment came during their acoustic rendition of “The Background” which captivated the audience with its raw emotion and stripped-down arrangement. The band’s ability to connect on such a personal level with their fans was evident, creating an intimate atmosphere despite the grandeur of the venue.

Third Eye Blind’s performance at the PNC Bank Arts Center was a testament to their enduring appeal and musical prowess. With Arizona and Yellowcard delivering stellar opening sets, the concert was a seamless blend of nostalgia and contemporary rock energy. As the night drew to a close with an encore that left everyone craving more, it was clear that this concert would be remembered as a standout moment in the summer’s musical landscape.

The synergy between the bands, coupled with the passionate response from the audience, made for an unforgettable evening under the stars—a celebration of music that resonated long after the final chords faded into the night.

For more info please visit http://www.thirdeyeblind.com http://www.yellowcardband http://www.thisisarizonmusic.com

Setlist

  1. Motorcycle Drive By
  2. Dust Storm
  3. Never Let You Go
  4. Narcolepsy
  5. The Kids Are Coming (To Take You Down)
  6. Wolf Like Me / Company of Strangers
  7. Graduate
  8. Wounded
  9. Weightless / Faster / Water Landing
  10. Losing a Whole Year
  11. Shipboard Cook
  12. The Background (Acoustic)
  13. Bonfire
  14. Blinded (When I See You)
  15. Slow Motion
  16. Jumper
  17. Semi-Charmed Life
  18. How’s It Going to Be (Encore)

JOHN 5

Concert Reviews

February 15, 2024 – Gramercy Theatre, NYC

Review by Chris Yates // Photography by Estelle Massry

Electrifying Night of Shredding as John 5 Rocks Gramercy Theater

The Gramercy Theater in the heart of New York City was transformed into a haven for guitar enthusiasts as the virtuoso guitarist John 5 took the stage in a night that can only be described as electrifying. The air was thick with anticipation as fans eagerly awaited the performance of this iconic musician, known for his incredible skills and diverse musical influences. I love these venues in NYC as often major musicians will show up supporting their craft and the musicians they influenced. Some of those notable influences were present on this evening as Ace Frehley (founder and original member of KISS) and Kerry King (co-lead guitarist and songwriter of thrash metal band Slayer) sat on stools, side-stage soaking in the performance. At one point in the show John 5 offered a gesture of gratitude for Ace, having been a major influence on his career and the reason he first picked up a guitar.

From the moment John 5 stepped into the spotlight, the venue was ablaze with the fiery energy of his guitar riffs. Absent were his elaborate wardrobe and makeup as he donned black jeans and a black leather jacket with the #5 on back, but the choice seemed to fit the more intimate venue and solo appearance. The opening chords resonated through the theater, setting the tone for a night of musical mastery. While this was a solo performance from John 5 he was backed by his drummer and his guitar tech filled in on bass during the last set. It’s not a rock show or a thundering guitar performance unless a speaker blows and at the completion of John 5’s third song, that’s what happened.  John 5 announced to the crowd he blew a speaker and mentioned he wanted to give the crowd the show they paid for and the excellence they expect, so he said he would be right back once his techs fix the issue. The crowd didn’t seem to mind one bit, agreeing with pleasure to the short pause.  The issue was rectified in 5 minutes, and John 5 came back on stage shredding!

One of the most remarkable aspects of John 5’s performance was his ability to seamlessly blend various genres into a cohesive sonic experience. The setlist traversed through a kaleidoscope of styles, from metal to country, and even hints of jazz, showcasing his versatility as a guitarist. Each transition was flawless, a testament to John 5’s technical prowess and his deep understanding of different musical idioms.

The connection between John 5 and the audience was palpable. The crowd, a mix of other musicians, devoted fans and curious onlookers, responded enthusiastically to every bend of the strings and every lightning-fast solo. There were moments of collective awe as he effortlessly navigated the fretboard, leaving no doubt that he is a true maestro of the guitar.

There were visuals that complemented the auditory spectacle, with cool videos of old movie clips, horror and fight films, and more were attached to the Amps and visible to all which enhanced the overall experience. The interplay of lights and shadows created a dynamic backdrop, accentuating the intensity of the music. The atmosphere was further heightened by giant headed characters on stage as if a page out of Alice Cooper’s shows as well as fan initiated large balloons bouncing overhead which added a theatrical dimension to the performance.

Throughout the night, John 5 took the audience on a musical journey, changing guitars and styles (even a Bass) with just about every song. The sheer technicality and emotion displayed during his segments were a testament to John 5’s mastery of his instruments.

As the final notes reverberated through The Gramercy Theater, the crowd erupted in applause, demanding an encore. John 5 obliged, returning to the stage for a few final exhilarating performances, including some Motley Crew who he has now joined and will be on tour with, which left an indelible mark on everyone present.

John 5’s performance at Gramercy Theater was nothing short of extraordinary. His technical brilliance, genre-spanning repertoire, and magnetic stage presence created a musical experience that will be remembered by all fortunate enough to witness it. For fans of guitar virtuosity, this was an unforgettable night of shredding and sonic exploration.

For more info please visit http://www.john-5official.com