Falling In Reverse

Concert Reviews

Review & Photography by Estelle Massry

Falling In Reverse delivered an electrifying performance at the PNC Bank Arts Center in Holmdel, NJ on September 13, 2024. Their Popular Monstour II: World Domination tour has solidified the band’s reputation as a powerhouse in alternative rock.

The band was supported by an impressive lineup, including Black Veil Brides, Dance Gavin Dance, Tech N9ne, each delivering their own unique style, adding to the night’s overall dynamism. The entire experience was a sonic rollercoaster, with powerful visuals and synchronized lights amplifying the intensity of the performance.

First on was Jeris Johnson who appeared with his sword and shield ready to take control of the stage. Johnson is an innovative rock artist blending elements of alternative rock, metal, and electronic music. Known for his viral TikTok covers and collaborations, he brings a fresh, rebellious energy to the rock scene.

Tech N9ne came on stage with a whole other level of energy. He is a legendary rapper known for his rapid-fire flows, complex lyricism, and genre-blending style, mixing hip-hop with elements of rock, metal, and even opera. As co-founder of Strange Music, he’s become a major independent artist, gaining a loyal fanbase through relentless touring and innovative releases.

As the sun set, it was a perfect time to bring out Black Veil Brides. They delivered an electrifying performance captivating the crowd with their signature blend of heavy rock and gothic theatrics. As part of their co-headlining tour with Falling in Reverse, their set featured fan favorites like “In the End” and a powerful cover of Billy Idol’s “Rebel Yell,” which had the audience singing along in full force.

The band’s energy was contagious, with frontman Andy Biersack commanding the stage, engaging fans both new and old. The band also consists of Lonny Eagleton on bass, Jake Pitts on guitar and Christian Coma on drums. The production value, complete with dramatic lighting and sharp sound quality, made the evening feel larger-than-life. Fans left the venue with adrenaline still pumping, proving once again why Black Veil Brides are a standout in modern rock​

Dance Gavin Dance followed and the stage went a lot brighter for their set. They are a post-hardcore band known for their eclectic mix of progressive rock, screamo, and experimental sounds. Their unique combination of clean and unclean vocals, alongside intricate guitar work, has earned them a passionate fanbase and a distinct place in the alternative music scene.

Now it was time for what the fans came here for, they have been waiting over 3 1/2 hours for Falling In Reverse. From the moment they opened with “Watch the World Burn,” the crowd was hooked. Radke’s vocal range—shifting between rap, clean vocals, and screams—kept everyone on their toes, proving his versatility as a frontman. Radke commanded the stage with his signature blend of swagger, emotion, and pure intensity, making it clear why he’s become such a magnetic figure in rock. The band also includes Christian Thompson on guitar, Tyler Burgess on bass and Luke Holland on drums.

Songs like “Zombified” and “The Drug In Me Is You” were not just highlights but communal experiences, with fans passionately belting out every word alongside Radke. His stage presence was larger-than-life, blending charisma with an undeniable sense of vulnerability, especially when performing introspective tracks like “I’m Not a Vampire.” The tour features a visually stunning production with intense light shows and epic pyrotechnics which added to the entire experience.

For fans of post-hardcore, metalcore, and electronic rock, this show was a visceral display of genre fusion done right. For anyone who’s followed his tumultuous journey, this show was a celebration of resilience and evolution​. Wether you came for Radke’s raw vocal delivery or the band’s breakdown-heavy instrumentation, it was clear that Falling In Reverse remains at the forefront of alternative rock, constantly pushing the envelope with both sound and stagecraft​.

For more info please visit http://www.fallinginreverse.com

Jane’s Addiction

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

I’ve been a long-time fan of Jane’s Addiction so was very excited to be able to attend and review this show.  Especially at The Hard Rock which is a very well-fitting venue for a night of raw energy and classic alt-rock anthems. The iconic band, known for their genre-defying sound and theatrical performances, was about to take the stage with a presence that had me pulsating with anticipation of what was to come.

Opening the evening was the all-female band, Crawlers.  Known for their infectious energy and raw intensity, they delivered a performance that left the audience buzzing. Their blend of alt-rock and indie pop was both vibrant and emotionally charged, with standout tracks like “Come Over (Again)” and “I Don’t Want to Be Your Friend” resonating deeply. The band’s chemistry was palpable, with frontwoman Holly Minto’s powerful vocals and dynamic stage presence leading the charge. The crowd was fully engaged, making it clear that Crawlers are a rising force in the live music scene.

