Author: Estelle

Judas Priest

Concert Reviews

March 29, 2022 – The Met, Philadelphia PA

Review by Chris Yates // Photography by Estelle Massry

Judas Priest fans unite and descend upon The Met in Philadelphia, PA as the Heavy Metal elite come to play at the “50 Heavy Metal Years” tour! 

As “Metal” worshipers immediately packed the house from top to bottom not to miss the thundering Queensrÿche, I knew I was going to be in for a night of eardrum blasting, Heavy Metal Rock and the head banging, fist pumping of loyal fans!  Queensrÿche delivered a high energy level set with fan favorites such as “Queen Of the Reich”, “Warning” & “Empire”.

As the Judas Priest iconic symbol of a “pitchfork/cross” was lowered form the ceiling, outlined in red and shining bright spotlights from it’s core throughout the audience, as if searching for the devil in a sea of demons, the deep bass tone pounded through our chests. As the lights subsided the red glow of the pitchfork/cross ascended, revealing an industrial set design representing a scrap yard or foundry, complete with oil drums, fire, metal, and “Danger High Voltage” signs.  

Note: the Judas Priest symbol of a pitchfork/cross first appeared on the cover of their second album, 1976’s Sad Wings of Destiny, around the neck of a fallen angel. It’s come to symbolize the triumvirate, or coming together of two guitars and “you”.

The 70 year old Judas Priest, Metal God, front man Rob Halford emerged to the stage blasting his mighty voice, against the electric guitar playing of Richie Faulkner and noticeably making the hair stand up on the arms of faithful parishioners!  Halfords vocals were powerful and ripped through the veins of allegiant fans. To have pipes like that at 70 is something not many can maintain. The facial expressions as he belted vocals, combined with his tattooed shaved head and multiple jacket wardrobe changes had me glued to the bands presence and how the fans reacted.

Judas Priest revolutionized heavy metal fashion – leather, spikes and provocative/taboo clothing that became very popular during the 80’s. Tonight was a reminder of just how influential the band was and still are.

Judas Priest performed a set that featured a wide range of songs spanning their entire career. They have been touring and recording for over 50 years and have sold over 50 million albums worldwide as well as receiving a grammy award for Best Metal performance in 2010. That’s quite a career! The iconic band currently consists of Rob Halford (lead vocals), Richie Faulkner (guitar), Ian Hill (bass), Andy Sneap (guitar) & Scott Travis (drums).

As hard core metal fans would know, Judas Priest would not be Judas Priest it weren’t for Glenn Tipton. Needing no introduction, fans erupted in delight as Tipton walked out on stage. Although he stepped back from touring, he is hell bent on not letting Parkinson’s stop him from doing what he was born to do.

SETLIST

  1. War Pigs Battle Hymn
  2. One Shot at Glory
  3. Lightning Strike
  4. You’ve Got Another Thing Comin’
  5. Freewheel Burning
  6. Turbo Lover
  7. Hell Patrol
  8. The Sentinel
  9. A Touch of Evil
  10. Rocka Rolla
  11. Victim of Changes
  12. Desert Plains
  13. Blood Red Skies
  14. The Green Manalishi
  15. Diamonds & Rust
  16. Painkiller
  17. The Hellion
  18. Electric Eye
  19. Hell Bent for Leather
  20. Metal Gods
  21. Breaking the Law
  22. Living After Midnight

For more info please visit http://www.judaspriest.com

Alice Cooper

Concert Reviews

March 22, 2022 – NJPAC, Newark NJ

Review by Chris Yates // Photography by Estelle Massry

If you haven’t attended an Alice Cooper concert, you’re stuck in purgatory and need to find your nearest escalator down.  His army of adoring fans will attest, it’s an experience unlike anything you’ve ever seen.  I was early, so I meandered around the lobby of NJPAC and asked some concert goers one common question… Knowing he has a passionate, army of the dead, “zombie’sque”  following, I was curious to learn how many Alice Cooper shows they have attended?  It was no surprise that each answer were in the high double digits, and in some cases triple digits, with some fans having experienced over 100 shows since the mid 80’s. 100+ SHOWS!

LA based Buckcherry opened the show, warming the legions of Alice Cooper fans up for his one of a kind performance.

