Author: Estelle

Disturbed

Concert Reviews

April 2nd, 2025 – Wells Fargo Center, Philadelphia PA

Review & Photography by Estelle Massry

On April 2nd, 2025, Disturbed electrified the Wells Fargo Center in Philadelphia with a performance that was as much a celebration of their legacy as it was a testament to their enduring mastery in the heavy metal arena. The concert, part of their “The Sickness 25th Anniversary Tour,” featured a two-set format: a full rendition of their seminal debut album, The Sickness, with a 20 minute brief intermission followed by a selection of 8 of their greatest hits.​

To start the night was San Antonio based band Nothing More, fronted by Jonny Hawkins who transitioned from drummer to lead vocalist in 2008. Jonny performing shirtless and barefoot has becoming a hallmark of Nothing More’s live shows and they are renowned for their emotionally charged performances and innovative stagecraft. The band’s set featured tracks from their latest album, Carnal, including the emotionally resonant “Angel Song,” a collaboration with Disturbed’s David Draiman. This song, which has soared into the Top 10 on Active Rock radio charts, exemplifies Nothing More’s ability to blend heavy rock elements with profound lyrical themes.

Daughtry delivered a powerful opening set, delivering a performance that showcased frontman Chris Daughtry’s evolution from American Idol finalist to a commanding rock presence. His set was a compelling blend of vulnerability and intensity, reflecting the personal growth evident in the band’s recent EP, Shock to the System (Part One).​ The band’s sound has matured as well as Chris’s physical transformation, embracing a heavier, more introspective tone that resonated deeply with the audience. This “renewal” is a testament to Daughtry’s willingness to confront personal hardships and channel them into their music, creating a raw and authentic experience for fans.

Now it was time for Disturbed and it was only fitting to commence with a dramatic entrance: frontman David Draiman was wheeled onto the stage Hannibal Lecter-style, restrained in a straitjacket and face mask, setting a dark and intense tone for the evening. The stage was adorned with heavy metal scaffolding and dynamic lighting, creating an industrial atmosphere that complemented the band’s aggressive sound. The energy in the arena was palpable as the band delivered a powerful performance, celebrating 25 years of their groundbreaking debut album.​

Throughout the performance, pyrotechnics and special effects were employed strategically to amplify the energy of the music. During “Meaning of Life,” Draiman was theatrically strapped to an electric chair, simulating electrocution, which added a dramatic flair to the set.  The band’s mascot, “The Guy,” loomed behind the drum riser, contributing to the visual spectacle.​

The concert began with a full performance of The Sickness, transporting fans back to the early 2000s. Hearing tracks like “Stupify” and “Down With The Sickness” live reignited the raw intensity that first drew me to their music. I also loved their Tears for Fears cover of “Shout”, Draiman’s voice makes any song his own and always delivers. The second half of the show featured a selection of their greatest hits, including “Bad Man”, “Indestructible”, “Ten Thousand Fists” and “Inside the Fire.” A standout moment was their haunting rendition of “The Sound of Silence,” and when I say haunting I mean it in every sense of the word. Who else can command complete silence from their fans during a sold out show?

Frontman David Draiman’s supreme presence was evident from the outset. His vocal delivery, ranging from guttural growls to melodic passages, showcased his versatility and kept the audience engaged throughout the night. Guitarist Dan Donegan and bassist John Moyer didn’t skip a beat with their synchronized high jumps in the air with their guitars while drummer Mike Wengren’s energy never stopped and intensified as the show went on.

Disturbed’s enduring appeal and their ability to connect with fans across generations is evident at each show. I have been fortunate to photograph them for a few years and there has been no sign of slowing down and they only get better with each year, they really are unstoppable!

For more info please visit http://www.disturbed1.com http://www.daughtryofficial.com http://www.nothingmore.net

Adrian Vandenberg

Concert Reviews

March 4, 2025 – The Vogel, Red Bank NJ

Review by Chris Yates // Photography by Estelle Massry

Red Bank New Jersey’s iconic venue, The Vogel, a smaller venue nestled within the Count Basie Center for the Arts, was the perfect backdrop for Dutch guitar legend Adrian Vandenberg on his “My Whitesnake Years” tour with special guest Bad Marriage.