Following Crawlers came Love and Rockets who captivated the crowd with a mesmerizing performance, blending their signature goth and alternative rock sound with an effortlessly cool stage presence. The setlist was a mix of their well-known hits, including an electrifying version of “So Alive” that had the audience singing along in unison. Daniel Ash’s guitar work was as sharp and evocative as ever, while David J’s bass lines provided a hauntingly solid foundation. The band’s undeniable charisma created a very cool atmosphere setting the tone for Jane’s Addiction and proving that the band has the power to enchant and exhilarate.

The venue began to fill in quickly with seats filled and with fans on the general admission floor standing shoulder to shoulder.  As the lights dimmed Jane’s Addiction took the stage. From the moment Perry Farrell’s distinctive voice cut through the air with the opening notes of “Kettle Whistle,” it was clear that this was not going to be just another concert.

The setlist was a journey through Jane’s Addiction’s storied career. Highlights included blistering renditions of “Been Caught Stealing” and “Jane Says,” each one drawing roars from the packed crowd. The energy in the room was palpable, with fans singing along and dancing as if the years had melted away.

It was great to see the entire band of original members together again. Dave Navarro, ever the guitar virtuoso, delivered a masterclass in rock guitar. His solos were both technically impressive and emotionally charged, demonstrating why he remains one of the genre’s most respected guitarists. His interplay with bassist Chris Chaney was particularly noteworthy, as the two musicians locked into an intricate groove that drove the performance forward with relentless momentum.

Drummer Stephen Perkins, a cornerstone of the band’s rhythm section, was as dynamic as ever. His percussive prowess added a layer of complexity to the music, accentuating the fusion of punk, funk, and metal that Jane’s Addiction is renowned for. The drum solo during “Three Days” was a standout moment, showcasing Perkins’ ability to fuse precision with an almost primal intensity.

The stage was only adorned with a large banner displaying the bands name, in a way that seemed to communicate “enough said” as the music and musicians were all you needed to focus on. The lighting complemented the band’s theatrical flair. The visual elements were carefully designed to enhance the music without overshadowing it, creating an immersive experience for those in attendance.

The crowd, seeming mostly made up of long-time fans, was clearly enthralled. Farrell’s interactions with the audience were unapologetic and humorous but a highlight. There was a genuine connection between the band and the crowd, a reminder of why Jane’s Addiction has remained a beloved act for over three decades.

Jane’s Addiction’s performance at the Hard Rock Hotel & Casino was a testament to their enduring appeal and musical prowess.  However, I must say, I did expect a bit more energy to some of the songs and something seemed a little off all night amongst the members. As a fan I tried to block it out and allow my ears to absorb what I know these musicians have done and can do. These guys were cooler than cool back in the day but at this stage in their life all the rebel persona and drug references just aren’t as cool as they once were.  None the less, I was not disappointed, as they proved once again that they are not just survivors of the alt-rock explosion of the late ’80s and early ’90s but vital, evolving artists capable of delivering an unforgettable live experience. For anyone who has ever been a fan of Jane’s Addiction, or for those who simply appreciate a top-notch rock show, this was a night to remember.

For more info please visit http://www.janesaddiction.com

Live // Stone Temple Pilots

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

The PNC Bank Arts Center provided the perfect backdrop on this cool, late summer evening as Holmdel NJ hosted a ’90s rock trifecta as three iconic bands—Soul Asylum, Stone Temple Pilots, and LIVE were about to take the stage for a night to remember on The Jubilee Tour celebrating the 30th Anniversary of “Throwing Copper” and “Purple.”

I’ve been a fan of these three since my 20’s.  They populate many of my playlists to this day so I was excited to not only experience these bands live but also be in the fortunate position to review them. Each band brought their unique flair, making it a whirlwind through some of the most influential music of their era.

Soul Asylum had the shortest set list of the night but that certainly didn’t stop them from delivering a high energy performance to remember, kicking off the evening with their signature blend of grunge and alternative rock. Opening with “Somebody to Shove” they immediately tapped into the crowd’s collective memory, eliciting a wave of cheers and sing-alongs. The band’s energy was palpable, led by Dave Pirner’s distinctive voice and engaging stage presence. Hits like “Black Gold” and “Runaway Train” followed, each delivered with a mix of nostalgia and fresh intensity. Pirner, ever the charismatic frontman, shared anecdotes and interacted with the audience, making it clear that despite the years, Soul Asylum remains a formidable live act.