Alice and his all star cast of absolute rock superstars, (Nita Strauss/guitar, Ryan Roxie/guitar, Tommy Henriksen/guitar, Chuck Garric/bass and Glen Sobel/drums), put on not a just a great rock concert but a theatrical music performance, and as Alice would describe, “Vaudeville meets Cirque du Soleil, meets Rock & Roll!”

As I write this I truly don’t know where to begin. The show started with a large blue curtain backdrop (stage front) drawing of Alice’s dark eyes, and as a deep, haunting voice from the depths “welcomed us to our doom”, the pupils of the eyes on the curtain lit up.  Then as “Feed My Frankenstein” began to play the curtain dropped to a stage design, representing a dark castle, as if straight out of a Bram Stoker & Mary Shelley novel. Alice then emerged from a smoke filled doorway and began to sing.  Dressed in various prince of darkness top hats and jackets, with leather pants and killer skull and cross bone belt, the show launched into the stratosphere, and the army of followers in attendance became possessed.  It was borderline overstimulation of all my senses, from the first song to the last, my eye’s remained hypnotized to the stage and the performance that encompassed it.

This is not a concert but a well choreographed experience. Fans erupted as giant character after character were introduced with each song.  A larger than life Frankenstein walked the stage and messed with the musicians, giant babies, witches, zombie brides and demons were all parts of the show, appropriately complementing each song. Confetti filled giant balloons popped through the crowd, cannons shot streamers, and bubbles that filled the stage like haunted orbs, popped turning into smoke. It was quite a spectacle that allowed the audience to interact with the show.

Alices soldiers, Nita, Ryan, Tommy & Chuck shredded their guitars all night and worked the stage and played to the theme as if having an actors role in the script Alice wrote for the night, all as the rightfully anointed, #1 voted drummer in the world (Glen Sobel) banged away. 

I addition to Feed My Frankenstein, everyone’s favorite songs were played from “Poison”, to “I’m Eighteen” and “Hey Stoopid”, to “Dead Babies”, “Bed of Nails” and many more.  After two hours of rock joy, the show seemingly concluded, but the audience screamed “one more song” over and over, to the point where I felt they would sell their soul for one more tune. Their wish was granted as Alice closed the evening with a long version of “School’s Out”.

If Alice ever comes your way, don’t miss him. And hey… if you cant score a ticket, you might want to consider selling your soul. You may just get a front row seat.

For more info please visit http://www.alicecooper.com

Joe Bonamassa

Concert Reviews

March 20, 2022 – Count Basie, Red Bank NJ

Review and photography by Estelle Massry

At 8 o’clock sharp the theme song from “Welcome Back Kotter” blared through the sold out theatre. The guitar virtuoso and his band then walked out silently on the dark stage as fans prepared for what would be a hypnotic experience… “The Guitar Event of the Year”.

Joe dressed in black with his trademark dark shades and slicked back hair, electrified fans with “Evil Mama”. There was so much love in the audience straight from the first note. Few artists have established such a devoted fan base as Bonamassa has. It is very impressive.

One can alway rely on Joe assembling the best of the best, absolutely outstanding musicians and singers. I was mesmerized by the beautiful backup vocals of Jade MacRae & Danielle De Andrea who were seamlessly in lock-step with one another throughout the entire performance. Bonamassa never disappoints!

Joe is a master of contemporary blues. One of the top 5 guitarists alive today and the world’s most high-profile guitar collector. All of these vintage guitars mixed with his talent is pure magic, legendary guitar riffs of blues/rock. Bonamassa meticulously displays outstanding showmanship and phenomenal guitar playing. One can feel his soul pouring through his body, down to his fingers, delivering pure magic through his guitar.

It’s astonishing how Joe can transition from soulful blues to full on rock & roll – powerful is an understatement . Two hours of nonstop, goosebump performance to the point where I could barely hold my camera.

“Royal Tea” is the fourteenth solo studio album and has been nominated for a Grammy Award as “Best Contemporary Blues” album, deserving of royalty!

For more info please visit http://www.jbonamassa.com

Setlist

  1. Evil Mama
  2. Dust Bowl
  3. Love Aint A Love Song
  4. Midnight Blues
  5. The Heart That Never Waits
  6. I Didn’t Think She Would Do It
  7. Just Cuz You Can
  8. Pain and Sorrow
  9. Notches
  10. Lonely Boy
  11. Ballad of John Henry
  12. Woke Up Dreaming
  13. Mountain Time

Ministry

Concert Reviews

March 12, 2022 – The Wellmont, Montclair NJ

Review by Chris Yates // Photography by Estelle Massry

Ministry / Industrial Strength Tour

Not many bands have the presence, or know how to make a statement quite like Ministry and Saturday night was no exception.  Joined by Corrosion of Conformity, a heavy metal band from Raleigh, NC (also known as C.O.C.) and Melvins, a Washington State tenant of sludge-metal, the night was a powerhouse, recking ball of industrial strength & metal rock.

