Staind & Godsmack

July 29^th 2023 – PNC Arts Center, Holmdel NJ

Review by Chris Yates // Photography by Estelle Massry

An Explosive Night of Rock and Emotion!

On a pulsating night filled with electric energy (literally… as micro bursts of heavy winds, thunder & lightening erupted just prior to the performance), two titans of the rock world, Staind and Godsmack, took the stage at the PNC Arts Center in Holmdel, NJ. The concert was a riveting blend of hard-hitting rock anthems and heartfelt ballads, proving that both bands have not lost their touch in delivering an unforgettable live experience.

Opening the night was DJ “Mix Master Mike” of Beastie Boys fame who got the crowd jumping and energized for the show.

Then after a short delay due to weather and as the stage lights flickered, Staind with lead singer Aaron Lewis emerged, armed with his acoustic guitar, ready to deliver an emotionally charged set. Staind’s music has always been known for its introspective lyrics and haunting melodies, and tonight was no different. As he strummed his guitar and opened his mouth to sing, an aura of authenticity and vulnerability enveloped the venue, captivating us all. It was evident that Lewis was not just performing for us; he was sharing his soul with the audience.

His vocal range was nothing short of extraordinary, seamlessly shifting from tender, melodic verses to powerful and commanding choruses. Each note was executed with precision and finesse, while his expressive vibrato added a captivating touch to every lyric. It felt as if every word carried its own weight, and he skillfully conveyed the emotions behind each song, making them resonate deeply with the audience. I have always loved Stand’s music and Aaron’s voice but listening to him live absolutely blew me away. I had the chills throughout multiple songs!

Opening with the haunting ballad “Outside,” Aaron Lewis’ soulful vocals filled the venue and captured the hearts of every single person in attendance. The band moved seamlessly through their discography, playing crowd favorites like “It’s Been Awhile,” “So Far Away,” and “Epiphany.” The emotional intensity was palpable as fans sang along, connecting with the poignant themes of love, loss, and self-reflection present in Staind’s music.

The standout Staind moment of the night came during “Something to Remind You,” where Aaron Lewis left the crowd stunned with his raw and vulnerable performance. The atmosphere became electric, as if providing our own micro burst, as thousands of voices harmonized, creating a spine-tingling experience that will be etched in the memories of all those present.

After a brief intermission, the crowd eagerly awaited the arrival of Godsmack, the Boston-based powerhouse known for their intense performances and thunderous sound. The band is celebrating 25 years together!

As the lights dimmed, the crowd erupted in cheers as their curtain dropped and the unmistakable growl of lead singer Sully Erna echoed through the venue, pyrotechnics and all. They kicked off the show with their hit “Cryin’ Like a Bitch,” setting the tone for a night full of raw energy. Throughout their set, Godsmack unleashed a barrage of their biggest hits, including “Awake,” “Speak,” and “Voodoo.” The band’s chemistry on stage was undeniable, with guitarist Tony Rombola shredding away and bassist Robbie Merrill keeping the rhythm tight. The highlight of their performance was undoubtedly the drum battle between Sully Erna and drummer Shannon Larkin. The two engaged in a mind-blowing drum duel that left the audience speechless and cheering for more.

Winding down the evening, Sully sat at the piano as he played in support of one of their many charities, The Scars Foundation; which benefits mental health awareness, reminding us “that we are all imperfectly perfect”.

The Staind & Godsmack concert was an unforgettable night of rock and emotion. Both bands showcased their immense talent and ability to connect with their audience on a profound level. Godsmack’s heavy-hitting performance set the stage on fire, while Staind’s emotionally charged set struck a chord with every heart in the room. The combination of these two powerhouse bands made for a concert experience that will resonate with fans for years to come.

For more info please visit: http://www.staindofficial.com http://www.godsmack.com www.scarsfoundation.org

Boy George & Culture Club

Concert Reviews

July 26, 2023 – PNC Arts Center Holmdel, NJ

Review by Chris Yates // Photography by Estelle Massry

A Timeless Explosion of Nostalgia and Artistry lit up the PNC Arts Center in Holmdel, NJ on Wednesday night.