Stone Temple Pilots took the stage next, and the atmosphere shifted to an even higher gear. The band’s set was a masterclass in ’90s rock, opening with “Meatplow” followed immediately by the high-octane hit “Vaseline”.  Admittedly not the same without Scott Weiland, Jeff Gutt led the charge on vocals with confidence and charisma as the band delivered an impressive performance that balanced reverence for their past hits with a fresh, dynamic energy. Gutt’s voice, while distinctly different from Weiland’s, brought its own compelling intensity to classics like “Plush” and “Interstate Love Song.” The crowd was on their feet, lost in the raucous joy of familiar tunes, and the band’s tight musicianship and vibrant performance were a testament to their enduring appeal.

LIVE took the stage next to complete the circle with their powerful and emotive rock sound. They opened with “Top” followed by “All Over You” and it was clear from the first notes that the crowd was deeply engaged. Ed Kowalczyk’s commanding voice and the band’s richly layered sound made for a captivating experience. The setlist was a journey through their greatest hits, including “I Alone” and “The Dolphin’s Cry”, and closing with “Lightning Crashes.” Kowalczyk’s heartfelt delivery and the band’s impeccable musicianship resonated deeply with fans, and their performance felt both nostalgic and invigorating as we all sang along.

For each band, the visual and sonic elements of the show complemented the performance perfectly. The lighting design enhanced the mood of each song, shifting from the intense, pulsating lights, to some more subdued, atmospheric hues. The backdrops also complemented the lighting well as trippy, outer space type scenes shifted in and out with each note.

Overall, the evening was a throwback to my earlier days and made for a wonderful celebration of ’90s rock, with each band delivering performances that were both true to their classic sound and infused with a renewed energy. It was a night of three titans, each showcasing powerful vocals, and a shared appreciation for the music that defined a generation.

For more info please visit http://www.livetheband.com http://www.stonetemplepilots.com http://www.soulasylum.com

Cage The Elephant

Concert Reviews

Review & Photography by Estelle Massry

Cage The Elephant is an American rock band formed in 2006 in Bowling Green, Kentucky. Known for their energetic performances and genre-blending sound, the band has become a significant force in the alternative rock scene. Their “Neon Pill Tour” was eagerly anticipated and it lived up to the hype in every way.

I usually know all the photographers shooting the shows at PNC but tonight I felt out of place with 11 very young photographers with their point and shoot cameras. As we walked down to the front of the stage, I looked around and saw such a young crowd all eager for what the night had in store. I have to say that I went in very skeptical with an attitude that it would be a long night for me. In fact, It was the complete opposite. I didn’t want the evening to end and the night kept giving more and more with each opener.

To start the night, NJ welcomed Willow Avalon to the stage. Willow is an emerging artist known for her ethereal voice and genre-blending style. Despite being a relatively new artist, Willow Avalon has already made a significant impact in the indie music scene. She stunned with her long red hair, lipstick and boots to match and a beautiful country inspired white dress. She was sweet, gracious, amazing voice and gave off a very positive energy.

Next up was Bakar, a British singer-songwriter who has quickly become a distinctive voice in the modern music landscape. Emerging from the vibrant London music scene, Bakar blends elements of indie rock, punk, and hip-hop to create a sound that is both eclectic and uniquely his own. As a solo act, he demanded the stage and pleased his fans by performing his hits “Hell N Back” & “1st Time.”

The main opening act for Cage The Elephant was Young The Giant. They are an American rock band that formed in Irvine, California, in 2004. Their music blends elements of alternative rock, pop, and indie, creating a sound that is both accessible and deeply emotional. Lead singer Sameer Gadhia’s distinctive voice, combined with the band’s tight instrumentation, has earned them a reputation for delivering powerful live performances. The way they moved across the stage was like a dance and we were all here for it!

The band delivered a performance that could have easily been the main event. Songs like “Cough Syrup” and “My Body” were clear fan favorites, drawing cheers from the crowd and prompting massive sing-alongs. The lighting added another layer to the experience. The vibrant light show complemented the band’s music perfectly, enhancing the mood of each song without overpowering the performance. 