Church was in session with Ministry, lead by the constant intensity and powerful strong vocals of Al Jourgensen. The pioneering, high octane filled band spread their Gospel, fueled by powerful lyrics representing anti-fascism, equal rights, and distaste of political corruption.

As the stage techs finished constructing Ministry’s iconic fence, prior to the band walking out, the lights dimmed and the large screen in back center stage illuminated with the Ukrainian Flag which read, “Ministry Stands with Ukraine”, as the Ukrainian National Anthem played. It was a unique, one of a kind experience as timing for this show combined with the lyrics the band preaches is impeccable, as Russian forces continue to bombard and invade the Ukraine for the third week in a row leaving death and destruction in their wake. 

The strong, powerful vocals, mixed with electrifying, aggressive “riffage” from Ministry spread through the Wellmont Theatre all night to a packed, head banging crowd.

“Uncle Al” complemented his tattooed and pierced face with a black vest, arm sleeves, and accent neck pieces of a cross, skull, dog-tag, and bullet resembling the vigor he brings to each performance. He shook the cage as he sang, as if he and his band mates were caged animals, threatening to escape and infiltrate the sea of fans taking it all in.

Lead guitarist, Monte Pittman’s high energy and skillful guitar playing captivated admirers and provided an extra jolt to an already electrified performance. Cesar Soto (guitar), Paul D’Amour (bass), Roy Mayorga (drums) & John Bechdel (keys) were no disappointments either – that’s one hell of a band!

My ears were buzzing the entire day after, and I’d do it again within a blink of an eye.

The Industrial Strength tour celebrates 30 years of Ministry’s landmark album, “The Mind Is A Terrible Thing to Taste”.  The night included songs from that album as well as debut songs from the bands brand new 15th studio album, “Moral Hygiene”.

For more info please visit http://www.ministryband.com

Setlist

  1. Breathe
  2. The Missing
  3. Deity
  4. Stigmata
  5. Supernaut
  6. Don’t Stand in Line
  7. Man Should Surrender
  8. Burning Inside
  9. N.W.O.
  10. Just One Fix
  11. Thieves
  12. So What
  13. Art Level (Encore)
  14. Good Trouble (Encore)
  15. Search and Destroy (Encore)

Psychedelic Furs

Concert Reviews

March 11, 2022 – The Wellmont , Montclair NJ

Review by Chris Yates // Photography by Estelle Massry

Being a high school product of the mid 80’s, and a fan of 80’s punk & rock music, (as well as John Hughes films), I didn’t know what to expect as I was driving up the Garden State Parkway, about to review the Psychedelic Furs.  Would they be stuck in the 80’s? What would they wear? Would they have 80’s hair?  Would they even have hair? How old do they really look (and sound)?  I mean, it’s been over 30 years since they’ve released an album. I thought to myself, I don’t think it will be a packed house… I mean, I danced to their songs at my high school prom for shit’s sake…

I arrived early and caught the opening act, Royston Langdon.  He seemed to have a following, as some of the young members of the audience who crowded the lower level of the theatre to experience him left after his performance. This, in turn, left me with a worried feeling, fearing a lack of attendance for the Psychedelic Furs.  

I found Royston to be an awkward mix of Johnny Cash & Justin Bieber (as if you can try to picture that) but as he played, I warmed up to him and can see why he has a cultish following. He played a hard-strumming guitar with a strong range of vocals, from a deep bass and upper baritone to a high treble. I enjoyed his performance.

Thankfully and a bit to my pleasure, the theatre filled quickly as the techs prepped the stage for the Furs. I found myself frequently looking back to the audience from up close near the pit, and each time I turned, the crowd filled in more and more.  Ultimately, it was truly a packed house of Psychedelic Fur fans and fans of 80’s music. I was pleasantly surprised.