Bad Marriage, not “just another band out of Boston”, opened the evening and was a great set up to Vandenberg, setting the tone for a nostalgic, throw-back to 80’s Rock & Roll! The bands perfect mix of sound and style catapulted me back to high school. They delivered an energetic live performance, mixing smooth tones with strong vocals in their own unique style. I thoroughly enjoyed it. Bad Marriage is made up of Jonny Paquin on vocals, Mike Fitz on lead guitar, Tommy Skeoch on lead/rhythm guitar, Ian Haggerty on rhythm guitar, Todd Boisvert on bass, and Michael Delaney on drums. The addition of Tommy Skeoch, formerly of Tesla, rounds out the sound to the band, gives a nod to the hair bands of yesteryear, and adds a cool feel to the triple guitar attack. 

After a brief interlude, the crowd was ready for the headliner and erupted in applause as Adrian Vandenberg took the stage. As Vandenberg, best known as the lead guitar slinger of Whitesnake, strolled to his mark on the far side of the stage his eponymous band followed, and the audience was set for a great evening of some new music mixed in with his iconic 80’s style hair band riffs and hits of Whitesnake.

Vandenberg, now in his 60s, showed no sign of slowing down. The legendary guitarist’s playing was sharp, soulful, and perfectly executed. His tone was warm and heavy, resonating throughout The Vogel’s intimate space, creating an atmosphere where every note felt personal. His rendition of “Burning Heart” had the crowd hooked, while “Here I Go Again” saw Vandenberg putting his signature spin on a Whitesnake classic, adding new layers of emotional depth to a song that’s become iconic.

The chemistry between Vandenberg and his backing band was undeniable. Bassist Sem Christoffel laid down a deep groove, as did keyboardist Len Van De Laak, while drummer Joey Marin De Boer provided the powerful backbone of the rhythm section. Frontman Mats Levén’s voice soared effortlessly through Vandenberg’s intricate compositions, giving the crowd a new appreciation for these timeless tracks.

Vandenberg’s guitar solos were the highlight of the evening, each one dripping with emotion and technical prowess. He effortlessly shifted between melodic runs and fiery shredding, displaying the breadth of his musical mastery. “Still of the Night,” with its signature haunting guitar lines, was a moment that had the entire venue fully engaged.

The acoustics were great, allowing each guitar riff, drum hit, and vocal note to shine through with clarity. The venue’s cozy and intimate yet vibrant atmosphere allowed fans to connect with the performers on a personal level, providing fans the rare opportunity to be up close making the night feel special from start to finish.

For fans who enjoy 80’s rock, this was an unforgettable evening. While Vandenberg has certainly left his mark on the genre, he also brought his A-game to The Vogel. It was a night that reminded us why we keep coming back to live music—the thrill of hearing some our favorite songs from that time, the magic of witnessing guitar greatness, and the shared connection that only live performance can bring.

For more info please visit http://www.vandenbergband.com http://www.badmarriagemusic.com

Jerry Cantrell

Concert Reviews

February 1st, 2025 – Starland Ballroom, Sayreville NJ

Review & Photography by Estelle Massry

The parking lot was already full prior to doors opening at Starland Ballroom on a very cold winter night in NJ. Guitar legend, Jerry Cantrell has embarked on his 2025 solo “I want Blood” North American tour in support of his latest album by the same name. This was his second show on the tour so fans were in high anticipation on what was to come.

The night kicked off with a dynamic performance by American rock band Filter. Richard Patrick, former Nine Inch Nails guitarist, brought intense vocals as he performed hit single “Hey Man Nice Shot”. They sounded great but the stage was very dark so it took away from fully being able to engage with the audience. They ended on a brighter side with “Take a Picture,” as fans sang along.

Jerry Cantrell and his band took the stage shortly after. The venue was completely packed, nobody was going anywhere for the next 2 hours and 15 minutes as Cantrell and his band set off to perform a 17-song set list. Throughout the set, Cantrell masterfully wove together tracks from his solo projects and Alice in Chains classics including “Them Bones”, “Down in a Hole” and “Would?”.