It was finally time for Cage The Elephant to step out. I was overhearing a lot of talk regarding the lead singer Matt Shultz having a broken foot and fans wondering how it would affect his performance. I am here to tell you that he “rolled” out ready to put on a show…and that he did. He was a force to be reckoned with even with his broken foot. His stage presence is electrifying, blending raw energy with a kind of controlled chaos that keeps the audience entranced.

The night was a rollercoaster of energy, with the band opening with the high-octane “Broken Boy,” instantly igniting the crowd. Throughout the set, Cage The Elephant seamlessly blended fan favorites like “Ain’t No Rest for the Wicked” and “Come a Little Closer”. It was high energy the entire night from Matt as well as Brad Shultz on guitar, Jared Champion on drums, Nick Bockrath on guitar and Daniel Tichenor on Bass.

As the night came to a close with the powerful “Come a Little Closer,” it was clear that Cage The Elephant had once again solidified their reputation as one of the most dynamic live bands in the world. The audience left the venue buzzing with the high that only a truly great concert can provide.

For more info please visit http://www.cagetheelephant.com

Avril Lavigne

Concert Reviews

Canadian singer-songwriter Avril Lavigne performed at PNC Bank Arts Center on August 23rd, 2024 as part of “The Greatest Hits” Tour. Lavigne achieved great success as a teenager and paved the way for female-driven, punk-influenced pop music in the early 2000s. The “Pop Punk Queen” has been nominated for 8 grammy awards.

Starting off the night was pop-punk duo girlfriends, consisting of Travis Mills on vocals/guitar and Nick Gross on drums. They had a great look and even without knowing their songs, you still caught yourself wanting to sing along. A great way to start the night!

The crowd was ready to go as fellow Canadian pop-punk band Simple Plan opened with 50 minutes of pure fun. Formed in 1999, the band’s current lineup consists of Pierre Bouvier, Chuck Comeau, Jeff Stinco, and Sébastien Lefebvre. They jumped right into ‘I’d Do Anything“, the song that started it all. They performed with absolute joy and looked like teenagers performing with so much energy and liveliness. Beach balls filled the venue halfway through the set and had the fans a bit distracted but it didn’t stop them from singing to every word of their catchy hits including “Shut Up!”, “Welcome to My Life” and “Perfect”.

As I looked around anticipating Lavigne’s entrance, the venue was filled with fans wearing her signature clothing style – hot pink, skulls, plaid skirts, chunky black boots and white tank tops with neckties. Lavigne emerged on stage on a high platform with a pink skull flashing in the background, kicking off with her high-energy anthem “Girlfriend”. Her style has remained the same, fishnet stockings with high black boots with a short pleaded skirt and black hooded jacket covered with white and silver skulls.

Songs like “Complicated” and “Sk8er Boi” transported the audience back to the early 2000s. Prior to the show I read some reviews that stated that she lacked energy. Did she jump around with the energy that she had when she was 17 years old? She certainly did not. Maybe the fast paced Lavigne that we used to know wasn’t displayed but It was evident that her vocals were still very strong and she was very engaging with the audience.

Returning for her encore in a flowing white robe complete with zippers, studs and chunky white lace-up boots, she stood on a platform at the back of the stage as she sang “Head Above Water” and making her way down to the front of the stage ending with “I’m With You”. To have 17,000 fans on their feet singing along to your “Greatest Hits” is a testament to Lavigne’s long lasting career.

For more info, please visit http://www.avrillavigne.com

Creed // 3 Doors Down

Concert Reviews

Just another night for us at PNC Bank Arts Center?  I think not!  The time has finally come.

I was very excited and have been waiting for years in anticipation to finally see Creed.  I’ve been a fan since they burst onto the post grunge scene in the late 90’s to early 2000’s. Their songs have a place on many of my personal playlists and the time has finally arrived to see them live! Joined by 3 Doors Down I knew the evening was going to be filled with powerful rock, great guitars and strong vocals. I was fired up!

Mirroring my own excitement, the packed house from row A to Back Lawn was buzzing with anticipation as fans eagerly awaited the dynamic rock duo of 3 Doors Down and Creed. While inclement weather worried many, it didn’t stop anyone from coming out to fill their souls with an energetic and nostalgic evening of music.

