Alicia Keys

Concert Reviews

August 7, 2022 – The Met, Philadelphia PA

Review by Chris Yates // Photography by Estelle Massry

Philadelphia welcomed the 15-time GRAMMY® Award-winning singer-songwriter, actor, philanthropist, activist, and R&B royal Alicia Keys last night with a (more than sold out) packed house at The Met in Philly for “The Alicia + Keys World Tour”.

When I say “more than sold out” I reference what I noticed when I arrived at the box office – a long line that wasn’t moving. This show had been rescheduled from when the world and all entertainment events were stopped in their tracks due to the Covid-19 pandemic. Fans who purchased their tickets over a year ago apparently found that their seats were also more recently sold to others as the current show was re-released for sale. There were multiple groups of individuals with this same issue and the box office and the reception windows in the lobby of the venue were subject to irate concert goers.

Regardless, the show eventually opened with Pink Sweat$ who was promoting his debut album, Pink Planet, which was released in February 2021. As Pink Sweat$ performed, I noticed the place getting more and more packed with fans who were long awaiting their date night with their significant others… and Alicia Keys. 

I loved the way she appeared on stage, the set design was beautiful. The theatre went dark, and the stage was lit with blue lighting and a giant LED display, the length and height of the entire stage, showed video of an eclipsed Moon with the Sun slowly rising behind it.  As the sun rose, the light grew stronger and spotlights turned from blue to “sunset orange” as the stars from the universe whipped past. Then out of the light of the Sun, the silhouette of Alicia appeared to an elated, applauding crowd. 

Alicia was dressed in all black with shiny silver sequins accents and a sheer cloak. Her gorgeous piano rolled out on a moving platform, stage right, and she began to play.  I love the way she plays the keys and the command and comfort level she has over the ebonies & ivories. It’s like an extension of her body. She plays standing up and striking poses as she performs. Vocally, Alicia is capable of singing complex vocal runs and possesses a rich mezzo-soprano voice with a very solid lower register, and is able to hold notes for periods of time without wavering in pitch or tone. She often reaches well outside her comfort zone (particularly noticeable live). I always enjoy hearing her sing and watching her perform.  She interacted with the crowd and even came down the isles singing and parading through the audience, making for up-close and personal moments for attendees as they quickly shuffled for their phones as to not miss the opportunity to capture a lasting close-up moment as she passed by.

She’s a brilliant artist with a nice welcoming, soft, peaceful approach to her performances. I loved it!

For more info please visit http://www.aliciakeys.com

Setlist

  1. Nat King Cole
  2. You Don’t Know My Name
  3. Wasted Energy
  4. Time Machine
  5. Karma
  6. New Day
  7. Un-Thinkable (I’m Ready)
  8. So Done
  9. Me x 7
  10. Diary
  11. The Gospel
  12. Plentiful
  13. The Truth
  14. One For Peedi Crakk
  15. Skydive
  16. Is It Insane
  17. Only You
  18. Unbreakable
  19. My Boo
  20. City of Gods (Part II)
  21. Empire State of Mind (Part II) Broken Down
  22. Try Sleeping With a Broken Heart
  23. Girl on Fire
  24. Superwoman
  25. Fallin’
  26. In Common
  27. Gypsy Woman (She’s Homeless)
  28. Underdog
  29. No One
  30. Like You’ll Never See Me Again (Encore)
  31. If I Ain’t Got You (Encore)

Nine Inch Nails

Concert Reviews

May 25, 2022 – The Met, Philadelphia PA

Review by Chris Yates // Photography by Estelle Massry

The hammer came down on The Met in Philly as Nine Inch Nails (NIИ) played to a sold out crowd for their second night in a row. 

Returning to the road for the first time in four years, Trent Reznor, Atticus Ross, Ribin Finck and Ilan Rubin ignited The Met with a hard core, badass performance. The packed house was full of energy and anticipation as diehard NIИ fans awaited the start of the show. As the lights dimmed, hordes of smoke filled the stage and began to engulf the crowd like a mysterious fog approaching a coastline of fans.

NIИ opened with Wish and accompanying the fog throughout the show were blistering strobe lights and high powered high beams that flashed multiple times per second making it a challenge for any photographer.  The lighting, while blinding, was complemented by a lot of well used spot lights and as the lights followed Trent and the rest, it made for a very cool setting while the lights shined through the dispersing smoke as the show progressed.  Many of the NIИ favorites were performed such as Head Like A Hole, Closer and Sanctified.

The audience reacted to each song with tremendous energy, mirroring Trent as if throwing it right back at him, providing him with the energy he needs to deliver more. The band sounded great and I never really realized how timeless and current their sound still is.  One would never think they burst onto the scene back in 1988. 

NIИ closed out the evening with “Hurt” which was Grammy nominated in 1996 for Best Rock Song.

The band traveled North this past Memorial weekend and on May 27th, headlined Boston Calling in place of Foo Fighters alongside Metallica and Rage Against The Machine (Foo Fighters have cancelled all of their tour dates and festival appearances indefinitely in wake of the tragic death of drummer Taylor Hawkins in March).  

Nine Inch Nails started their 2022 tour on April 28th in Raleigh, NC and will close it out on September 24th in Cleveland, OH. You don’t want to miss it!

SETLIST

  1. Wish
  2. Last
  3. Letting You
  4. Sin
  5. Echoplex
  6. The Frail
  7. The Wretched
  8. Sanctified
  9. Heresy
  10. The Becoming
  11. Reptile
  12. Closer
  13. Me, I’m Not
  14. Burn
  15. The Line Begins to Blur
  16. Suck
  17. I’m Afraid of Americans
  18. Gave Up
  19. The Hand That Feeds
  20. Head Like a Hole
  21. Hurt

For more info please visit http://www.nin.com

Violent Femmes

Concert Reviews

September 24, 2021 – The Met, Philadelphia PA

Violent Femmes stepped out on the stage and took their place as the audience went silent. Silent until Gordon Gano let out an iconic “DAAAAY……”, then the crowd went nuts and continued on singing ever single word of “Add It Up”. I have to admit that I did a little jump with my camera in hand as well, it was hard to hide my excitement as I own every one of their cassette tapes (yes, cassette).

Their tour marks the 30th anniversary of the band’s Fifth album, “Why Do Birds Sing.” They played a 15 song set of their classic hits. Brian Ritchie switched from Bass to the xylophone for “Gone Daddy Gone” before their biggest sing along “Blister In The Sun”.

As one of the most distinctive bands of the early alternative movement, the band still have it and show no signs of slowing down as they are 40 years into their cult classic career and still touring. Tour started on September 3rd in Maryland Heights, MO – St. Louis Music Park and will end in Minneapolis, MN at The Armory on October 23rd.

Stay up to date with Violent Femmes by following the band: http://www.violentfemmes.com