Fans were in for a treat when Cantrell and backing vocalist Greg Puciato performed “Hate to Feel”, a classic that has not been performed live in more than three decades. The last time Alice In Chains themselves played it to a crowd was November 4, 1993 in Sydney, Australia.

The band accompanying Cantrell played a crucial role in bringing the songs to life. Zach Throne on guitar, Eliot Lorango on Bass and Roy Mayorga on drums provided a solid foundation, allowing Cantrell’s guitar and vocals to shine. The chemistry among the musicians was evident, contributing to the show’s dynamic energy.

With any rock show, new venue or the start of a tour, there can be obstacles and “hiccups in the road”. This one in particular has fans a bit irate for the beginning part of the show as there was obvious sound issues. After each song, fans shouted “Fix the mic” in hopes to get the problem fixed. It took some time for Cantrell and his crew to realize what was going on but problem was taken care of and fans were grateful that they could enjoy Cantrell’s vocals for the rest of the show.

The evening culminated with an encore featuring “Rooster,” leaving the crowd in a state of euphoria. The energy in the room was electric, a testament to Cantrell’s enduring impact on the rock scene.

For more info, please visit: http://www.jerrycantrell.com

Daughtry

Concert Reviews

December 10, 2024 – Starland Ballroom, Sayreville NJ

Review & Photography by Estelle Massry

Chris Daughtry, a name synonymous with powerful vocals and heartfelt lyrics, has carved an enduring legacy in the rock music scene. Rising to fame as a finalist on the fifth season of American Idol in 2006, Daughtry’s talent and authenticity immediately set him apart.

As a longtime fan of Chris Daughtry, seeing him perform live at Starland Ballroom during his short Adrenaline Gone Ballistic Tour was nothing short of magical. From the moment the lights dimmed, and the band took the stage, you could feel the energy pulsing through the intimate venue.

Chris’s voice was absolutely phenomenal—raw, powerful, and filled with emotion. Whether he was belting out rock anthems or softening things up for the ballads, every note hit right in the heart and drew everyone in. As someone who’s followed Daughtry’s journey, hearing classics like “Home” and “Over You” was pure nostalgia. But what really stood out was how seamlessly the newer tracks, like those from his latest album Dearly Beloved, fit into the setlist. Songs like “Heavy Is the Crown” brought an edgier vibe that had everyone rocking out.

The band was tight and were full of energy that radiated throughout. This very intimate venue was honestly too small for Daughtry but the fans crammed in and took in all the love that Chris was giving out. Chris Daughtry doesn’t just perform; he connects. This show was everything I hoped for and more. The final stop of this short tour will be at the EPIC Event Center in Green Bay on December 21. Don’t miss out!

For more info please visit http://www.daughtryofficial.com

Setlist

  1. The Reckoning
  2. Changes Are Coming
  3. World on Fire
  4. Crashed / Kashmir
  5. Separate Ways
  6. Home
  7. Change
  8. Shock to the System
  9. It’s Not Over
  10. Nervous
  11. Pieces
  12. Over You
  13. The Dam (Encore)
  14. Heavy Is the Crown (Encore)
  15. Happy Birthday to you (for Marty O’Brien)
  16. Artificial (Encore)

Duran Duran

Concert Reviews

October 26, 2024 – Borgata Hotel and Casino, Atlantic City NJ

Review by Chris Yates // Photography by Estelle Massry

“The Wild Boys” were back visiting Atlantic City. The iconic English Pop/Rock band and innovators of the music video, Duran Duran played to a sold out show at the Borgata Hotel & Casino, allowing fans from all over a glimpse into the bands vibrant world.

The crowd was waiting in anticipation as a DJ warmed up the audience playing 80’s themed hits… and as the lights finally dimmed and the opening notes of “Night Boat” filled the venue, the crowd erupted in applause, signaling that they were ready for a night of reminiscence.