Canadian rock band, Finger Eleven kicked it off. Their setlist was a dynamic mix of fan favorites including “One Thing”, “Paralyzer” and new material, creating an engaging and immersive atmosphere setting expectations for all in attendance. The synergy between the band members and their ability to connect with the crowd provided a prelude to what was going to be a memorable event.

3 Doors Down

Sandwiched in the lineup was 3 Doors Down who took the stage with a confident swagger and an impressive array of hits spread throughout their 13-song set list. Opening with “Train,” followed by “It’s not My Time”, the crowd erupted into a sing-along that would set the tone for the rest of their set. The band’s performance was tight and polished, with lead singer Brad Arnold showcasing his powerful vocals on tracks like “Here Without You” and “Duck and Run”. The band’s chemistry was palpable, and their ability to connect with the audience was evident throughout their performance, with Arnold expressing his gratitude for the thunderous applause as each song concluded.

Guitarists Chris Henderson and Chet Roberts delivered intricate solos with ease, while drummer Greg Upchurch and bassist Justin Biltonen provided a steady, driving rhythm that kept the energy high. Their setlist was a carefully curated mix of fan favorites and deeper cuts and closing with two chart toppers “Kryptonite” & “When I’m Gone”, ensuring that both long-time supporters and casual listeners were not only satisfied but primed for Creed.

Creed

As the lights dimmed, Creed hit the stage and the first chords of “Bullets” rang out and crowd’s anticipation reached a fever pitch. Scott Stapp’s distinctive voice and the bands thundering guitar riffs filled the arena, proving that despite years away from the spotlight, the band still possesses the same musical talent and vocal prowess that made Creed a household name.

Their set was a celebration of the early 2000s rock era, with powerful renditions of “What If” and “What’s This Life For” bringing the audience to their feet. The band’s dynamic performance was highlighted by Mark Tremonti’s impressive guitar work, which added a layer of depth to the already anthemic sound. The rhythm section, consisting of Scott Phillips on drums and Brian Marshall on bass, was solid and reliable, anchoring the band’s sound with precision.

The lighting was a masterful blend of intensity and nuance, perfectly complementing the band’s powerful sound. The stage was bathed in a dynamic array of colors, shifting seamlessly between deep blues, fiery reds and bright whites to mirror the emotional highs and lows of the performance. Spotlights punctuated the set, casting dramatic beams that follow the band’s movements, while strobes and LED arrays added a modern, electrifying edge. The lighting transitions were timed impeccably with the rhythm of the music, creating an immersive atmosphere that heightened the concert’s impact and drew the audience deeper into the experience.

I must note, however (and I’m only critiquing this because I’m such a big fan), knowing of Stapps powerful vocals, I felt he was drowned out a bit.  I wanted to hear him more clearly and I wasn’t sure if it was my location (I was low and front left), or a technical glitch from soundboard. The music seemed to overpower the clarity of the microphone. Regardless, with myself and everyone else singing along to every word it was an imperfection I easily ignored.

The highlight of Creed’s set came with a stirring performance of “With Arms Wide Open” where the audience sang along with fervor, creating a shared moment of nostalgia and connection. And just as I was about to relax my voice from singing along all night the opening notes of “Higher” filled the venue as they finished their performance.  As the band exited and the stage went dark, fans knew a couple of songs were left unsung and cheered for an encore. Moments later Creed accepted the curtain call and they performed “One Last Breath” and “My Sacrifice”, leaving the audience full and satisfied and appreciative that they were able to experience all of Creed’s essentials! Their stage presence was commanding, and their ability to evoke strong emotions through their music was evident.

The combination of 3 Doors Down and Creed delivered an extremely memorable rock experience for me and everyone in attendance. Both bands demonstrated their enduring appeal and ability to captivate an audience, each in their own distinct way. Fans left with smiles on their faces and a sense of having relived some of the best moments from their musical past.

If the night was any indication, post grunge rock music’s legacy is alive and well, thanks to the continued passion and talent of bands like 3 Doors Down and Creed. It was an evening of high-energy, representing a nostalgia-fueled celebration of one of rock’s golden eras.

Editorial note: As I write this, I realize today is Scott’s birthday (8/9)! Happy Bday brother!  Keep rockin’!