Opening for Boy George were Howard Jones and Berlin which were the perfect setup, getting the audience in the mood as we were all thrown back to the 1980’s.

Howard Jones, the British synth-pop legend known for his trailblazing music in the 1980s, transported the audience on a captivating journey through time with a blend of classic hits and modern adaptations.

Jones performed classics like “Things Can Only Get Better” and “Life in One Day” which resonated with the audience, evoking fond memories of their youth. Perhaps one of the most touching moments of the evening was when Jones performed “No One Is to Blame.” The audience swayed in unison, moved by the heartfelt lyrics and the enduring message of hope and forgiveness. But it wasn’t all about reliving the past. Jones demonstrated his artistic growth by introducing new arrangements and reimagined versions of some songs, showcasing his musical evolution without losing the essence of the originals.

Following Howard Jones was the iconic Terri Nunn, frontwoman of the legendary band Berlin. With a career spanning decades and a voice that still resonates powerfully, Terri delivered a captivating performance that reminded us all why she remains an enduring figure in the music industry. From the very first note, it was evident that Terri’s voice had lost none of its power or allure. Her voice soared effortlessly through the venue, hitting high notes with precision and resonating with raw emotion. Nunn’s ability to convey both vulnerability and strength within her vocal delivery was nothing short of awe-inspiring. Terri and the band curated a setlist that catered to both longtime fans and newcomers alike. Classics such as “Take My Breath Away” (of Top Gun fame) and “The Metro” elicited thunderous applause and sing-alongs from the crowd. Nunn also treated the audience to some newer material, demonstrating her continued creative evolution as an artist.

After Berlin, as the lights dimmed and the eager crowd settled into their seats, a wave of anticipation washed over the venue. The stage came alive with a burst of color and energy as Boy George and Culture Club gracefully made their entrance. It was a moment that transported the audience back to the iconic 1980s, a time when their music had captured the hearts of millions. This live performance was set to be a night of nostalgia and celebration of a band that continues to captivate audiences with their unique style and unmistakable talent.

The opening chords of “Next Thing Will Be Amazing” reverberated through the venue, instantly igniting the atmosphere. Boy George, the enigmatic front-man, looked as vibrant as ever with his signature flamboyant outfit, adorned with his iconic hat and makeup. His voice was in top form, and it was evident that time had done nothing to diminish his vocal prowess. The audience, a diverse mix of generations, sang along with fervor, proving that the songs of Boy George and Culture Club have truly transcended time.

Throughout the evening, the band delivered hit after hit, each song accompanied by incredible musicianship and contagious energy. From the groovy beats of “Karma Chameleon” to the heartfelt balladry of “Do You Really Want to Hurt Me,” the band had the crowd dancing, swaying, and emotionally engaged all at once. Beyond the undeniable chemistry between Boy George and Culture Club, the supporting musicians were outstanding, enhancing each song’s depth and adding their own flair to the performance. The saxophone was particularly impressive, adding a soulful touch to the band’s already eclectic sound.

Boy George’s magnetic presence on stage was captivating, as he effortlessly interacted with the audience, always with a smile, sharing stories and anecdotes between songs, speaking to the audience to “Let it Go” on this night, “relax, forget your troubles and enjoy the music that surrounds you”. His humor and wit had everyone laughing, creating an intimate atmosphere that made the audience feel like they were part of a special gathering rather than just spectators at a concert. He celebrated how long the band has been playing together and joked that “they didn’t break up for 4 years, they just didn’t talk each other”.

One of the standout moments of the night was their rendition of “Time (Clock of the Heart),” which left many in the audience teary-eyed and moved. Boy George’s emotional delivery and the band’s heartfelt performance struck a chord with fans, reinforcing the timeless quality of their music and its enduring emotional impact. It was a special time to see a live show as tributes were made to the recent passing of Sinéad O’Connor, as well as Mick Jagger’s 80^th (Yes 80!!) birthday, sighting that “the music will keep you young” as he went into a rendition of the Rolling Stones, “Sympathy for the Devil”.