Known for their fashion forward style, the band, comprised of Simon Le Bon, Nick Rhodes, John Taylor, Roger Taylor and Dominic Brown, appeared effortlessly cool, dressed in sleek outfits that echoed their ’80s glam roots while feeling contemporary. Le Bon’s charismatic presence shone throughout the evening and while it seemed he was suffering from a head cold, his voice was still as strong as ever, effortlessly hitting the high notes that have defined their classic tracks.

The setlist seemed carefully curated as it was full of fan favorites with some newer material masterfully balanced in. Classics like “Hungry Like the Wolf”, “Notorious”, “The Reflex”, and “Union of the Snake” had the audience singing along with every word, while some newer tracks showcased the band’s continued evolution. Each song was met with enthusiastic cheers, and the energy in the room was electric.

Visually, the concert was stunning. Duran Duran’s signature aesthetic was enhanced by a captivating light show that danced in sync with the music. The backdrop featured a mix of striking visuals, from retro clips to modern graphics, adding depth to the performance.

As the night progressed, the energy in the room only intensified. The infectious groove of “Come Undone” had everyone on their feet, dancing and singing along. The encore, featuring “Save a Prayer” and the timeless “Rio,” left the audience craving more, but also satisfied with a night well spent. The famed stylish 5 brought an electrifying performance that reminded fans why this iconic band has endured for decades. 

The Borgata’s setting, with its upscale ambiance, made for an enjoyable concert experience. The venue’s acoustics amplified every note, allowing the lush soundscapes of Duran Duran to envelop the audience completely.

As a product of the 80’s myself, Duran Duran has been one of my favorites ever since they burst onto the scene as what has been described as the MTV led, Second British Invasion. They delivered a performance that was both a celebration of their illustrious career and a testament to their ongoing relevance in today’s music scene. For those fortunate enough to be in attendance, it was a night of unforgettable memories and a reminder of why this band continues to shine brightly, decades after their rise to fame. Here’s hoping they’ll be back for another round soon!  I’ll be sure not to miss it.  AND, happy birthday Simon!

For more info, please visit http://www.duranduran.com

Pink

Concert Reviews

October 3, 2024 – MetLife Stadium, East Rutherford NJ

Review & Photography by Estelle Massry

Pink brought her highly anticipated 2024 Summer Carnival tour to a sold out crowd at MetLife on a cool beautiful fall night in NJ. This was her first show at MetLife, her first show back to NJ after 6 years and her largest U.S. crowd ever as a headliner.

The first opener of the night was Irish rock band The Script, known for their heartfelt lyrics and engaging stage presence. Starting their set with “Superheroes“, they immediately struck a chord with the crowd. They moved seamlessly from upbeat anthems like “Hall of Fame” to poignant ballads such as “The Man Who Can’t Be Moved“. Lead singer Danny O’Donoghue’s dynamic energy and interaction with fans added an extra layer of warmth and intimacy to the massive stadium setting.

Sheryl Crow’s performance as the second opening act for Pink was a nostalgic and vibrant celebration of her enduring career and talent. Crow stepped on stage in her flared leather pants and black sequined sleeveless top, bringing her signature blend of rock, pop, and country influences. Her set including classics like “All I Wanna Do“, “If It Makes You Happy” and “Everyday Is a Winding Road“. Her laid-back charm and positive demeanor was a perfect way to welcome Pink.

The fans were hyped for Pink to grace the stage at 8:50 but the extra 15 minutes felt like a lifetime as an animated version of her projected on the screens welcoming her fans. The lights came on and she appeared in a giant smiling mouth with bright red lips high above the stage. As the mouth opened, Pink’s infectious smile greeted her fans as she waved and took it all in before plunging down towards the stage and performing aerial acrobatics all while singing “Get This Party Started”, showcasing both her physical strength and artistic dedication.

The stage design and visual effects added another layer of energy to the performance, with dynamic lighting and larger-than-life visuals complementing each song. The stage was full of talented dancers, giant ice creams cones, flamingos and oversized disco balls. Between songs, Pink engaged the crowd with genuine stories and reflections on her life, showing a personal and human side that often lacks once you reach this level of fame.