For more info please visit http://www.creed.com http://www.3doorsdown.com http://www.fingereleven.com

Sammy Hagar

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

The PNC Bank Arts Center in Holmdel, NJ buzzed with excitement on a warm July evening as rock legend Sammy Hagar came to town on his, “The Best of All Worlds Tour”. Known for his high-octane performances and unrelenting energy, Hagar delivered a show that lived up to his reputation and then some!

Before Hagar took the stage, Loverboy set the PNC ablaze with their signature brand of 80s rock flair, delivering a high-energy performance that perfectly primed the crowd for Sammy and his All-Star lineup. Known for their infectious hooks and iconic hits, the Canadian rockers brought a burst of nostalgia with tracks like “Working for the Weekend” and “Turn Me Loose,” showcasing their enduring appeal. Frontman Mike Reno’s charismatic presence and the band’s tight, polished sound had the audience on their feet, proving that Loverboy’s classic rock credentials still shine brightly.

When Sammy Hagar hit the stage it was like a high-octane rock ‘n’ roll time machine with an absolutely stellar lineup that defied the limits of genre and era. Featuring Hagar himself, legendary bassist Michael Anthony, powerhouse drummer Jason Bonham, and guitar virtuoso Joe Satriani, the concert was a thrilling showcase of rock prowess and camaraderie loaded with all the Van Halen favorites.

The crowd, a mix of long-time fans and new converts, erupted as the lights dimmed and the opening riff of Van Halen’s “Good Enough” ripped through the venue. Hagar, ever the showman at 76, was in top form. His voice, still robust and energetic, commanded the stage with the charisma that has defined his career.

Michael Anthony, with his signature bass lines and harmonies, provided a solid foundation, effortlessly blending with Hagar’s dynamic presence. His backing vocals on tracks like “Why Can’t This Be Love” and his lead vocals on “Aint Talkin’ bout Love” were spot-on, reminding the audience of his integral role in Van Halen’s heyday.

Jason Bonham, behind the drums, was a thunderous force. His father, John Bonham, is a legendary figure in rock history, and Jason’s performance was a testament to his own formidable talent. His drumming on “When It’s Love” and vocals on “Best of Both Worlds” was both powerful and precise, delivering a rhythmic punch that drove the band’s high-energy performance.

Eddie Van Halen’s shoes are not easy ones to fill.  In fact, virtually impossible! It takes a special guitarist to be able to replicate the difficult guitar riffs and runs of Eddies mastery but Joe Satriani delivered the goods in spades! His guitar solos were nothing short of mesmerizing. Satriani’s virtuosic playing on the loaded Van Halen set list and covering classics like “Satch Boogie” showcased why he’s revered as one of the greatest guitarists of our time. The interplay between Satriani’s intricate solos and Hagar’s raw, dynamic vocals created a thrilling contrast, highlighting the versatility and depth of the bands sound.

As a Van Halen lover, the massive 23 song setlist was a rock fan’s dream, blending classic hits with deep cuts. The crowd was treated to a nostalgic journey through Hagar’s career, including Van Halen favorites, a Montrose song, and some of his solo work. Highlights included a rousing rendition of “I Can’t Drive 55,” where the audience sang along with gusto, and included many poignant tributes to Eddie Van Halen where Satriani’s guitar work shone in a heartfelt homage.

The energy in the PNC Arts Center was electric. The band’s camaraderie and mutual respect were evident in every interaction, both on and off the stage. Hagar’s anecdotes of personal touches and humor made the night feel like an intimate gathering among old friends.  His engagement with the crowd was one like I’ve never seen. He was slapping hands, signing autographs on any item thrown on stage and retuning them to their rightful owner, and even opening a bottle of tequila and pouring shots for thirsty fans looking for that up close and personal experience. Sammy was extremely engaging and generous and one can see the pride he has for who he is, what he does and the impact he has on Van Halen fans Worldwide.  He said it best and lived up to his words when he mentioned at the top of the show that, “this is not a concert, it’s a celebration!” 

AND a celebration it was! The concert closed with an encore of “Jump” and “When It’s Love” that left fans cheering for more. As the final notes faded, the crowd didn’t have to give a standing ovation as we were on our feet the entire time, and extremely appreciative of a night that blended nostalgia with virtuosity.