As the concert reached its climax, the unmistakable intro of “I’ll Tumble 4 Ya” had the entire venue on its feet, dancing and celebrating the night away. Boy George and Culture Club had created a time warp that brought the audience back to the ’80s, and yet the magic of their music felt just as fresh and relevant as it did decades ago.

Boy George and Culture Club proved once again why they remain an iconic force in the music industry. Their live performance was a testament to their artistry, showmanship, and ability to bridge generations through their timeless music. The night was a celebration of nostalgia, love, and the enduring impact of a band that continues to leave an indelible mark on the hearts of their fans.

For more info please visit http://www.boygeorgeandcultureclub.net http://www.berlinpage.com http://www.howardjones.com

Garbage // Noel Gallagher’s High Flying Birds

Concert Reviews

July 14, 2023 – The Mann Center, Philadelphia, PA

Review by Chris Yates // Photography by Estelle Massry

Music Den Live would like to personally thank Shirley Manson’s granny and Noel Gallagher’s granny for being sick of them enough to ship them off to America on tour together, just for our pleasure.

In an interview prior to their American tour, they were asked; How did you come to find yourselves touring together? Manson replied, “well, my granny knows Noel’s granny and everybody thought it would be a good idea if we toured America together.” Gallagher followed by stating, “my granny said to Shirley’s granny, Look, I’ve had enough of him. And you’ve had enough of her, so let’s pack them off to America.”

And thankfully for us they love their granny’s enough to listen!

It was a hot and humid night in Philadelphia at the beautiful outdoor amphitheater, The Mann Center. While hot, it seems the weather Gods blessed us as it rained just about everywhere on the east coast this evening except over Philadelphia.

Touted as one of the best Canadian bands of all time, Metric opened the evening for the co-headliners and put on a great show. It’s easy to see why they have such a strong following. This Toronto indie rock group, which is also appreciated in synth-pop circles, started in the late 1990s as the duo of Emily Haines and James Shaw. It has since grown into a foursome that continues to draw raves from a loyal fan base and music critics alike. Among the eight studio albums Metric has released, 2009’s “Fantasies” remains the gold standard. It won the Juno Award for Alternative Album of the Year, and the song “Stadium Love“ has been incorporated into game-day experience by MLB’s Toronto Blue Jays and the NHL’s Edmonton Oilers over the years. Emily has strong stage presence and sang with a ton of energy. They were the perfect opener for Garbage who followed.

Garbage, led by Shirley Manson is one of the most influential female led rock, alternative rock and grunge bands of all time. While led by Scottish singer, Manson, Garbage is actually an American band formed in 1993 in Madison, Wisconsin. At the time, the grunge scene was dominated by male led bands like Pearl Jam, Nirvana, Soundgarden, Alice in Chains and more, Garbage and Shirley (as female lead) stood out and recognized immediate commercial success. The bands debut album holding the same name was critically acclaimed upon its release. Selling over four million copies and going double platinum in the US, UK and Australia. It was accompanied by a string of successful singles including Stupid Girl and Only Happens When it Rains. Other than Manson, the band’s line-up consists of American musicians Duke Erikson, Steve Marker, and Butch Vig and has remained unchanged since its inception. All four members are involved on the writing and production process.

Shirley and the band came on stage with tremendous confidence and comfortability which was welcomed with thunderous applause. Manson looked beautiful and very cool in what I would define as grunge chic, wearing a white long top which came below her knees, tights with a colorful pattern underneath, with patent leather boots donning red accented tips. Over her white top she wore a red tulle cover which accented the stylish outfit, accompanied by a black sash draped over her waistline. Her hair was slicked back tight and she wore cool eye makeup. It was a very stylish, almost high fashion outfit/look. Shirley sang powerfully and moved about the stage giving on-lookers who were lucky enough to have close seats a personal experience. Her stage presence was not just powerful. The best way I can describe it is Badass! Garbage played in front of a screen that changed colors and images and the lighting was great! I loved how she struck poses of confidence and really soaked in the audiences appreciation. She played for about an hour and a half with a large set list which included many of the fans favorites. I enjoyed it very much!