The show was divided into four distinct acts, each with its own unique feel and flow. From heart-pounding aerial performances to intimate acoustic moments, Pink’s ability to shift seamlessly between high-energy and heartfelt songs left fans exhilarated and deeply moved. Her setlist was packed with both classic hits like “So What“, “Just Like A Pill”, “Raise Your Glass“, “Who Knew”, and “What About Us” as well as newer anthems from her recent album. The set consisted mainly of hit songs from her catalog but also included a couple of covers such as Pat Benatar’s “Heartbreaker” and 4 Non Blondes “What’s Up.”

Pink closed out the show flying above her 60,000 fans throughout the stadium while performing “So What.”  Her gratitude was on display as she tried to wave goodbye to every single fan while she landed on several podiums in the crowd. I was told that her shows were legendary and I can now agree without a doubt. Pink has cemented her place as one of the most influential artists of her generation, inspiring fans with her powerful voice and authenticity. She has proved why she is one of the most exciting and dynamic live performers in music today. Beyond the aerial stunts and theatrical elements, Pink’s genuine warmth and authenticity were perhaps the most memorable aspects of the evening. 

For more info please visit http://www.pinkspage.com

Korn

Concert Reviews

September 21, 2024 – Freedom Mortgage Pavilion, Camden NJ

Review by Chris Yates // Photography by Estelle Massry

The Freedom Mortgage Pavilion was buzzing with fans eager for a night of adrenaline-fueled energy, featuring the iconic nu-metal legends Korn and the formidable French metal band Gojira along with the Canadian metalcore Spiritbox!

As Spiritbox kicked off the evening, the crowd erupted in cheers as frontwoman Courtney LaPlante commanded attention immediately. Her stage presence was a blend of intensity and grace while dishing out a mix of haunting melodies and crushing riffs which were to set the tone for a powerful night of melodic metalcore.

LaPlante’s ethereal vocals soared alongside powerful instrumentals, showcasing the band’s signature blend of crips vocals and guttural screaming. Her emotional depth of the performance was palpable and LaPlante’s heartfelt delivery resonated with many in the audience who knew just what to expect as she turned a heavy metal show into a cathartic experience.

Setting the Stage for Korn next were the French heavy metal band, Gojira. If you watched the Olympic opening ceremonies this summer, you may recall Gojira added one of the most vivid and jarring moments in Olympic opening ceremony history when they performed from the balconies looking over the River Seine in Paris.

The moment they took the stage and kicked off with “Born for One Thing,” the crowd was electrified. Their blend of progressive metal and environmental themes resonated deeply with me, with frontman Joe Duplantier commanding the stage like a force of nature. 

The sound was immaculate; the intricate guitar work and thunderous drums were perfectly balanced, allowing each note to pierce through the air.  Mario Duplantier (Joe’s brother) stole the show on drums.  His hard-hitting style reminded me of some of the best in the world, and has been described as one of metal’s most rhythmic and technical drummers.

Highlights for me included when they performed “Flying Whales,” where the haunting melodies created an almost ethereal atmosphere, and “Stranded,” which showcased the band’s ability to weave heavy riffs with moments of melodic beauty. Gojira’s passion was palpable, and their commitment to both their craft and the planet shone through in every performance. 

The backdrop kept me fully engaged as the visuals on screen told the stories of each song and the lighting was memorizing.  A great performance and the packed house concurred with thunderous applause as they closed with “Amazonia”!

After a brief intermission and while the audience were bursting with anticipation, the black curtain finally dropped and the titans of nu-metal, Korn stormed onto the stage with the iconic intro of “Here to Stay.” The energy in the pavilion skyrocketed as fans erupted in cheers. 

Jonathan Davis’s unmistakable voice soared over the heavy, groove-laden instrumentals, delivering a wave of raw power. The band also consists of Brian Welch on guitar, Ray Luzier on drums, Ra Diaz on bass and James Shaffer (“Munky”) on guitar. They seamlessly blended classic hits like “Got the Life”, Blind” and “Shoots and Ladders” with newer tracks from their latest album, keeping both long-time fans and newcomers engaged. The addition of dramatic visuals and intense lighting elevated the experience, turning the pavilion into a pulsating spectacle.