In all, Sammy, Michael, Joe & Jason delivered a performance that was both a celebration of rock’s past and a reminder of its enduring power. It was a night that proved, once again, that rock ‘n’ roll isn’t just a genre—it’s a timeless, exhilarating experience and yes, a “celebration”!

For more info please visit http://www.redrocker.com

Foreigner // Styx // John Waite

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

On a balmy summer night at the PNC Bank Arts Center, three titans of classic rock brought their timeless hits and infectious energy to a crowd eager to relive the glory days of the genre. The night featured John Waite, Styx, and Foreigner, each delivering their own brand of rock ‘n’ roll magic to a rapturous audience.

John Waite kicked off the evening with a spirited set that set the tone for the night. Known for his powerful voice and emotive performances, Waite didn’t disappoint. He started with “Missing You,” a track that remains one of his most enduring hits, and the crowd immediately responded with enthusiastic applause. Waite’s charisma and vocal prowess were on full display throughout his set, with standout performances of “Change” and “Back on My Feet Again.” Despite the relatively shorter set than those that followed, Waite made every minute count, leaving the audience primed and ready for more.

As the sun began to set, the lights dimmed, and Styx took the stage. The iconic band, now led by Tommy Shaw and James Young, showcased their signature sound with a blend of rock and theatrical flair. Opening with the energetic “The Grand Illusion,” Styx immediately captured the audience’s attention. Their setlist was a nostalgic journey through their greatest hits, including “Too Much Time on My Hands,” “Lady”, “Come Sail Away,” “The Best of Times” and “Renegade.” The band’s chemistry was palpable, and their ability to blend intricate musicianship with crowd-pleasing anthems was a testament to their enduring appeal. The visuals were striking as well, with a backdrop of dynamic lighting and video projections that enhanced the theatrical experience.

The final act of the night, Foreigner, brought an electrifying close to the concert. The band was a powerhouse of classic rock greatness. They kicked off with a high-energy rendition of “Double Vision,” and the momentum never faltered. Kelly Hansen is by far one of the greatest frontman out there and the way he engages with the crowd and his bandmates is quite extraordinary. The crowd was on its feet for the entirety of Foreigner’s set, singing along to timeless hits like “Hot Blooded,” “Urgent,” and “I Want to Know What Love Is.” The band’s performance was a perfect blend of nostalgia and vitality, proving that their songs have lost none of their potency over the decades. The band’s harmonies were spot-on, making each song a memorable experience.

As the night drew to a close, the audience left with a sense of satisfaction, having witnessed a showcase of classic rock that spanned decades and genres. Whether it was Waite’s heartfelt ballads, Styx’s theatrical rock, or Foreigner’s classic anthems, the night was a celebration of rock’s golden age, delivered by artists who have mastered the craft. They delivered performances that were both nostalgic and exhilarating, reminding everyone why these bands continue to be beloved icons in the world of rock music.

Santana // Counting Crows

Concert Reviews

Review by Chris Yates // Photography by Estelle Massry

The PNC Bank Arts Center crackled with an electric energy as The Counting Crows and Santana took the stage for an unforgettable night of music that spanned genres and generations. As usual at the PNC Arts Center, the summer evening was perfect for an outdoor concert, and the atmosphere buzzed with anticipation.

The Counting Crows kicked off the evening with their signature blend of introspective lyrics and alternative rock melodies. Adam Duritz’s distinctive voice filled the amphitheater, captivating the audience from the first notes of “Round Here.” The band’s setlist was a journey through their career, mixing hits like “Mr. Jones” and “A Long December” with deeper cuts that delighted long-time fans. Their performance was tight and emotionally resonant, with Duritz’s raw, emotive delivery making each song feel personal and poignant.

As the sun set, the stage transformed for Santana’s set, and the legendary guitarist wasted no time in mesmerizing the crowd with his virtuosity. From the moment Carlos Santana launched into the iconic riff of “Black Magic Woman,” it was clear that the audience was in for a transcendent experience. Santana’s guitar solos were nothing short of breathtaking, weaving together Latin rhythms, bluesy licks, and soulful melodies that seemed to defy the limits of time and space.

Joined by his band (and his wife the famed drum virtuoso, Cindy Blackman), Santana’s performance was a masterclass in musical fusion, seamlessly blending rock, jazz, and Latin influences into a tapestry of sound that washed over the audience. Classics like “Oye Como Va” and “Smooth” had everyone on their feet, dancing and swaying to the infectious rhythms. Santana’s passion for his craft was palpable, and his joy in sharing the stage with his bandmates and the audience was evident throughout the night.