Following Garbage was Noel and his High Flying Birds. I never had the chance to see and review Oasis but was a fan of their music and can remember singing many of their songs as I blasted them on my car stereo. Noel was the chief songwriter, lead guitarist and co-lead vocalist of the rock band Oasis until their split in 2009. After leaving Oasis, he formed Noel Gallagher’s High Flying Birds. He is one of the most successful songwriters in British music history, as the writer of eight UK number-one singles and co-writer of a further number one, as well as the sole or primary writer of ten UK number-one studio albums. He is widely considered to be one of the most influential songwriters in the history of British rock music, cited by numerous major subsequent artists as an influence, so I was excited to experience his music live.

Noel is from Manchester, England and if you weren’t aware, is a HUGE, I mean HUGE fan of Manchester City Football Club (soccer for those on this side of the pond). This is made overly apparent by his stage/set design complete with life size cardboard cutouts of the Man City coach and some players as well as a Man City podium. The cutouts were accompanied by a bunch of flower arrangements and bouquets spread throughout. It was an interesting set design to say the least. Noel was accompanied on stage with quite a few other members. Not only musicians but a line of backup singers, percussion and synthesizer or techno/electric techs. The compilation worked as he sang in beautiful melodic tones while playing his guitar and positioned center stage. He played for another hour and half and to the delight of the audience, mixed in some Oasis songs towards the end of the set. Not too much movement about stage, but when your voice carries you as his does, not much movement is needed as that speaks for itself. I enjoyed the show, as did many of the fans who support him all wearing their Man City jerseys if droves.

They concluded their tour in Boston after finishing Philadelphia, so while you won’t get the chance to see them on this tour after reading this review, I would recommend seeing all three bands live the next time you have the chance, whether together or individually.

Oh… and special thanks to Granny Gallagher & Granny Manson!

For more information please visit

http://www.garbage.com

http://www.noelgallagher.com

http://www.ilovemetric.com

Counting Crows

Concert Reviews

July 6, 2023 – PNC Bank Arts Center, Holmdel NJ

Review & Photography by Estelle Massry

The Grammy and Academy Award-nominated rock band Counting Crows have captivated us with their soulful tunes since their multi-platinum breakout album in 1993, “August and Everything After” selling more than 7 million copies in the United States.

The Counting Crows’ debut single, “Mr. Jones” was released 30 years ago. How ironic to make a song about how cool it would be to be famous only to have it come true and still valid after all this time.

Despite the blistering heat, the outdoor venue filled up quickly in anticipation of fans seeing their favorite band. Dashboard Confessional are joining Counting Crows on the “Banshee Season Tour” and what a great surprise it was to have Adam come out out to introduce them and say how happy he is to be on tour together as they are long-time friends and his favorite band.

The Counting Crows play with pure passion and stage presence. Every member of the band shows his love for their songs and for what they do. Adam Duritz’s intimate expressions as he delivers each song makes you feel connected. I feel that every one of us have our own personal stories that we go back to and reflect on as we hear these songs. The fans sure felt it and embraced it from the moment they stepped on stage until the very last note.

Formed in 1991, the band consists of Adam Duritz (vocalist), Charlie Gillingham (keyboards), David Immergluck (multi-instrumental), Dan Vickrey (guitar), David Bryson (guitar), Millard Powers (bass) and Jim Bogios (drums). The “Banshee Season Tour”kicked off on June 13th in Omaha, NE and will finish off at Red Rocks Amphitheater in Morrison, CO on September 25th.

For more info please visit http://www.countingcrows.com