Davis’s emotional connection with the crowd was evident, delivering moments of vulnerability amidst the chaos which illustrated the depth of Korn’s artistry. The night culminated in a relentless encore featuring “Falling Away”, “Oildale (Leave Me Alone)” and “Freak on a Leash” leaving fans shouting for more.

The pairing of Spiritbox, Gojira and Korn was a match made in metal heaven. Spiritbox’s blend of power and grace and Gojira’s technical prowess and thematic depth set a high bar, while Korn’s legendary status and high-octane performance delivered the final blow. The atmosphere was electric, with fans headbanging and singing along, creating a sense of unity that only live music can inspire.

As the night came to a close, the crowd left buzzing with adrenaline, grateful for the unforgettable experience. This concert wasn’t just a showcase of talent; it was a celebration of heavy music’s power to connect, inspire, and move. If you ever get the chance to see either of these bands live, don’t miss it!

For more info please visit http://www.kornofficial.com

Falling In Reverse

Concert Reviews

September 13, 2024 – PNC Bank Arts Center, Holmdel NJ

Review & Photography by Estelle Massry

Falling In Reverse delivered an electrifying performance at the PNC Bank Arts Center in Holmdel, NJ on September 13, 2024. Their Popular Monstour II: World Domination tour has solidified the band’s reputation as a powerhouse in alternative rock.

The band was supported by an impressive lineup, including Black Veil Brides, Dance Gavin Dance, Tech N9ne, each delivering their own unique style, adding to the night’s overall dynamism. The entire experience was a sonic rollercoaster, with powerful visuals and synchronized lights amplifying the intensity of the performance.

First on was Jeris Johnson who appeared with his sword and shield ready to take control of the stage. Johnson is an innovative rock artist blending elements of alternative rock, metal, and electronic music. Known for his viral TikTok covers and collaborations, he brings a fresh, rebellious energy to the rock scene.

Tech N9ne came on stage with a whole other level of energy. He is a legendary rapper known for his rapid-fire flows, complex lyricism, and genre-blending style, mixing hip-hop with elements of rock, metal, and even opera. As co-founder of Strange Music, he’s become a major independent artist, gaining a loyal fanbase through relentless touring and innovative releases.

As the sun set, it was a perfect time to bring out Black Veil Brides. They delivered an electrifying performance captivating the crowd with their signature blend of heavy rock and gothic theatrics. As part of their co-headlining tour with Falling in Reverse, their set featured fan favorites like “In the End” and a powerful cover of Billy Idol’s “Rebel Yell,” which had the audience singing along in full force.

The band’s energy was contagious, with frontman Andy Biersack commanding the stage, engaging fans both new and old. The band also consists of Lonny Eagleton on bass, Jake Pitts on guitar and Christian Coma on drums. The production value, complete with dramatic lighting and sharp sound quality, made the evening feel larger-than-life. Fans left the venue with adrenaline still pumping, proving once again why Black Veil Brides are a standout in modern rock​

Dance Gavin Dance followed and the stage went a lot brighter for their set. They are a post-hardcore band known for their eclectic mix of progressive rock, screamo, and experimental sounds. Their unique combination of clean and unclean vocals, alongside intricate guitar work, has earned them a passionate fanbase and a distinct place in the alternative music scene.

Now it was time for what the fans came here for, they have been waiting over 3 1/2 hours for Falling In Reverse. From the moment they opened with “Watch the World Burn,” the crowd was hooked. Radke’s vocal range—shifting between rap, clean vocals, and screams—kept everyone on their toes, proving his versatility as a frontman. Radke commanded the stage with his signature blend of swagger, emotion, and pure intensity, making it clear why he’s become such a magnetic figure in rock. The band also includes Christian Thompson on guitar, Tyler Burgess on bass and Luke Holland on drums.

Songs like “Zombified” and “The Drug In Me Is You” were not just highlights but communal experiences, with fans passionately belting out every word alongside Radke. His stage presence was larger-than-life, blending charisma with an undeniable sense of vulnerability, especially when performing introspective tracks like “I’m Not a Vampire.” The tour features a visually stunning production with intense light shows and epic pyrotechnics which added to the entire experience.