The Butler brothers, Richard (lead vocal) and Tim (bass), and the rest of the band members, Rich Good (lead guitar), Mars Williams (sax) and Zack Alford (drums), walked on stage as the lights dimmed, greeting the applauding crowd with a wave as they took to their positions. Before even hearing a note or tune, I was immediately launched back to my high school days when I noticed their hair and Richard’s baggy pants accompanied by an English tuxedo jacket with tails.  Brother Tim on bass dressed more modern Rock & Roll, with side snap jeans and a skull embroidered blazer, as did Rich and Mars, with form fitting jeans, cool tee’s, and stylish button downs. A very cool political (more humanitarian) statement of peace was made by Rich Good, as his guitar adorned the Ukrainian flags colors of blue and gold, acknowledging his support as the country has been continually under siege by Russian forces these past 3 weeks.

As if the the visual of the band didn’t throw me back enough, the moment they started playing, the lead vocals of Richard Butler catapulted me, pleasantly back in time with his smooth melancholy tones.  The Furs didn’t act their age either, and what I mean by that is, they are great performers!  Theatrical, with plenty of movement as they seemed to connect intimately with the crowd, as if knowing the impact they had on their generation.  Tim interacted closely, leaning into the crowd with his bass and Mars used every inch of the stage as he played his iconic sax sounds for which the band is so well known.

The British Punk Rock band opened with “Highwire Days” followed by many more favorites, incorporating a good mix of new songs and old, including their famed “Pretty in Pink” – finishing off with “Heartbreak Beat” before the encore “Sister Europe” & “India”.

It was a great, nostalgic evening.  I found myself wanting to hear and see more, and I’d do it again in a “Heartbreak Beat”!

For more info please visit http://www.thepsychedelicfurs.com

Don Felder

Concert Reviews

February 28, 2022 – Count Basie, Red Bank NJ

Review by Chris Yates // Photography by Estelle Massry

Legendary, American Rock & Roll Guitar Hero, Multi-Platinum, Hall of Fame Inductee and a New York Times Best Selling Author are just a few of the phrases that describe the amazingly talented Don Felder of Eagles fame.

Having co-written many of the Eagles hits such as the Grammy studded “Hotel California”, (one of the most played songs on the radio in Rock & Roll history), “Victim of Love” and “Those Shoes”; Don Felder played many Eagles hits throughout the evening.

Don Felder dressed in black jeans, a black tee and a cool black leather jacket, walked on the stage quietly and slowly, and after a welcoming wave gesture to the audience, opened with “Already Gone”, followed by “One of These Nights”, and then gave a nod to long time friend Stevie Ray Vaughan with “Pride and Joy”. From the opening song to the closing song, I found myself knowing every word and singing along with everyone else in the Count Basie Theatre.

The stage was set with a giant screen which played music videos corresponding to each song and in some cases literally matched the vocals of the past performances showcasing a younger but equally as skilled Don Felder. I found it particularly cool to see this technology displayed when he was singing Stevie Ray Vaughan’s “Pride and Joy” making it seem as if they were sharing the stage and in sync with one another. Equally entertaining as the music was, I also enjoyed listening to the stories Don Felder would tell between each song regarding their origin, and the experiences and people (other famed artists) he met along the way. As successful as Don Felder has been, he made it quite apparent that he continues to perform for the fans and for his love of music.

The evening went on with many sing along Eagles hits including “Peaceful Easy Feeling”, “Those Shoes”, “Witchy Women”, “Heartache Tonight”, “Life in the Fast Lane” & “Take It Easy” (to name a few), combined with some of his solo work. For the finale, the moment his iconic double neck guitar was handed to him, people left their seats and crowded to the front. We all knew what was about to come, which for some, would be a once in a lifetime music experience as he played the famed intro of ” Hotel California” and rocked the guitar solo.

After the band took their bow and left the stage, Don Felder was gracious and stuck around to engage with his fans, signing autographs and handing guitar picks to many. A class act indeed!

Don Felder’s Band consists of David Myhre (guitar), Paul Sidoti (bass), Seth Rausch (drums) & Rob Arthur (keys).

For more info please visit http://www.donfelder.com

Gin Blossoms

Concert Reviews

November 19, 2021 – Wellmont Theatre, Montclair NJ

Gin Blossoms dominated radio and MTV playlists for most of the 90’s. Their breakout album “New Miserable Experience” was their rise to fame, with hit singles such as: “Hey Jealousy”, “Allison Road, “Until I Fall Away”, “Mrs. Rita” and “Found Out About You”.