The lighting for Santana was nothing short of mesmerizing. From the moment the first note rang out, the stage came alive with a symphony of colors and patterns that danced across the backdrop and engulfed the audience in a sensory feast. During the soulful guitar solos, the lighting intensified, bathing the stage in hues that matched the mood of each song perfectly – from deep blues and purples during melancholic melodies to fiery reds and oranges during high-energy jams. The dynamic lighting sequences not only complemented Santana’s legendary guitar prowess but also elevated the entire concert experience, adding an extra layer of emotion and spectacle to each performance.

The synergy between The Counting Crows and Santana was unexpected yet magical, showcasing the diversity of their musical styles while highlighting their shared love for storytelling through song. It was a celebration of music’s power to unite and inspire, leaving the audience with a sense of awe and gratitude for witnessing two legendary acts at the height of their powers.

Third Eye Blind

Concert Reviews

The pulsating energy of a summer night at the PNC Bank Arts Center in Holmdel, NJ was electrified even further with the arrival of Third Eye Blind, supported by the dynamic performances of Arizona and Yellowcard. As the sun dipped below the horizon, the stage came alive with a lineup that promised to deliver a memorable evening of rock and alternative music.

Opening the night, Arizona captivated the audience with their blend of dreamy pop melodies and infectious beats. The New Jersey based band set the tone with tracks like “Oceans Away” and “Electric Touch,” instantly drawing in concert-goers with their ethereal soundscapes and heartfelt lyrics. The chemistry between band members was palpable, and their performance left a lingering sense of anticipation for what was to come.

Next up, Yellowcard stormed onto the stage with their trademark energy, immediately igniting a wave of nostalgia among long-time fans. Their setlist was a journey through their discography, featuring hits like “Ocean Avenue” and “Only One,” each song greeted by roaring cheers and enthusiastic sing-alongs from the crowd. The band’s tight instrumentals and charismatic presence reaffirmed their status as pop-punk legends, leaving an indelible mark on the concert’s atmosphere.

As the anticipation reached its peak, Third Eye Blind emerged to a thunderous ovation, wasting no time in launching into a powerhouse performance. Frontman Stephan Jenkins commanded the stage with his charismatic presence, effortlessly engaging the audience from the first note. The band kicked off with “Motorcycle Drive By” setting a high-energy pace that never faltered throughout their set.

The crowd was treated to a mix of old favorites and newer tracks, with highlights including “Jumper,” “Semi-Charmed Life,” and “How’s It Going to Be,” each song resonating deeply with the audience. Jenkins’ vocals were as poignant as ever, supported by the band’s tight instrumentation and pulsating lighting that enhanced the sensory experience.

A particularly memorable moment came during their acoustic rendition of “The Background” which captivated the audience with its raw emotion and stripped-down arrangement. The band’s ability to connect on such a personal level with their fans was evident, creating an intimate atmosphere despite the grandeur of the venue.

Third Eye Blind’s performance at the PNC Bank Arts Center was a testament to their enduring appeal and musical prowess. With Arizona and Yellowcard delivering stellar opening sets, the concert was a seamless blend of nostalgia and contemporary rock energy. As the night drew to a close with an encore that left everyone craving more, it was clear that this concert would be remembered as a standout moment in the summer’s musical landscape.

The synergy between the bands, coupled with the passionate response from the audience, made for an unforgettable evening under the stars—a celebration of music that resonated long after the final chords faded into the night.

For more info please visit http://www.thirdeyeblind.com http://www.yellowcardband http://www.thisisarizonmusic.com

Setlist

  1. Motorcycle Drive By
  2. Dust Storm
  3. Never Let You Go
  4. Narcolepsy
  5. The Kids Are Coming (To Take You Down)
  6. Wolf Like Me / Company of Strangers
  7. Graduate
  8. Wounded
  9. Weightless / Faster / Water Landing
  10. Losing a Whole Year
  11. Shipboard Cook
  12. The Background (Acoustic)
  13. Bonfire
  14. Blinded (When I See You)
  15. Slow Motion
  16. Jumper
  17. Semi-Charmed Life
  18. How’s It Going to Be (Encore)