For fans of post-hardcore, metalcore, and electronic rock, this show was a visceral display of genre fusion done right. For anyone who’s followed his tumultuous journey, this show was a celebration of resilience and evolution​. Wether you came for Radke’s raw vocal delivery or the band’s breakdown-heavy instrumentation, it was clear that Falling In Reverse remains at the forefront of alternative rock, constantly pushing the envelope with both sound and stagecraft​.

For more info please visit http://www.fallinginreverse.com

Jane’s Addiction

Concert Reviews

September 7, 2024 – Hard Rock Casino & Hotel // Etess Arena, Atlantic City NJ

Review by Chris Yates // Photography by Estelle Massry

I’ve been a long-time fan of Jane’s Addiction so was very excited to be able to attend and review this show.  Especially at The Hard Rock which is a very well-fitting venue for a night of raw energy and classic alt-rock anthems. The iconic band, known for their genre-defying sound and theatrical performances, was about to take the stage with a presence that had me pulsating with anticipation of what was to come.

Opening the evening was the all-female band, Crawlers.  Known for their infectious energy and raw intensity, they delivered a performance that left the audience buzzing. Their blend of alt-rock and indie pop was both vibrant and emotionally charged, with standout tracks like “Come Over (Again)” and “I Don’t Want to Be Your Friend” resonating deeply. The band’s chemistry was palpable, with frontwoman Holly Minto’s powerful vocals and dynamic stage presence leading the charge. The crowd was fully engaged, making it clear that Crawlers are a rising force in the live music scene.

Following Crawlers came Love and Rockets who captivated the crowd with a mesmerizing performance, blending their signature goth and alternative rock sound with an effortlessly cool stage presence. The setlist was a mix of their well-known hits, including an electrifying version of “So Alive” that had the audience singing along in unison. Daniel Ash’s guitar work was as sharp and evocative as ever, while David J’s bass lines provided a hauntingly solid foundation. The band’s undeniable charisma created a very cool atmosphere setting the tone for Jane’s Addiction and proving that the band has the power to enchant and exhilarate.

The venue began to fill in quickly with seats filled and with fans on the general admission floor standing shoulder to shoulder.  As the lights dimmed Jane’s Addiction took the stage. From the moment Perry Farrell’s distinctive voice cut through the air with the opening notes of “Kettle Whistle,” it was clear that this was not going to be just another concert.

The setlist was a journey through Jane’s Addiction’s storied career. Highlights included blistering renditions of “Been Caught Stealing” and “Jane Says,” each one drawing roars from the packed crowd. The energy in the room was palpable, with fans singing along and dancing as if the years had melted away.

It was great to see the entire band of original members together again. Dave Navarro, ever the guitar virtuoso, delivered a masterclass in rock guitar. His solos were both technically impressive and emotionally charged, demonstrating why he remains one of the genre’s most respected guitarists. His interplay with bassist Chris Chaney was particularly noteworthy, as the two musicians locked into an intricate groove that drove the performance forward with relentless momentum.

Drummer Stephen Perkins, a cornerstone of the band’s rhythm section, was as dynamic as ever. His percussive prowess added a layer of complexity to the music, accentuating the fusion of punk, funk, and metal that Jane’s Addiction is renowned for. The drum solo during “Three Days” was a standout moment, showcasing Perkins’ ability to fuse precision with an almost primal intensity.

The stage was only adorned with a large banner displaying the bands name, in a way that seemed to communicate “enough said” as the music and musicians were all you needed to focus on. The lighting complemented the band’s theatrical flair. The visual elements were carefully designed to enhance the music without overshadowing it, creating an immersive experience for those in attendance.

The crowd, seeming mostly made up of long-time fans, was clearly enthralled. Farrell’s interactions with the audience were unapologetic and humorous but a highlight. There was a genuine connection between the band and the crowd, a reminder of why Jane’s Addiction has remained a beloved act for over three decades.