Gin Blossoms hit the scene in the early 90’s with their edgy pop music, which at the time was markedly different from the bulk of the 1990’s modern rock albums. They were the darlings of national radio stations as the band saw early success. Fast forward 30 years later and the Gin Blossoms still have a cultish following made up of those who seemed to be…not quite the early jumpers to the grunge scene of the 90’s.

Asa the lights dimmed on the anticipatory crowd within the Wellmont, the Gin Blossoms took their positions on stage, raising an occasion arm welcoming the audience. Then band opened with “Follow You Down”, a less traditional, “hold on to you ever so tightly” love song that the audience san along with start to finish. They played to not quite a sold out show, but the Wellmont was still packed with adoring fans.

The one set-back of this event, and pretty much any event at the Wellmont that doesn’t hold the viewers attention start to finish, is the venue acoustics. Towards the back of the venue, within closed doors of the event (not behind closed doors), are three bars serving drinks to attendees. While I enjoy the occasional cocktail (not while shooting of course), the noise from the ar scene was overwhelmingly distracting to the point where on-goers were actually “shhh’ing” the beverage patrons in an effort to hear the music. It was a loud bar scene and is a definite venue issue needing to be resolved, which in my opinion, disrespectfully affects the opening bands far more than the headliners, but also effects paying ticket holders equally as important.

Gin Blossoms consists of members Robin Wilson (lead vocals, guitar), Scott Johnson (guitar), Jesse Valenzuela (guitar), Bill Leen (Bass) and Scott Hessel (Drums). They are currently touring across 2 countries and has 57 upcoming concerts, ending in Toronto, ON on July 21, 2022.

For more info please visit http://www.ginblossoms.com

Sebastian Bach

Concert Reviews

October 17, 2021 – The Stone Pony, Asbury Park NJ

Review by Chris Yates \\ Photos by Estelle Massry

Former Skid Row front man Sebastian Bach is celebrating the 30th Anniversary of the band’s second album, “Slave To The Grind”, touring through the U.S. this fall. Each show will be the recipient of the LP in its entirety throughout the tour, which kicked off in September. Touring with Sebastian Bach and his band are Detroit based “Kaleido. Front woman Cristina Chris possesses powerful Detroit city rock vocals backed by the high energy stage presence of Drew Johnson on lead guitar, Joey Fava on drums, and Cody Morales on bass. The band set the stage for a triumphant return of Sebastian.

On Sunday, October 16th Sebastian returned to the Stone Pony throwing the music soaked Asbury Park, NJ back to the late 80’s and early 90’s, hair band, glam rock days and Sebastian didn’t disappoint. The moment Sebastian took the stage and before vocalizing a single note, he “head banged” with the crowd setting the tone for what was to be a night of great music. There was a sense of homecoming as not only had Sebastian played The Stone Pony before, but this album was a collaborative effort I 1991 between the band members where the songs were written in their basements and rehearsal rooms in New Jersey!

Sebastian was noticeably happy to be back, telling stories between songs and reminiscing about NJ and the Skid Row days engaging with the audience, tossing water bottles, giving fist bumps, and holding signs handed to him from the front row. Sebastians vocals were strong and on point with zero help from any auto tune technology (which he was proud to inform the crowd). Not only did he play Slave to The Ground in it’s entirety, but mixed in Skid Row favorites as well as a few covers. Yes…if you’re still wondering his golden locks of long hair are still flowing.

Sebastian’s band consists of Brent Woods on guitar, Rob Deluca on bass and Jeremy Colson on drums.