Jane’s Addiction’s performance at the Hard Rock Hotel & Casino was a testament to their enduring appeal and musical prowess.  However, I must say, I did expect a bit more energy to some of the songs and something seemed a little off all night amongst the members. As a fan I tried to block it out and allow my ears to absorb what I know these musicians have done and can do. These guys were cooler than cool back in the day but at this stage in their life all the rebel persona and drug references just aren’t as cool as they once were.  None the less, I was not disappointed, as they proved once again that they are not just survivors of the alt-rock explosion of the late ’80s and early ’90s but vital, evolving artists capable of delivering an unforgettable live experience. For anyone who has ever been a fan of Jane’s Addiction, or for those who simply appreciate a top-notch rock show, this was a night to remember.

For more info please visit http://www.janesaddiction.com

Live // Stone Temple Pilots

Concert Reviews

September 6, 2024 – PNC Bank Arts Center, Holmdel NJ

Review by Chris Yates // Photography by Estelle Massry

The PNC Bank Arts Center provided the perfect backdrop on this cool, late summer evening as Holmdel NJ hosted a ’90s rock trifecta as three iconic bands—Soul Asylum, Stone Temple Pilots, and LIVE were about to take the stage for a night to remember on The Jubilee Tour celebrating the 30th Anniversary of “Throwing Copper” and “Purple.”

I’ve been a fan of these three since my 20’s.  They populate many of my playlists to this day so I was excited to not only experience these bands live but also be in the fortunate position to review them. Each band brought their unique flair, making it a whirlwind through some of the most influential music of their era.

Soul Asylum had the shortest set list of the night but that certainly didn’t stop them from delivering a high energy performance to remember, kicking off the evening with their signature blend of grunge and alternative rock. Opening with “Somebody to Shove” they immediately tapped into the crowd’s collective memory, eliciting a wave of cheers and sing-alongs. The band’s energy was palpable, led by Dave Pirner’s distinctive voice and engaging stage presence. Hits like “Black Gold” and “Runaway Train” followed, each delivered with a mix of nostalgia and fresh intensity. Pirner, ever the charismatic frontman, shared anecdotes and interacted with the audience, making it clear that despite the years, Soul Asylum remains a formidable live act.

Stone Temple Pilots took the stage next, and the atmosphere shifted to an even higher gear. The band’s set was a masterclass in ’90s rock, opening with “Meatplow” followed immediately by the high-octane hit “Vaseline”.  Admittedly not the same without Scott Weiland, Jeff Gutt led the charge on vocals with confidence and charisma as the band delivered an impressive performance that balanced reverence for their past hits with a fresh, dynamic energy. Gutt’s voice, while distinctly different from Weiland’s, brought its own compelling intensity to classics like “Plush” and “Interstate Love Song.” The crowd was on their feet, lost in the raucous joy of familiar tunes, and the band’s tight musicianship and vibrant performance were a testament to their enduring appeal.

LIVE took the stage next to complete the circle with their powerful and emotive rock sound. They opened with “Top” followed by “All Over You” and it was clear from the first notes that the crowd was deeply engaged. Ed Kowalczyk’s commanding voice and the band’s richly layered sound made for a captivating experience. The setlist was a journey through their greatest hits, including “I Alone” and “The Dolphin’s Cry”, and closing with “Lightning Crashes.” Kowalczyk’s heartfelt delivery and the band’s impeccable musicianship resonated deeply with fans, and their performance felt both nostalgic and invigorating as we all sang along.

For each band, the visual and sonic elements of the show complemented the performance perfectly. The lighting design enhanced the mood of each song, shifting from the intense, pulsating lights, to some more subdued, atmospheric hues. The backdrops also complemented the lighting well as trippy, outer space type scenes shifted in and out with each note.

Overall, the evening was a throwback to my earlier days and made for a wonderful celebration of ’90s rock, with each band delivering performances that were both true to their classic sound and infused with a renewed energy. It was a night of three titans, each showcasing powerful vocals, and a shared appreciation for the music that defined a generation.

For more info please visit http://www.livetheband.com http://www.stonetemplepilots.com http://www.soulasylum.com