http://www.sebastianbach.com

FALL 2021 US TOUR DATES

09/25 – Waterloo, NY @ The Vine at Del Lago Casino
10/01 – Grapevine, TX @ Glass Cactus
10/03 – Cedar Park, TX @ Haute Spot
10/05 – Oklahoma City, OK @ Diamond Ballroom
10/07 – Houston, TX @ Warehouse Live
10/09 – San Antonio, TX @ Tierra Sagrada Rockfest
10/12 – Hopewell, VA @ Beacon
10/13 – Bristol, TN @ Paramount Center
10/15 – New York, NY @ Sony Hall
10/16 – Baltimore, MD @ Baltimore Soundstage
10/17 – Asbury Park, NJ @ Stone Pony
10/19 – New Haven, CT @ Toad’s Place
10/20 – Middletown, NY @ Orange County Fair Speedway Arena
10/22 – Boston, MA @ Big Night Live
10/23 – Philadelphia, PA @ Theatre of Living Arts
10/25 – Virginia Beach, VA @ Elevation 27
10/26 – Greensburg, PA @ Palace Theatre
10/29 – Miami, FL @ KISS KRUISE
11/06 – Ft. Lauderdale, FL @ Culture Room
11/07 – Orlando, FL @ Hard Rock Live
11/09 – Atlanta, GA @ Variety Playhouse
11/10 – Nashville, TN @ Brooklyn Bowl
11/12 – Louisville, KY @ Mercury Ballroom
11/13 – Cleveland, OH @ MGM Northfield
11/14 – Cincinnati, OH @ Bogarts
11/17 – Grand Rapids, MI @ Intersection
11/18 – Ft. Wayne, IN @ The Clyde
11/19 – Detroit, MI @ Harpos
11/21 – Minneapolis, MN @ Skyway Theatre
11/27 – Denver, CO @ Gothic
11/29 – Billings, MT @ Pub Station-Ballroom
11/30 – Great Falls, MT @ The Newberry
12/02 – Suquamish, WA @ Clearwater Casino
12/03 – Portland, OR @ Aladdin
12/06 – San Francisco, CA @ August Hall
12/11 – Blue Lake, CA @ Blue Lake Casino
12/16 – Los Angeles, CA @ Fonda
12/17 – San Diego, CA @ House of Blues

Violent Femmes

Concert Reviews

September 24, 2021 – The Met, Philadelphia PA

Violent Femmes stepped out on the stage and took their place as the audience went silent. Silent until Gordon Gano let out an iconic “DAAAAY……”, then the crowd went nuts and continued on singing ever single word of “Add It Up”. I have to admit that I did a little jump with my camera in hand as well, it was hard to hide my excitement as I own every one of their cassette tapes (yes, cassette).

Their tour marks the 30th anniversary of the band’s Fifth album, “Why Do Birds Sing.” They played a 15 song set of their classic hits. Brian Ritchie switched from Bass to the xylophone for “Gone Daddy Gone” before their biggest sing along “Blister In The Sun”.

As one of the most distinctive bands of the early alternative movement, the band still have it and show no signs of slowing down as they are 40 years into their cult classic career and still touring. Tour started on September 3rd in Maryland Heights, MO – St. Louis Music Park and will end in Minneapolis, MN at The Armory on October 23rd.

Stay up to date with Violent Femmes by following the band: http://www.violentfemmes.com

Post Malone

Concert Reviews

February 21, 2020 – Wells Fargo, Philadelphia PA

With his messy-hair, scraggly beard and face etched with “stay away” tattoos, Post Malone may seem an unlikely megastar, but his is undoubtedly one of the biggest singers and songwriters on the planet right now.

The rapper, pop star, rock star, singer and songwriter emerged through a haze of smoke playing to a full house at Wells Fargo. He made his way down a long runway that extended far out in the audience as he opened with the instrumental introduction “Hollywood’s Bleeding” as a quintessential way to start the “Runaway Tour”.

Post Malone dominated the stage and poured so much emotion into very single song. There was no major “theatricals” other than the constant fireworks and flames. It was Post Malone, intimate and raw, showing us who he is and how appreciative he is, being ever so humble thanking the crowd numerous times in between songs for being there.

“I went from sleeping in a closet to being able to tour and come and play and sing these songs for people who want to hear them. And it is the biggest blessing in the f-cking world and I cannot thank you enough.

What makes Post Malones music so well received? The secret can be seen in each hit…starting each song with a chorus. Post’s music is smooth. His sustained vibrato belches combined with hip-hop machine rhythm and rock’s tonal smearing leads you in an almost hypnotic state. The music streams into you and through you.

The audience were all captivated by his versatility, authenticity, his movements and his style. He really is a true ROCKSTAR!

http://www.postmalone.com

Set List

  1. Hollywood’s Bleeding
  2. Better Now
  3. Saint-Tropez
  4. Goodbyes
  5. Die for Me
  6. Allergic
  7. Candy Paint
  8. Psycho
  9. Enemies
  10. Wow
  11. Paranoid
  12. I Fall Apart
  13. Over Now
  14. Take What You Want
  15. Stay
  16. Circles
  17. Go Flex
  18. White Iverson
  19. Sunflower (with Swae Lee)
  20. Rockstar
  21. Congratulations